{"id":18,"date":"2021-10-06T02:43:22","date_gmt":"2021-10-06T02:43:22","guid":{"rendered":"https:\/\/eportfolios.capilanou.ca\/jennaweind\/?p=18"},"modified":"2021-10-06T02:44:04","modified_gmt":"2021-10-06T02:44:04","slug":"andrea-mantegna","status":"publish","type":"post","link":"https:\/\/eportfolios.capilanou.ca\/jennaweind\/2021\/10\/06\/andrea-mantegna\/","title":{"rendered":"Andrea Mantegna"},"content":{"rendered":"\n<p>I was immediately drawn to Andrea Mantegna\u2019s work after seeing <em>Palazzo Ducale Oculus<\/em>. This is what attracted me to investigate his career and contributions to art during this period. I choose 5 pieces of his work that resonated with me, not only his most famous works.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"748\" height=\"641\" src=\"https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-content\/uploads\/sites\/13251\/2021\/10\/Screen-Shot-2021-09-27-at-8.11.36-PM.png\" alt=\"\" class=\"wp-image-46\" srcset=\"https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-content\/uploads\/sites\/13251\/2021\/10\/Screen-Shot-2021-09-27-at-8.11.36-PM.png 748w, https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-content\/uploads\/sites\/13251\/2021\/10\/Screen-Shot-2021-09-27-at-8.11.36-PM-300x257.png 300w, https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-content\/uploads\/sites\/13251\/2021\/10\/Screen-Shot-2021-09-27-at-8.11.36-PM-220x189.png 220w\" sizes=\"auto, (max-width: 748px) 100vw, 748px\" \/><figcaption>Image 1: <em>Palazzo Ducale Oculus<\/em><\/figcaption><\/figure>\n\n\n\n<p>The <em>Palazzo Ducale Oculus was painted on the ceiling of the Camera Delgi Sposi in Mantua Italy (Image 1). <\/em>His handling of realism and perspective in this piece was very influential during this period and many artists began replicating and studying his use of perspective (Britannica,2021).<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"699\" height=\"590\" src=\"https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-content\/uploads\/sites\/13251\/2021\/10\/Screen-Shot-2021-09-27-at-8.14.19-PM.png\" alt=\"\" class=\"wp-image-47\" srcset=\"https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-content\/uploads\/sites\/13251\/2021\/10\/Screen-Shot-2021-09-27-at-8.14.19-PM.png 699w, https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-content\/uploads\/sites\/13251\/2021\/10\/Screen-Shot-2021-09-27-at-8.14.19-PM-300x253.png 300w, https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-content\/uploads\/sites\/13251\/2021\/10\/Screen-Shot-2021-09-27-at-8.14.19-PM-220x186.png 220w\" sizes=\"auto, (max-width: 699px) 100vw, 699px\" \/><figcaption>Image 2: The Lamentation over the Dead Christ.<\/figcaption><\/figure>\n\n\n\n<p>Mantegna was known for his execution of foreshortening in his work as well as using roman architecture and statues within his artwork (Art in Tuscany, n.d). His foreshortening is especially prominent in his piece <em>The Lamentation over the Dead Christ (Image 2).<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"792\" height=\"942\" src=\"https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-content\/uploads\/sites\/13251\/2021\/10\/Screen-Shot-2021-09-27-at-8.21.23-PM.png\" alt=\"\" class=\"wp-image-48\" srcset=\"https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-content\/uploads\/sites\/13251\/2021\/10\/Screen-Shot-2021-09-27-at-8.21.23-PM.png 792w, https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-content\/uploads\/sites\/13251\/2021\/10\/Screen-Shot-2021-09-27-at-8.21.23-PM-252x300.png 252w, https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-content\/uploads\/sites\/13251\/2021\/10\/Screen-Shot-2021-09-27-at-8.21.23-PM-768x913.png 768w, https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-content\/uploads\/sites\/13251\/2021\/10\/Screen-Shot-2021-09-27-at-8.21.23-PM-220x262.png 220w\" sizes=\"auto, (max-width: 792px) 100vw, 792px\" \/><figcaption><em>Image 3: Grotesque Self-portrait<\/em> <\/figcaption><\/figure>\n\n\n\n<p>This self-portrait is titled <em>\u201cGrotesque Self-portrait\u201d. <\/em>It is hidden on the d\u00e9cor on the pillars in the Camera Delgi Sposi. He was well known for his handling and technique with the use of fresco (Brittanica, 2021).