{"id":128,"date":"2020-09-18T18:02:50","date_gmt":"2020-09-18T18:02:50","guid":{"rendered":"https:\/\/eportfolios.capilanou.ca\/anaisbayle\/?p=128"},"modified":"2020-09-21T20:52:05","modified_gmt":"2020-09-21T20:52:05","slug":"visual-research-i","status":"publish","type":"post","link":"https:\/\/eportfolios.capilanou.ca\/anaisbayle\/2020\/09\/18\/visual-research-i\/","title":{"rendered":"Visual Research 1"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-1 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"has-text-align-center wp-block-heading\">Design fundamentals<\/h4>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-1 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"678\" height=\"1024\" src=\"https:\/\/eportfolios.capilanou.ca\/anaisbayle\/wp-content\/uploads\/sites\/11090\/2020\/09\/paulrand-1-678x1024.jpg\" alt=\"\" data-id=\"153\" data-full-url=\"https:\/\/eportfolios.capilanou.ca\/anaisbayle\/wp-content\/uploads\/sites\/11090\/2020\/09\/paulrand-1.jpg\" data-link=\"https:\/\/eportfolios.capilanou.ca\/anaisbayle\/2020\/09\/18\/visual-research-i\/paulrand-1\/\" class=\"wp-image-153\" srcset=\"https:\/\/eportfolios.capilanou.ca\/anaisbayle\/wp-content\/uploads\/sites\/11090\/2020\/09\/paulrand-1-678x1024.jpg 678w, https:\/\/eportfolios.capilanou.ca\/anaisbayle\/wp-content\/uploads\/sites\/11090\/2020\/09\/paulrand-1-199x300.jpg 199w, https:\/\/eportfolios.capilanou.ca\/anaisbayle\/wp-content\/uploads\/sites\/11090\/2020\/09\/paulrand-1.jpg 736w\" sizes=\"auto, (max-width: 678px) 100vw, 678px\" \/><\/figure><\/li><\/ul><figcaption class=\"blocks-gallery-caption\">Use of shape: <br>Paul Rand &#8211; No Way Out movie poster, 1950. This piece uses sharp, graphic shapes to catch the onlooker&#8217;s eye, combined with a simple yet bold colour scheme.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-gallery columns-1 is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"733\" height=\"1024\" src=\"https:\/\/eportfolios.capilanou.ca\/anaisbayle\/wp-content\/uploads\/sites\/11090\/2020\/09\/cri_000000339452-733x1024.jpg\" alt=\"\" data-id=\"159\" data-full-url=\"https:\/\/eportfolios.capilanou.ca\/anaisbayle\/wp-content\/uploads\/sites\/11090\/2020\/09\/cri_000000339452.jpg\" data-link=\"https:\/\/eportfolios.capilanou.ca\/anaisbayle\/2020\/09\/18\/visual-research-i\/cri_000000339452\/\" class=\"wp-image-159\" srcset=\"https:\/\/eportfolios.capilanou.ca\/anaisbayle\/wp-content\/uploads\/sites\/11090\/2020\/09\/cri_000000339452-733x1024.jpg 733w, https:\/\/eportfolios.capilanou.ca\/anaisbayle\/wp-content\/uploads\/sites\/11090\/2020\/09\/cri_000000339452-215x300.jpg 215w, https:\/\/eportfolios.capilanou.ca\/anaisbayle\/wp-content\/uploads\/sites\/11090\/2020\/09\/cri_000000339452-768x1073.jpg 768w, https:\/\/eportfolios.capilanou.ca\/anaisbayle\/wp-content\/uploads\/sites\/11090\/2020\/09\/cri_000000339452-1100x1536.jpg 1100w, https:\/\/eportfolios.capilanou.ca\/anaisbayle\/wp-content\/uploads\/sites\/11090\/2020\/09\/cri_000000339452-1200x1676.jpg 1200w, https:\/\/eportfolios.capilanou.ca\/anaisbayle\/wp-content\/uploads\/sites\/11090\/2020\/09\/cri_000000339452.jpg 1432w\" sizes=\"auto, (max-width: 733px) 100vw, 733px\" \/><\/figure><\/li><\/ul><figcaption class=\"blocks-gallery-caption\">Use of colour: <br>Victor Moscoso, The Chamber Bothers movie poster, 1967. Moscoso uses vivid, eye-catching complementary colours commonly attributed to much of the late 1960&#8217;s graphic design. Interest is added to the piece with the use of halftone dot texture.