{"id":24,"date":"2019-09-15T21:49:15","date_gmt":"2019-09-15T21:49:15","guid":{"rendered":"https:\/\/eportfolios.capilanou.ca\/connielow\/?p=24"},"modified":"2019-10-07T02:23:25","modified_gmt":"2019-10-07T02:23:25","slug":"blue-faced-pharaohs-the-significance-of-blue-in-ancient-egypt","status":"publish","type":"post","link":"https:\/\/eportfolios.capilanou.ca\/connielow\/2019\/09\/15\/blue-faced-pharaohs-the-significance-of-blue-in-ancient-egypt\/","title":{"rendered":"Blue-Faced Pharaohs: The Significance of Blue in Ancient Egypt (40,000 BCE &#8211; 0 CE)"},"content":{"rendered":"\n<p>In depictions of royalty throughout human history, few are portrayed with blue faces. Why would anyone create a work of art showing their ruler in such a strange colour? Surely they\u2019d get punished for ruining their majesty\u2019s image and making a mockery of them, right? But that was is not the case in Ancient Egypt. Blue was an important design element of Egyptian art, and was utilized in specific ways.<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Amun and the colour blue<\/h5>\n\n\n\n<p>While all gods were all depicted with blue hair, Amun was the only one that was consistently shown to have a blue face. Amun was the god of creation, and he ruled over all beings\u2013  including other gods. That made Amun the most powerful of the gods, and blue was associated with his powers of life and creation. Some artwork of pharaohs depicted them with blue faces and hair, because they were associated with Amun and pharaohs were considered gods on earth. <\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"822\" height=\"1024\" src=\"https:\/\/eportfolios.capilanou.ca\/connielow\/wp-content\/uploads\/sites\/9752\/2019\/09\/Portrait-Inlay-of-Pharoah-Akhenaten-822x1024.jpg\" alt=\"\" class=\"wp-image-25\" srcset=\"https:\/\/eportfolios.capilanou.ca\/connielow\/wp-content\/uploads\/sites\/9752\/2019\/09\/Portrait-Inlay-of-Pharoah-Akhenaten-822x1024.jpg 822w, https:\/\/eportfolios.capilanou.ca\/connielow\/wp-content\/uploads\/sites\/9752\/2019\/09\/Portrait-Inlay-of-Pharoah-Akhenaten-241x300.jpg 241w, https:\/\/eportfolios.capilanou.ca\/connielow\/wp-content\/uploads\/sites\/9752\/2019\/09\/Portrait-Inlay-of-Pharoah-Akhenaten-768x956.jpg 768w, https:\/\/eportfolios.capilanou.ca\/connielow\/wp-content\/uploads\/sites\/9752\/2019\/09\/Portrait-Inlay-of-Pharoah-Akhenaten-700x872.jpg 700w, https:\/\/eportfolios.capilanou.ca\/connielow\/wp-content\/uploads\/sites\/9752\/2019\/09\/Portrait-Inlay-of-Pharoah-Akhenaten.jpg 1285w\" sizes=\"auto, (max-width: 822px) 100vw, 822px\" \/><figcaption>1353-1336 BC, Amarna Period. A glass portrait inlay of the pharaoh, Akhenaten.  A piece of a larger full-body portrait that could have been part of jewellery, furniture, or relief sculpture. The turquoise colour used represents life, fertility, and creation. <br> <a href=\"https:\/\/www.cmog.org\/artwork\/portrait-inlay-pharaoh-akhenaten\">https:\/\/www.cmog.org\/artwork\/portrait-inlay-pharaoh-akhenaten<\/a> <\/figcaption><\/figure><\/div>\n\n\n\n<h5 class=\"wp-block-heading\">why was blue important? <\/h5>\n\n\n\n<p>&nbsp;One of many reasons blue was important was because the pigment was very expensive to make. Especially the specific shade that was referred to as \u201cEgyptian Blue\u201d, or <em>Irtiu<\/em>. It was made of heated quartz, malachite, and calcium carbonate. Another reason was because the Nile River provided the Egyptians with many of their basic needs. It supported their transportation, agriculture, and provided them fresh water and fish to eat. The river sustained their lives and thus the colour blue reflected the waters of the Nile, and came to symbolize life as well. Blue was also important because faience, a material made of crushed quartz, was often a blue colour and the material was said to be \u201cmagical\u201d and \u201cfilled with the undying shimmer of the sun, and imbued with the powers of rebirth\u201d (Riccardelli 2007).