<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"775\" height=\"631\" src=\"https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-content\/uploads\/sites\/13251\/2021\/10\/Screen-Shot-2021-09-27-at-8.23.53-PM.png\" alt=\"\" class=\"wp-image-49\" srcset=\"https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-content\/uploads\/sites\/13251\/2021\/10\/Screen-Shot-2021-09-27-at-8.23.53-PM.png 775w, https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-content\/uploads\/sites\/13251\/2021\/10\/Screen-Shot-2021-09-27-at-8.23.53-PM-300x244.png 300w, https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-content\/uploads\/sites\/13251\/2021\/10\/Screen-Shot-2021-09-27-at-8.23.53-PM-768x625.png 768w, https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-content\/uploads\/sites\/13251\/2021\/10\/Screen-Shot-2021-09-27-at-8.23.53-PM-220x179.png 220w\" sizes=\"auto, (max-width: 775px) 100vw, 775px\" \/><figcaption>Image 4: Minerva Expelling the Vices from the Garden of Virtue<\/figcaption><\/figure>\n\n\n\n<p>This is <em>Minerva Expelling the Vices from the Garden of Virtue<\/em>, painted in 1500-02. I loved the color and softness that he achieved in this piece. <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"359\" height=\"636\" src=\"https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-content\/uploads\/sites\/13251\/2021\/10\/Screen-Shot-2021-09-27-at-8.23.41-PM.png\" alt=\"\" class=\"wp-image-50\" srcset=\"https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-content\/uploads\/sites\/13251\/2021\/10\/Screen-Shot-2021-09-27-at-8.23.41-PM.png 359w, https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-content\/uploads\/sites\/13251\/2021\/10\/Screen-Shot-2021-09-27-at-8.23.41-PM-169x300.png 169w, https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-content\/uploads\/sites\/13251\/2021\/10\/Screen-Shot-2021-09-27-at-8.23.41-PM-220x390.png 220w\" sizes=\"auto, (max-width: 359px) 100vw, 359px\" \/><figcaption>Image 5: Madonna of the Victory<\/figcaption><\/figure>\n\n\n\n<p>Finally, the <em>Madonna of the Victory<\/em> is a beautiful altarpiece from 1496. Mantegna&#8217;s handling of color and composition in this piece is highly regarded. His use of foreshortening and perspective in fresco was studied and used in ceiling decor for 3 centuries after his work was completed (Britannica, 2021).<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Works cited:<\/p>\n\n\n\n<p>\u201cAndrea Mantegna, the Lamentation over the Dead Christ: Art in Tuscany: Podere Santa Pia, Holiday House in the South of Tuscany.\u201d <em>Andrea Mantegna, The Lamentation over the Dead Christ | Art in Tuscany | Podere Santa Pia, Holiday House in the South of Tuscany<\/em>, Art In Tuscany, http:\/\/www.travelingintuscany.com\/art\/andreamantegna\/lamentation.htm.<\/p>\n\n\n\n<p>Sheard, Wendy Stedman. &#8220;Andrea Mantegna&#8221;. Encyclopedia Britannica, 9 Sep. 2021, https:\/\/www.britannica.com\/biography\/Andrea-Mantegna. Accessed 4 October 2021.<\/p>\n\n\n\n<p>\u201cGrotesque Self-Portrait.\u201d <em>Web Gallery of Art<\/em>, https:\/\/www.wga.hu\/html_m\/m\/mantegna\/07\/2sposi112.html.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I was immediately drawn to Andrea Mantegna\u2019s work after seeing Palazzo Ducale Oculus. This is what attracted me to investigate his career and contributions to art during this period. I choose 5 pieces of his work that resonated with me, not only his most famous works. The Palazzo Ducale Oculus was painted on the ceiling [&hellip;]<\/p>\n","protected":false},"author":13128,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-18","post","type-post","status-publish","format-standard","hentry","category-3"],"_links":{"self":[{"href":"https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-json\/wp\/v2\/posts\/18","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-json\/wp\/v2\/users\/13128"}],"replies":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-json\/wp\/v2\/comments?post=18"}],"version-history":[{"count":3,"href":"https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-json\/wp\/v2\/posts\/18\/revisions"}],"predecessor-version":[{"id":54,"href":"https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-json\/wp\/v2\/posts\/18\/revisions\/54"}],"wp:attachment":[{"href":"https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-json\/wp\/v2\/media?parent=18"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-json\/wp\/v2\/categories?post=18"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/jennaweind\/wp-json\/wp\/v2\/tags?post=18"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}