{"id":77,"date":"2021-10-21T06:24:52","date_gmt":"2021-10-21T06:24:52","guid":{"rendered":"https:\/\/eportfolios.capilanou.ca\/avashahres\/?p=77"},"modified":"2021-10-21T06:24:57","modified_gmt":"2021-10-21T06:24:57","slug":"romanticism-theodore-gericault","status":"publish","type":"post","link":"https:\/\/eportfolios.capilanou.ca\/avashahres\/2021\/10\/21\/romanticism-theodore-gericault\/","title":{"rendered":"Romanticism: Th\u00e9odore G\u00e9ricault"},"content":{"rendered":"\n<p>Jean-Louis Andr\u00e9 Th\u00e9odore G\u00e9ricault was a French pioneer of romanticism in painting. <\/p>\n\n\n\n<p>He was\u00a0born to a wealthy family on September 26, 1791, in the city of Rouen, France. Coming from money, he was raised with a silver spoon, and he was allowed to pursue his passions at his leisure. By age 15, his talents were recognized, and he had the privilege of studying art seriously at the most prestigious of institutions.\u00a0<\/p>\n\n\n\n<p>However privileged, he lost both his mother and his grandmother just 4 years apart. Though, it proved to be a good enough thing, ironically, because the annuity he received, as a result, left him with enough money to live comfortably for the rest of his life. His art, as a result, was a strictly personal endeavor, and he was free to take its direction wherever he pleased.&nbsp;<\/p>\n\n\n\n<p>He opened up his training with the painter Carle Vernet, who was, like Gericault, fascinated with horses. Vernet taught him the Neoclassical terms and notions, but he was not satisfied with this. Hoping for a less rigid approach to painting, he landed under the care of&nbsp; Pierre-Narcisse Gu\u00e9rin. He found it there, also meeting an equally passionate Eug\u00e9ne Delacroix, who would eventually help him kickstart Romanticism.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"642\" height=\"512\" src=\"https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-content\/uploads\/sites\/13302\/2021\/10\/horse-leaving-a-stable.jpeg\" alt=\"\" class=\"wp-image-84\" srcset=\"https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-content\/uploads\/sites\/13302\/2021\/10\/horse-leaving-a-stable.jpeg 642w, https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-content\/uploads\/sites\/13302\/2021\/10\/horse-leaving-a-stable-300x239.jpeg 300w, https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-content\/uploads\/sites\/13302\/2021\/10\/horse-leaving-a-stable-120x96.jpeg 120w\" sizes=\"auto, (max-width: 642px) 100vw, 642px\" \/><figcaption>&#8220;Horse leaving a Stable&#8221; (1810)<\/figcaption><\/figure>\n\n\n\n<p>This Romanticist style was heavily developed during his time in Italy, studying the great masters. Although he was fixated on the idea of studying and being like them, he ended up finding inspiration in the everyday life of peasant Italy. Observing accounts of peasants, outlaws, and bandits, he created some of his iconic pieces.&nbsp;<\/p>\n\n\n\n<p>The work he did during this period featured dramatic, complex narratives combined with compositions that had a heavy emphasis on colour choice and lighting. These elements would go on to make up the early foundations of his Romanticism.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-content\/uploads\/sites\/13302\/2021\/10\/the_raft_of_the_medusa.jpeg\" alt=\"\" class=\"wp-image-79\" width=\"649\" height=\"440\" srcset=\"https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-content\/uploads\/sites\/13302\/2021\/10\/the_raft_of_the_medusa.jpeg 649w, https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-content\/uploads\/sites\/13302\/2021\/10\/the_raft_of_the_medusa-300x203.jpeg 300w, https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-content\/uploads\/sites\/13302\/2021\/10\/the_raft_of_the_medusa-142x96.jpeg 142w\" sizes=\"auto, (max-width: 649px) 100vw, 649px\" \/><figcaption>&#8220;The Raft of the Medusa&#8221; <\/figcaption><\/figure>\n\n\n\n<p>His most famous piece, \u201cThe Raft of the Medusa\u201d, was his artistic take on the tragedy of the 1816 French Royal Navy frigate, the M\u00e9duse (or Medusa). The event struck outrage, politically and socially. In an attempt to save himself and the higher-ups, the unqualified captain of the ship had left 150 lower-rank sailors on a measly raft when there were no more lifeboats to spare. This resulted in murder, and unwilling cannibalism, and a vast majority of the sailors dead.