{"id":313,"date":"2021-11-16T22:39:00","date_gmt":"2021-11-16T22:39:00","guid":{"rendered":"https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/?p=313"},"modified":"2021-11-17T06:42:38","modified_gmt":"2021-11-17T06:42:38","slug":"survey-7-minimalist-mayhem","status":"publish","type":"post","link":"https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/2021\/11\/16\/survey-7-minimalist-mayhem\/","title":{"rendered":"Survey 7 \u2013 Minimalist Mayhem"},"content":{"rendered":"\n<div style=\"height:42px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<div style=\"height:42px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">A Revolutionary Failure<\/h2>\n\n\n\n<div style=\"height:42px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"860\" height=\"573\" src=\"https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-content\/uploads\/sites\/13289\/2021\/11\/beggarstaff-brothers.png\" alt=\"\" class=\"wp-image-315\" srcset=\"https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-content\/uploads\/sites\/13289\/2021\/11\/beggarstaff-brothers.png 860w, https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-content\/uploads\/sites\/13289\/2021\/11\/beggarstaff-brothers-300x200.png 300w, https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-content\/uploads\/sites\/13289\/2021\/11\/beggarstaff-brothers-768x512.png 768w, https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-content\/uploads\/sites\/13289\/2021\/11\/beggarstaff-brothers-144x96.png 144w\" sizes=\"auto, (max-width: 860px) 100vw, 860px\" \/><figcaption>The Beggarstaff brothers, William Nicholson (right) and James Pryde (left).<\/figcaption><\/figure><\/div>\n\n\n\n<p>The great, but short-lived age of pictorial posters began in the 1890s. William Nicholson and James Pryde were brother-in-laws were considered to be the two leading figures in the development of Modern British art. Establishing an avant-garde artistic partnership, they called themselves the &#8216;Beggarstaff Brothers&#8217;. Their innovative style seemingly revolutionized poster design\u2014but sadly, the brothers were way ahead of their time. Despite their execution of simplistic, bold, and seemingly eye-catching coloured posters with the use of negative space, they just didn&#8217;t gain enough traction or public appeal.<\/p>\n\n\n\n<div style=\"height:42px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"688\" height=\"1024\" src=\"https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-content\/uploads\/sites\/13289\/2021\/11\/kassama-corn-flour-2560x3810-1-688x1024.jpeg\" alt=\"\" class=\"wp-image-317\" srcset=\"https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-content\/uploads\/sites\/13289\/2021\/11\/kassama-corn-flour-2560x3810-1-688x1024.jpeg 688w, https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-content\/uploads\/sites\/13289\/2021\/11\/kassama-corn-flour-2560x3810-1-202x300.jpeg 202w, https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-content\/uploads\/sites\/13289\/2021\/11\/kassama-corn-flour-2560x3810-1-768x1143.jpeg 768w, https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-content\/uploads\/sites\/13289\/2021\/11\/kassama-corn-flour-2560x3810-1-1032x1536.jpeg 1032w, https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-content\/uploads\/sites\/13289\/2021\/11\/kassama-corn-flour-2560x3810-1-1376x2048.jpeg 1376w, https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-content\/uploads\/sites\/13289\/2021\/11\/kassama-corn-flour-2560x3810-1-65x96.jpeg 65w, https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-content\/uploads\/sites\/13289\/2021\/11\/kassama-corn-flour-2560x3810-1-scaled.jpeg 1720w\" sizes=\"auto, (max-width: 688px) 100vw, 688px\" \/><figcaption>The Beggarstaff Brothers, \u2018Kassama\u2019 Corn Flour, 1894 \u00a9<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:42px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>However, their efforts weren&#8217;t entirely in vain. They were able to create new image-making techniques that revolved around using novel techniques, such as collating cutout paper shapes to stenciling flat colour to sheets of brown wrapping paper. This technique also aided in their style of simplicity, as they relied on outline and silhouettes to create and differentiate forms. The premise behind this technique also reflected on their idea that posters should be effective even at a glimpse.<\/p>\n\n\n\n<div style=\"height:42px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<div style=\"height:42px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"798\" height=\"600\" src=\"https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-content\/uploads\/sites\/13289\/2021\/11\/798px-Hans_Rudi_Erdt_1883-1918_-_Opel-1.jpeg\" alt=\"\" class=\"wp-image-328\" srcset=\"https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-content\/uploads\/sites\/13289\/2021\/11\/798px-Hans_Rudi_Erdt_1883-1918_-_Opel-1.jpeg 798w, https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-content\/uploads\/sites\/13289\/2021\/11\/798px-Hans_Rudi_Erdt_1883-1918_-_Opel-1-300x226.jpeg 300w, https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-content\/uploads\/sites\/13289\/2021\/11\/798px-Hans_Rudi_Erdt_1883-1918_-_Opel-1-768x577.jpeg 768w, https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-content\/uploads\/sites\/13289\/2021\/11\/798px-Hans_Rudi_Erdt_1883-1918_-_Opel-1-128x96.jpeg 128w\" sizes=\"auto, (max-width: 798px) 100vw, 798px\" \/><figcaption><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Hans_Rudi_Erdt_(1883-1918)_-_Opel.jpg\" data-type=\"URL\" data-id=\"https:\/\/commons.wikimedia.org\/wiki\/File:Hans_Rudi_Erdt_(1883-1918)_-_Opel.jpg\">Hans Rudi Erdt (1883-1918) &#8211; Opel<\/a><\/figcaption><\/figure>\n\n\n\n<div style=\"height:42px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Another graphic designer who had a similar style was Hand Rudi Erdt, who was also a German lithographer and commercial artist. While he also had his fair share of flat minimalist posters, he also had a variety of posters that also used perspective. His advertisement for the G.R.A is an instance where a full scene is depicted where the composition has a definitive sense of flow.