{"id":76,"date":"2020-10-04T18:53:10","date_gmt":"2020-10-04T18:53:10","guid":{"rendered":"https:\/\/eportfolios.capilanou.ca\/chelsyzugazaga2\/?p=76"},"modified":"2020-10-14T02:39:02","modified_gmt":"2020-10-14T02:39:02","slug":"the-original-renaissance-gossip-queen","status":"publish","type":"post","link":"https:\/\/eportfolios.capilanou.ca\/chelsyzugazaga2\/the-original-renaissance-gossip-queen\/","title":{"rendered":"The Original Renaissance Gossip Queen"},"content":{"rendered":"\n

Giorgio di Antonio Vasari, “Born in 1511… in the town of Arezzo”(New York Times) was a successful Renaissance Man. He was a painter, architect, and famously known as the first biographical, art -historian. His book \u201cThe Lives of the Artists\u201d – a \u201cmonumental encyclopedia\u201d  (BBC) about all the great artists of the Renaissance has had a profound impact on what we know about artists from that time today, and art history as a whole.<\/p>\n\n\n\n

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Giorgio Vasari, Self Portrait source: theartstory.org<\/figcaption><\/figure>\n\n\n\n

Giorgio Vasari was a  powerful and transformative storyteller, at times he bordered on methodical fabrications and amplified his stories, but nonetheless his books are highly influential chronicles of more than 200 Italian artists in his time, and perhaps they are first appearance of what we know as the subject of art history. Some of his most central subjects being Leonardo, Raphael and his good friend Michelangelo of the \u201cGolden Age\u201d. Vasari believed the artists that came before him, had surpassed the successes of Antiquity and he regarded them as his quintessential heroes. Vasari was deeply influenced by these painters but because he has been such an integral narrator to art histories successes (regardless of his fabrications), his life as a painter can easily be overlooked. <\/p>\n\n\n\n

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Portrait of Lorenzo de Medici, known as Magnificent (Florence, 1449-1492), ruler of Florence, painting by Giorgio Vasari (1511-1574), 1534, oil on canvas, 90×72 cm. Source: In Bridgeman Images (Ed.), Bridgeman images<\/em>. Bridgeman. <\/figcaption><\/figure>\n\n\n\n

 Vasari was one of art history’s most important characters; he was a sublime painter mastering in Frescos throughout the Mannerist period but also an avid businessman who prioritized the economy of painting. Vasari is said to be the pioneer of studio production, typically relying on a team to accomplish what he did in his lifetime. He was a compulsive overachiever who gained notable peers such as Michelangelo, Titian and Giorgione as well as a significant following. Vasari was more of a businessman than his predecessors, motivated significantly by fortune and fame and was highly sought after with commissions from patrons like the Medici throughout his lifetime.<\/p>\n\n\n\n

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Cosimo I leaving for exile, fresco by Giorgio Vasari (1511-1574) Cosimo I leaving for exile, fresco by Giorgio Vasari (1511-1574). Salone dei Cinquecento (Hall of the Five Hundred), Palazzo Vecchio, Florence. Italy, 15th century, Palazzo Vecchio, Florence. Italy, 15th century; Source: De Agostini Picture Library; out of copyright<\/figcaption><\/figure>\n\n\n\n

Vasari rose to his fame through working with the prolific Medici family, specifically through the commissions of Cosimo. He quickly gained became an important member of Italy’s elite and is famous for attributing this moment in to to the \u201crebirth\u201d of \u201crinascita\u201d. But perhaps the most important thing to understand about Vasari is his contributions to his era. Besides his renowned biographies that provided him much fame and financial success. Vasari was an inspiration to his pupils and even founded a design and art centre alongside Michelangelo. He was a meticulous art collector who collected a profound amount of valuable art and a well known architect, developing mannerist churches across Tuscany and Florence.  <\/p>\n\n\n\n

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DGA754831 Frescoes by Giorgio Vasari (1511-1574), Room of Elements, Palazzo Vecchio, Florence, Italy, 16th century; (add.info.: Frescoes by Giorgio Vasari (1511-1574), Room of the Elements, Palazzo Vecchio, Florence. Italy, 16th century.); De Agostini Picture Library \/ G. Nimatallah; out of copyright source: Bridgeman Images: DeAgostini Library<\/a><\/figcaption><\/figure>\n\n\n\n
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DGA754667 Ceiling detail, Studiolo of Francesco I, by Giorgio Vasari (1511-1574). Palazzo Vecchio, Florence. Italy, 16th century.; (add.info.: Ceiling detail, Studiolo of Francesco I, by Giorgio Vasari (1511-1574). Palazzo Vecchio, Florence. Italy, 16th century.); De Agostini Picture Library \/ G. Nimatallah; out of copyright<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n

Vasari\u2019s most famous artwork is without a doubt featured in the “Room of Elements”, Palazzo Vecchio, Florence, Italy, 16th century; a series of his most well known frescos, featured alongside the works of his heroes, Da Vinci and Michelangelo’s (unfinished) work  \u201cThe Battle of Anghiari\u201d and \u201cThe Battle of Cascina\u201d in the \u201cIl Salone dei Cinquecento (Hall of the Five Hundred)\u201d in the The Palazzo Vecchio<\/strong> (The Art Story).<\/p>\n\n\n\n

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Sources: <\/p>\n\n\n\n

“Vasari, Giorgio (1511 – 1574).” The Encyclopaedia of the Renaissance<\/em>, edited by Thomas Goddard Bergin, and Jennifer Speake, Market House Books Ltd, 1st edition, 1987. Credo Reference<\/em><\/p>\n\n\n\n

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10 Things You Didn\u2019t Know About Giorgio Vasari<\/a><\/blockquote>