<\/p>\n\n\n\n<p>G\u00e9ricault, unlike his contemporaries, wanted to depict the event in its true, horrific nature. It had won a gold medal during its exhibition at the 1819 Salon in France, but French critics were repelled by its macabre look. (As usual, when we look back in art history, it seems that critics tend to dislike anything that is even remotely shocking.)<\/p>\n\n\n\n<p>After taking it to Britain, however, this piece was met with raging success, and it now resides in the Louvre once more.&nbsp;<\/p>\n\n\n\n<p>The reason I wanted to cover Th\u00e9odore G\u00e9ricault was precisely what made \u201cThe Raft of the Medusa\u201d so engaging; The gruesome, morbid depictions of human beings. He has a way of capturing people that is honest, to the point of discomfort. Near the end of his career, he painted a series called the \u201cMonomaniacs\u201d, and they were just portraits of people with various mental illnesses. But, within that, he captured the essence of each person so accurately, it was like you were witnessing their life story in only a photo.\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-content\/uploads\/sites\/13302\/2021\/10\/portrait-of-a-woman-suffering-from-obsessive-envy-by-thc3a9odore-gc3a9ricault-1822.jpeg\" alt=\"\" class=\"wp-image-83\" width=\"591\" height=\"720\" srcset=\"https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-content\/uploads\/sites\/13302\/2021\/10\/portrait-of-a-woman-suffering-from-obsessive-envy-by-thc3a9odore-gc3a9ricault-1822.jpeg 800w, https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-content\/uploads\/sites\/13302\/2021\/10\/portrait-of-a-woman-suffering-from-obsessive-envy-by-thc3a9odore-gc3a9ricault-1822-246x300.jpeg 246w, https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-content\/uploads\/sites\/13302\/2021\/10\/portrait-of-a-woman-suffering-from-obsessive-envy-by-thc3a9odore-gc3a9ricault-1822-768x936.jpeg 768w, https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-content\/uploads\/sites\/13302\/2021\/10\/portrait-of-a-woman-suffering-from-obsessive-envy-by-thc3a9odore-gc3a9ricault-1822-79x96.jpeg 79w\" sizes=\"auto, (max-width: 591px) 100vw, 591px\" \/><figcaption>&#8220;Portrait of a Woman Suffering from Obsessive Envy&#8221; (1822)<\/figcaption><\/figure>\n\n\n\n<p>I also would love to add his studies of the human body, or rather, the parts of the human body. While in the process of formulating the Medusa painting, he would visit morgues, hospitals, and even prisons to collect body parts and study them. This series of Anatomical Pieces are, frankly, uncomfortable to look at. He has the ability to truly capture death in a still image. It\u2019s emotional, but it\u2019s also dehumanizing to see, and it\u2019s insane that he was able to replicate those qualities. It\u2019s as if you were truly witnessing a photo of limbs, or heads.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"846\" src=\"https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-content\/uploads\/sites\/13302\/2021\/10\/gericaulthandsfeet-1024x846.jpeg\" alt=\"\" class=\"wp-image-82\" srcset=\"https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-content\/uploads\/sites\/13302\/2021\/10\/gericaulthandsfeet-1024x846.jpeg 1024w, https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-content\/uploads\/sites\/13302\/2021\/10\/gericaulthandsfeet-300x248.jpeg 300w, https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-content\/uploads\/sites\/13302\/2021\/10\/gericaulthandsfeet-768x634.jpeg 768w, https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-content\/uploads\/sites\/13302\/2021\/10\/gericaulthandsfeet-116x96.jpeg 116w, https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-content\/uploads\/sites\/13302\/2021\/10\/gericaulthandsfeet.jpeg 1400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u201cStudy of Feet and Hands\u201d (1818\u20131819)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-content\/uploads\/sites\/13302\/2021\/10\/gericaultheads.jpeg\" alt=\"\" class=\"wp-image-81\" width=\"589\" height=\"472\" srcset=\"https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-content\/uploads\/sites\/13302\/2021\/10\/gericaultheads.jpeg 1024w, https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-content\/uploads\/sites\/13302\/2021\/10\/gericaultheads-300x241.jpeg 300w, https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-content\/uploads\/sites\/13302\/2021\/10\/gericaultheads-768x616.jpeg 768w, https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-content\/uploads\/sites\/13302\/2021\/10\/gericaultheads-120x96.jpeg 