&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"769\" height=\"1024\" src=\"https:\/\/eportfolios.capilanou.ca\/connielow\/wp-content\/uploads\/sites\/9752\/2019\/09\/statuette-of-isis-and-horus-769x1024.jpg\" alt=\"\" class=\"wp-image-26\" srcset=\"https:\/\/eportfolios.capilanou.ca\/connielow\/wp-content\/uploads\/sites\/9752\/2019\/09\/statuette-of-isis-and-horus-769x1024.jpg 769w, https:\/\/eportfolios.capilanou.ca\/connielow\/wp-content\/uploads\/sites\/9752\/2019\/09\/statuette-of-isis-and-horus-225x300.jpg 225w, https:\/\/eportfolios.capilanou.ca\/connielow\/wp-content\/uploads\/sites\/9752\/2019\/09\/statuette-of-isis-and-horus-768x1023.jpg 768w, https:\/\/eportfolios.capilanou.ca\/connielow\/wp-content\/uploads\/sites\/9752\/2019\/09\/statuette-of-isis-and-horus-700x933.jpg 700w\" sizes=\"auto, (max-width: 769px) 100vw, 769px\" \/><figcaption>Sculpture of Isis breastfeeding Horus symbolizing rebirth from Egypt, ca. 332\u201330 B.C. Egyptian, Ptolemaic Period, faience;  H. 17 cm (6 11\/16 in); W. 5.1 cm (2 in.); D. 7.7 cm (3 1\/16 in.)  The Metropolitan Museum of Art, New York, Joseph Pulitzer Bequest Fund, 1955 (55.121.5) <br><a href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/548310\">https:\/\/www.metmuseum.org\/art\/collection\/search\/548310<\/a>. <\/figcaption><\/figure><\/div>\n\n\n\n<h5 class=\"wp-block-heading\">where was blue utilized?<\/h5>\n\n\n\n<p>Although blue carried very strong symbolism and it was very expensive to make, it was not limited only to noble artwork. There were many ceramics, beads, and amulets that used blue. Faience was a cheaper and more accessible way for peasants to have the sought after colour. Lapis lazuli, on the other hand, was the most precious stone to Egyptians and was used in pieces meant for royalty. Lapis lazuli was often paired with gold to make jewellery and various protection amulets, such as the heart scarab. It was also used to decorate the tombs of pharaohs. <\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"835\" height=\"1024\" src=\"https:\/\/eportfolios.capilanou.ca\/connielow\/wp-content\/uploads\/sites\/9752\/2019\/09\/Upper-Portion-of-a-Blue-painted-Hathor-Jarca.-1390\u20131353-B.C.-835x1024.jpg\" alt=\"\" class=\"wp-image-27\" srcset=\"https:\/\/eportfolios.capilanou.ca\/connielow\/wp-content\/uploads\/sites\/9752\/2019\/09\/Upper-Portion-of-a-Blue-painted-Hathor-Jarca.-1390\u20131353-B.C.-835x1024.jpg 835w, https:\/\/eportfolios.capilanou.ca\/connielow\/wp-content\/uploads\/sites\/9752\/2019\/09\/Upper-Portion-of-a-Blue-painted-Hathor-Jarca.-1390\u20131353-B.C.-245x300.jpg 245w, https:\/\/eportfolios.capilanou.ca\/connielow\/wp-content\/uploads\/sites\/9752\/2019\/09\/Upper-Portion-of-a-Blue-painted-Hathor-Jarca.-1390\u20131353-B.C.-768x941.jpg 768w, https:\/\/eportfolios.capilanou.ca\/connielow\/wp-content\/uploads\/sites\/9752\/2019\/09\/Upper-Portion-of-a-Blue-painted-Hathor-Jarca.-1390\u20131353-B.C.