{"id":65,"date":"2019-09-29T00:57:22","date_gmt":"2019-09-29T00:57:22","guid":{"rendered":"https:\/\/eportfolios.capilanou.ca\/davidbautista2\/?p=65"},"modified":"2019-09-29T00:59:10","modified_gmt":"2019-09-29T00:59:10","slug":"high-renaissance-mannerism","status":"publish","type":"post","link":"https:\/\/eportfolios.capilanou.ca\/davidbautista2\/2019\/09\/29\/high-renaissance-mannerism\/","title":{"rendered":"High Renaissance & Mannerism"},"content":{"rendered":"\n

Hieronymus Bosch<\/h2>\n\n\n\n
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The Garden of Earthly Delights (c.1503)<\/em><\/strong> is considered his best piece, again- teeming with depictions of evil. The triptych piece invokes a dreamlike aesthetic with many naked figures, gigantic birds and other surreal elements. <\/figcaption><\/figure><\/div>\n\n\n\n

Hieronymus Bosch, born on 1450 as Jerome van Aken, was the Dutch son of accomplished painters. His renowned name is derived from his hometown, known as s\u2019Hertogenbosch. <\/p>\n\n\n\n

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Detail from The Garden of Earthly Delights (c.1503) <\/strong><\/em><\/figcaption><\/figure><\/div>\n\n\n\n

A master of the unreal, he was referred to as a \u201ccreator of devils\u201d for his depictions of evil in his paintings. Bosch tended to combine fantasy with reality, painting fictional apocalyptic scenes with supernatural and human figures. <\/p>\n\n\n\n

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Side panels of the Bosch’s triptych piece, Paradise and Hell (c.1510)<\/em><\/strong><\/figcaption><\/figure><\/div>\n\n\n\n

His works were religious, usually seen as sermons centred on sin. Bosch’s early works indicate influences from artists such as Rogier van der Weyden.<\/p>\n\n\n\n

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Crucifixion with a Donor (c.1485-1490)<\/em><\/strong><\/figcaption><\/figure><\/div>\n\n\n\n

Bosch was rather pessimistic and stern, with critics believing he was a practitioner of the occult arts, and affiliated with secret groups due to his depictions of evil. Most historians disagree with this since Hieronymus was Catholic and well respected by his neighbours and peers. <\/p>\n\n\n\n

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Tabletop of the Seven Deadly Sins (c.1450-1516).<\/em><\/strong> The corner circles represent (from left to right) Death, Judgement, Hell and Glory; The piece depicts a resurrected Christ in the center encircled by the seven deadly sins.

This piece was owned by King Philip II of Spain who admired Bosch’s work.<\/figcaption><\/figure><\/div>\n\n\n\n

Hieronymus later died on August 9, 1516, ending with a successful career and (as written in official records) the title of “Insignis Pintor” or distinguished painter. A proper title for a master of imagination.<\/p>\n\n\n\n

Today, Bosch is viewed as a talented artist with insight into human character. He is considered the first to artistically depict abstract concepts and is often imitated by many artists.<\/p>\n\n\n\n

WORKS CITED<\/h3>\n\n\n\n
  • Gombrich, E.H. \u201cThe New Learning Spreads: Germany and the Netherlands, early sixteenth century.\u201d The Story of Art, by Ernst Hans. GOMBIRCH, 16th ed., Phaidon, 1995<\/strong><\/li>
  • “Bosch, Hi\u00ebronymus.” Britannica Concise Encyclopedia, Encyclopaedia Britannica, Britannica Digital Learning, 2017. Credo Reference, https:\/\/search-credoreference-com.ezproxy.capilanou.ca\/content\/entry\/ebconcise\/bosch_hieronymus\/0. Accessed 28 Sep. 2019.<\/li>
  • “Bosch, Hieronymus (c. 1450 – 1516).” The Bloomsbury Guide to Art, edited by Shearer West, Bloomsbury, 1st edition, 1996. Credo Reference, https:\/\/search-credoreference-com.ezproxy.capilanou.ca\/content\/entry\/bga\/bosch_hieronymus_c_1450_1516\/0. Accessed 28 Sep. 2019.<\/strong><\/li>
  • “Tabletop of the Seven Deadly Sins and the Four Last Things (oil on panel).” Bridgeman Images: The Bridgeman Art Library, edited by Bridgeman Images, 1st edition, 2014. Credo Reference, https:\/\/search-credoreference-com.ezproxy.capilanou.ca\/content\/entry\/bridgeart\/tabletop_of_the_seven_deadly_sins_and_the_four_last_things_oil_on_panel\/0. Accessed 28 Sep. 2019.<\/li>
  • Kuiper, Kathleen. \u201cHi\u00ebronymus Bosch.\u201d Encyclop\u00e6dia Britannica, Encyclop\u00e6dia Britannica, Inc., 5 Aug. 2019, www.britannica.com\/biography\/Hieronymus-Bosch.<\/strong><\/li><\/ul>\n\n\n\n

    IMAGES OBTAINED FROM<\/h4>\n\n\n\n
    • www.hieronymusbosch.net\/the-garden-of-earthly-delights\/<\/strong><\/li>
    • https:\/\/www.spikeartmagazine.com\/en\/articles\/whats-so-contemporary-about-hieronymus-boschs-apocalyptic-visions<\/li>
    • https:\/\/en.wikipedia.org\/wiki\/Paradise_and_Hell#\/media\/File:Jheronimus_Bosch_115_inner_wings.jpg<\/strong><\/li>
    • www.hieronymusbosch.net\/crucifixion-with-a-donor\/.<\/li>
    • https:\/\/search-credoreference-com.ezproxy.capilanou.ca\/content\/entry\/bridgeart\/tabletop_of_the_seven_deadly_sins_and_the_four_last_things_oil_on_panel\/0<\/strong><\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"

      Hieronymus Bosch Hieronymus Bosch, born on 1450 as Jerome van Aken, was the Dutch son of accomplished painters. His renowned name is derived from his hometown, known as s\u2019Hertogenbosch. A master of the unreal, he was referred to as a \u201ccreator of devils\u201d for his depictions of evil in his paintings. Bosch tended to combine […]<\/p>\n","protected":false},"author":9762,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,1],"tags":[],"class_list":["post-65","post","type-post","status-publish","format-standard","hentry","category-131-r","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/eportfolios.capilanou.ca\/davidbautista2\/wp-json\/wp\/v2\/posts\/65","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eportfolios.capilanou.ca\/davidbautista2\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eportfolios.capilanou.ca\/davidbautista2\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/davidbautista2\/wp-json\/wp\/v2\/users\/9762"}],"replies":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/davidbautista2\/wp-json\/wp\/v2\/comments?post=65"}],"version-history":[{"count":6,"href":"https:\/\/eportfolios.capilanou.ca\/davidbautista2\/wp-json\/wp\/v2\/posts\/65\/revisions"}],"predecessor-version":[{"id":78,"href":"https:\/\/eportfolios.capilanou.ca\/davidbautista2\/wp-json\/wp\/v2\/posts\/65\/revisions\/78"}],"wp:attachment":[{"href":"https:\/\/eportfolios.capilanou.ca\/davidbautista2\/wp-json\/wp\/v2\/media?parent=65"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/davidbautista2\/wp-json\/wp\/v2\/categories?post=65"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/davidbautista2\/wp-json\/wp\/v2\/tags?post=65"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}