120w\" sizes=\"auto, (max-width: 589px) 100vw, 589px\" \/><figcaption>&#8220;T\u00eates coup\u00e9es&#8221; (1818-1819)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"889\" src=\"https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-content\/uploads\/sites\/13302\/2021\/10\/Screen-Shot-2021-10-20-at-10.57.20-PM-1024x889.png\" alt=\"\" class=\"wp-image-80\" srcset=\"https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-content\/uploads\/sites\/13302\/2021\/10\/Screen-Shot-2021-10-20-at-10.57.20-PM-1024x889.png 1024w, https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-content\/uploads\/sites\/13302\/2021\/10\/Screen-Shot-2021-10-20-at-10.57.20-PM-300x260.png 300w, https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-content\/uploads\/sites\/13302\/2021\/10\/Screen-Shot-2021-10-20-at-10.57.20-PM-768x666.png 768w, https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-content\/uploads\/sites\/13302\/2021\/10\/Screen-Shot-2021-10-20-at-10.57.20-PM-111x96.png 111w, https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-content\/uploads\/sites\/13302\/2021\/10\/Screen-Shot-2021-10-20-at-10.57.20-PM.png 1150w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>&#8220;Anatomical Pieces&#8221; (1819)<\/figcaption><\/figure>\n\n\n\n<p>Works Cited:<\/p>\n\n\n\n<p>Anatomical Pieces by Theodore Gericault. Retrieved 20 October 2021, from http:\/\/www.theodoregericault.org\/anatomical-pieces\/<\/p>\n\n\n\n<p>Britannica, T. Editors of Encyclopaedia (2021, September 22). Th\u00e9odore G\u00e9ricault. Encyclopedia Britannica. Retrieved 20 October 2021 from https:\/\/www.britannica.com\/biography\/Theodore-Gericault<\/p>\n\n\n\n<p>Britannica, T. Editors of Encyclopaedia (2020, June 29). The Raft of the Medusa. Encyclopedia Britannica. Retrieved 20 October 2021 from https:\/\/www.britannica.com\/topic\/The-Raft-of-the-Medusa<\/p>\n\n\n\n<p>DiPalma, J., &amp; The Art Story Contributors. (2017). Th\u00e9odore G\u00e9ricault Biography, Life &amp; Quotes. Retrieved 20 October 2021, from https:\/\/www.theartstory.org\/artist\/gericault-theodore\/life-and-legacy\/<\/p>\n\n\n\n<p>jonathan5485. (2014). Th\u00e9odore G\u00e9ricault and Monomania. Retrieved 20 October 2021, from https:\/\/mydailyartdisplay.wordpress.com\/2014\/09\/19\/theodore-gericault-and-monomania\/<\/p>\n\n\n\n<p>Velimirovi\u0107, A. (2017). Theodore Gericault. Retrieved 20 October 2021, from https:\/\/www.widewalls.ch\/artists\/theodore-gericault<\/p>\n\n\n\n<p>Images Retrieved From:<\/p>\n\n\n\n<p>https:\/\/www.artble.com\/artists\/theodore_gericault\/paintings\/the_raft_of_the_medusa<br>https:\/\/hyperallergic.com\/331446\/corpse-models-raft-medusa-gericault\/<br>https:\/\/mydailyartdisplay.wordpress.com\/2014\/09\/19\/theodore-gericault-and-monomania\/<br>https:\/\/www.wikiart.org\/en\/theodore-gericault\/horse-leaving-a-stable<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jean-Louis Andr\u00e9 Th\u00e9odore G\u00e9ricault was a French pioneer of romanticism in painting. He was\u00a0born to a wealthy family on September 26, 1791, in the city of Rouen, France. Coming from money, he was raised with a silver spoon, and he was allowed to pursue his passions at his leisure. By age 15, his talents were [&hellip;]<\/p>\n","protected":false},"author":13179,"featured_media":79,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-77","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-3"],"_links":{"self":[{"href":"https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-json\/wp\/v2\/posts\/77","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-json\/wp\/v2\/users\/13179"}],"replies":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-json\/wp\/v2\/comments?post=77"}],"version-history":[{"count":1,"href":"https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-json\/wp\/v2\/posts\/77\/revisions"}],"predecessor-version":[{"id":85,"href":"https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-json\/wp\/v2\/posts\/77\/revisions\/85"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-json\/wp\/v2\/media\/79"}],"wp:attachment":[{"href":"https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-json\/wp\/v2\/media?parent=77"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-json\/wp\/v2\/categories?post=77"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/avashahres\/wp-json\/wp\/v2\/tags?post=77"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}