-700x858.jpg 700w\" sizes=\"auto, (max-width: 835px) 100vw, 835px\" \/><figcaption>Upper section of a blue-painted Hathor Jar from Malqata, ca. 1390\u20131353 B.C. Egyptian; Thebes, Malqata, New Kingdom pottery, slip, paint; H. 24.5 \u00d7 diam. 25 cm (9 5\/8 \u00d7 9 13\/16 in.) The Metropolitan Museum of Art, New York, Rogers Fund, 1911 (11.215.473) <a href=\"http:\/\/www.metmuseum.org\/Collections\/search-the-collections\/549178\">http:\/\/www.metmuseum.org\/Collections\/search-the-collections\/549178<\/a><\/figcaption><\/figure><\/div>\n\n\n\n<p>Blue was a vital part of Egyptian culture, and it was used in everyday items all the way up to the most expensive and lavish. Therefore, the blue faces of pharaohs was not a mockery, but a way of showing them the utmost respect. It associated them with life and creation, and the all powerful god Amun. Blue conveyed their elite status as royalty, and adorned them even in death. <br><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"http:\/\/ https:\/\/ancientegyptonline.co.uk\/colourblue\/\"> https:\/\/ancientegyptonline.co.uk\/colourblue\/ <\/a><\/li><li> <a href=\"https:\/\/www.metmuseum.org\/toah\/hd\/egfc\/hd_egfc.htm\">https:\/\/www.metmuseum.org\/toah\/hd\/egfc\/hd_egfc.htm<\/a> <\/li><li> <a href=\"https:\/\/www.ancient-egypt-online.com\/river-nile-facts.html\">https:\/\/www.ancient-egypt-online.com\/river-nile-facts.html<\/a> <\/li><li> <a href=\"https:\/\/www.amywallerpottery.com\/faience\">https:\/\/www.amywallerpottery.com\/faience<\/a> <\/li><li> <a href=\"https:\/\/www.ancient.eu\/article\/999\/color-in-ancient-egypt\/\">https:\/\/www.ancient.eu\/article\/999\/color-in-ancient-egypt\/<\/a> <\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>In depictions of royalty throughout human history, few are portrayed with blue faces. Why would anyone create a work of art showing their ruler in such a strange colour? Surely they\u2019d get punished for ruining their majesty\u2019s image and making a mockery of them, right? But that was is not the case in Ancient Egypt.&hellip; <a class=\"more-link\" href=\"https:\/\/eportfolios.capilanou.ca\/connielow\/2019\/09\/15\/blue-faced-pharaohs-the-significance-of-blue-in-ancient-egypt\/\">Continue reading <span class=\"screen-reader-text\">Blue-Faced Pharaohs: The Significance of Blue in Ancient Egypt (40,000 BCE &#8211; 0 CE)<\/span> <span class=\"meta-nav\" aria-hidden=\"true\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":9760,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[21,20,18,10,19],"class_list":["post-24","post","type-post","status-publish","format-standard","hentry","category-141-r","tag-141r","tag-deep-dive-colour","tag-egypt","tag-ides141","tag-research"],"_links":{"self":[{"href":"https:\/\/eportfolios.capilanou.ca\/connielow\/wp-json\/wp\/v2\/posts\/24","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eportfolios.capilanou.ca\/connielow\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eportfolios.capilanou.ca\/connielow\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/connielow\/wp-json\/wp\/v2\/users\/9760"}],"replies":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/connielow\/wp-json\/wp\/v2\/comments?post=24"}],"version-history":[{"count":9,"href":"https:\/\/eportfolios.capilanou.ca\/connielow\/wp-json\/wp\/v2\/posts\/24\/revisions"}],"predecessor-version":[{"id":130,"href":"https:\/\/eportfolios.capilanou.ca\/connielow\/wp-json\/wp\/v2\/posts\/24\/revisions\/130"}],"wp:attachment":[{"href":"https:\/\/eportfolios.capilanou.ca\/connielow\/wp-json\/wp\/v2\/media?parent=24"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/connielow\/wp-json\/wp\/v2\/categories?post=24"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/connielow\/wp-json\/wp\/v2\/tags?post=24"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}