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-gallery columns-1 is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"660\" height=\"1024\" src=\"https:\/\/eportfolios.capilanou.ca\/anaisbayle\/wp-content\/uploads\/sites\/11090\/2020\/09\/sb-2-660x1024.jpg\" alt=\"\" data-id=\"143\" data-full-url=\"https:\/\/eportfolios.capilanou.ca\/anaisbayle\/wp-content\/uploads\/sites\/11090\/2020\/09\/sb-2.jpg\" data-link=\"https:\/\/eportfolios.capilanou.ca\/anaisbayle\/2020\/09\/18\/visual-research-i\/sb-2\/\" class=\"wp-image-143\" srcset=\"https:\/\/eportfolios.capilanou.ca\/anaisbayle\/wp-content\/uploads\/sites\/11090\/2020\/09\/sb-2-660x1024.jpg 660w, https:\/\/eportfolios.capilanou.ca\/anaisbayle\/wp-content\/uploads\/sites\/11090\/2020\/09\/sb-2-194x300.jpg 194w, https:\/\/eportfolios.capilanou.ca\/anaisbayle\/wp-content\/uploads\/sites\/11090\/2020\/09\/sb-2-768x1191.jpg 768w, https:\/\/eportfolios.capilanou.ca\/anaisbayle\/wp-content\/uploads\/sites\/11090\/2020\/09\/sb-2-991x1536.jpg 991w, https:\/\/eportfolios.capilanou.ca\/anaisbayle\/wp-content\/uploads\/sites\/11090\/2020\/09\/sb-2.jpg 1032w\" sizes=\"auto, (max-width: 660px) 100vw, 660px\" \/><\/figure><\/li><\/ul><figcaption class=\"blocks-gallery-caption\">Use of direction:<br>Saul Bass, poster for Alfred Hitchcock&#8217;s film Vertigo, 1958. Bass created a sense of dizziness, or vertigo, using circular directional lines forming a spiral. The figures at the centre of the piece are tilted at a diagonal, further reinforcing the falling sensation.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Design fundamentals<\/p>\n","protected":false},"author":11061,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-128","post","type-post","status-publish","format-standard","hentry","category-dsgn-121"],"_links":{"self":[{"href":"https:\/\/eportfolios.capilanou.ca\/anaisbayle\/wp-json\/wp\/v2\/posts\/128","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eportfolios.capilanou.ca\/anaisbayle\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eportfolios.capilanou.ca\/anaisbayle\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/anaisbayle\/wp-json\/wp\/v2\/users\/11061"}],"replies":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/anaisbayle\/wp-json\/wp\/v2\/comments?post=128"}],"version-history":[{"count":15,"href":"https:\/\/eportfolios.capilanou.ca\/anaisbayle\/wp-json\/wp\/v2\/posts\/128\/revisions"}],"predecessor-version":[{"id":185,"href":"https:\/\/eportfolios.capilanou.ca\/anaisbayle\/wp-json\/wp\/v2\/posts\/128\/revisions\/185"}],"wp:attachment":[{"href":"https:\/\/eportfolios.capilanou.ca\/anaisbayle\/wp-json\/wp\/v2\/media?parent=128"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/anaisbayle\/wp-json\/wp\/v2\/categories?post=128"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/anaisbayle\/wp-json\/wp\/v2\/tags?post=128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}