{"id":54,"date":"2021-09-30T07:04:20","date_gmt":"2021-09-30T07:04:20","guid":{"rendered":"https:\/\/eportfolios.capilanou.ca\/emmado\/?p=54"},"modified":"2021-09-30T07:04:25","modified_gmt":"2021-09-30T07:04:25","slug":"andrea-del-sarto","status":"publish","type":"post","link":"https:\/\/eportfolios.capilanou.ca\/emmado\/2021\/09\/30\/andrea-del-sarto\/","title":{"rendered":"Andrea del Sarto"},"content":{"rendered":"\n

Andrea del Sarto was a strictly religious painter who lived through the thick of the High Renaissance. He was an excellent draftsman and his work exhibited characteristics that were popular during the movement. Sarto was well known for his fine detailing, sophisticated colours and dramatic composition. Notably, his art has been said to not photograph well because of the subtlety of his details. Another key aspect of his art was the natural expressions and twisting forms; his style largely influenced the next movement: Mannerism. Sarto\u2019s two most notable pieces were \u201cMadonna of the Harpies\u201d and \u201cNativity of the Virgin\u201d. He was called \u201cThe Faultless Painter\u201d after completing five monochrome frescos depicting the life of St. John for the Servites. Sarto\u2019s most notable student was the great mannerist painter Pontormo, a testament to how influential his work was to the next movement.<\/p>\n\n\n\n

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Andrea del Sarto was a strictly religious painter who lived through the thick of the High Renaissance. He was an excellent draftsman and his work exhibited characteristics that were popular during the movement. Sarto was well known for his fine detailing, sophisticated colours and dramatic composition. Notably, his art has been said to not photograph … <\/p>\n

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