<\/p>\n\n\n\n<div style=\"height:42px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-content\/uploads\/sites\/13289\/2021\/11\/hans-rudi-erdt.jpeg\" alt=\"\" class=\"wp-image-319\" width=\"662\" height=\"493\" srcset=\"https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-content\/uploads\/sites\/13289\/2021\/11\/hans-rudi-erdt.jpeg 600w, https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-content\/uploads\/sites\/13289\/2021\/11\/hans-rudi-erdt-300x224.jpeg 300w, https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-content\/uploads\/sites\/13289\/2021\/11\/hans-rudi-erdt-129x96.jpeg 129w\" sizes=\"auto, (max-width: 662px) 100vw, 662px\" \/><figcaption><a href=\"https:\/\/www.art-prints-on-demand.com\/a\/advertising-art\/gr-a-of-hans-rudi-erdt.html\" data-type=\"URL\" data-id=\"https:\/\/www.art-prints-on-demand.com\/a\/advertising-art\/gr-a-of-hans-rudi-erdt.html\">G.R.A. of Hans Rudi Erdt.<\/a><\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:82px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<div style=\"height:82px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Poster Precursors and their Influence<\/h2>\n\n\n\n<div style=\"height:42px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-content\/uploads\/sites\/13289\/2021\/11\/saul-bass.png\" alt=\"\" class=\"wp-image-325\" width=\"673\" height=\"508\" srcset=\"https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-content\/uploads\/sites\/13289\/2021\/11\/saul-bass.png 375w, https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-content\/uploads\/sites\/13289\/2021\/11\/saul-bass-300x226.png 300w, https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-content\/uploads\/sites\/13289\/2021\/11\/saul-bass-127x96.png 127w\" sizes=\"auto, (max-width: 673px) 100vw, 673px\" \/><figcaption><a href=\"https:\/\/nofilmschool.com\/saul-bass-movie-posters\" data-type=\"URL\" data-id=\"https:\/\/nofilmschool.com\/saul-bass-movie-posters\">Saul Bass&#8217; movie posters for Vertigo and The Shining<\/a><\/figcaption><\/figure><\/div>\n\n\n\n<p>Minimalism nowadays is still a popular trend and has been a staple of poster design for decades. Some of the most memorable posters have been ones that use minimal design, such as The Shining and Vertigo which were both designed by Saul Bass. His Vertigo poster shares similarities with Hand Rudi Erdts G.R.A poster as well, mainly regarding the use of type and their condensed leading and kerning. It really is a shame that this kind of design was brushed over in its early days, but it&#8217;s nice to see its rise in popularity and influence on famous and innovative designers such as Saul Bass.<\/p>\n\n\n\n<div style=\"height:82px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<div style=\"height:46px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"has-text-align-center wp-block-heading\">Works Cited<\/h3>\n\n\n\n<p>\u201cThe Beggarstaffs.\u201d <em>GD 203<\/em>, https:\/\/go.distance.ncsu.edu\/gd203\/?p=50860.<\/p>\n\n\n\n<p>\u201cBeggarstaffs: William Nicholson &amp; James Pryde.\u201d <em>University of Cambridge<\/em>, 9 May 2019, https:\/\/www.cam.ac.uk\/beggarstaffs.<\/p>\n\n\n\n<p>\u201cHans Rudi Erdt.\u201d <em>Artvee<\/em>, https:\/\/artvee.com\/artist\/hans-rudi-erdt\/.<\/p>\n\n\n\n<p>\u201cKeep It Simple! &#8211; Minimalistic Poster Inspirations &#8221; SAXOPRINT Blog UK.\u201d <em>SAXOPRINT Blog UK<\/em>, 13 Apr. 2015, https:\/\/www.saxoprint.co.uk\/blog\/minimalistic-poster.<\/p>\n\n\n\n<p>Kondrak, Greg, and Greg Kondrak (16 Articles Published) Hailing from London (Ontario). \u201c5 Movie Poster Trends That Need to Stop (&amp; 5 We Need More of).\u201d <em>ScreenRant<\/em>, 8 May 2020, https:\/\/screenrant.com\/movie-poster-trends-stop-more\/.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A Revolutionary Failure The great, but short-lived age of pictorial posters began in the 1890s. William Nicholson and James Pryde were brother-in-laws were considered to be the two leading figures in the development of Modern British art. Establishing an avant-garde artistic partnership, they called themselves the &#8216;Beggarstaff Brothers&#8217;. Their innovative style seemingly revolutionized poster design\u2014but [&hellip;]<\/p>\n","protected":false},"author":13166,"featured_media":327,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[7],"class_list":["post-313","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2","tag-7"],"_links":{"self":[{"href":"https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-json\/wp\/v2\/posts\/313","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-json\/wp\/v2\/users\/13166"}],"replies":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-json\/wp\/v2\/comments?post=313"}],"version-history":[{"count":10,"href":"https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-json\/wp\/v2\/posts\/313\/revisions"}],"predecessor-version":[{"id":334,"href":"https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-json\/wp\/v2\/posts\/313\/revisions\/334"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-json\/wp\/v2\/media\/327"}],"wp:attachment":[{"href":"https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-json\/wp\/v2\/media?parent=313"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-json\/wp\/v2\/categories?post=313"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/angelaaguilar\/wp-json\/wp\/v2\/tags?post=313"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}