{"id":69,"date":"2018-09-19T13:34:28","date_gmt":"2018-09-19T20:34:28","guid":{"rendered":"https:\/\/eportfolios.capilanou.ca\/joycechan4\/?p=69"},"modified":"2022-03-21T09:08:17","modified_gmt":"2022-03-21T16:08:17","slug":"week-1-robert-campin","status":"publish","type":"post","link":"https:\/\/eportfolios.capilanou.ca\/joycechan4\/2018\/09\/19\/week-1-robert-campin\/","title":{"rendered":"131 Survey 1: Robert Campin"},"content":{"rendered":"<h5 class=\"p1\"><b>Robert Campin (Late Gothic &amp; Early Renaissance<\/b>)<\/h5>\n<p class=\"p1\">Being one of the greatest contributors to the new painting style in the 15th century, Robert Campin\u2019s works marked the transition from the Gothic to Renaissance in art. Some of his most famous works include&nbsp;<em>Portrait of a Man and Portrait of a Woman<\/em>,<em>&nbsp;Thief on the Cross<\/em> and&nbsp;<em>The Seilern Triptych.&nbsp;<\/em><\/p>\n<div class=\"mceTemp\"><\/div>\n<div id=\"attachment_66\" style=\"width: 229px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-66\" class=\" wp-image-66\" src=\"https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-content\/uploads\/sites\/7908\/2018\/09\/Screen-Shot-2018-09-17-at-1.02.25-PM-202x300.png\" alt=\"\" width=\"219\" height=\"325\" srcset=\"https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-content\/uploads\/sites\/7908\/2018\/09\/Screen-Shot-2018-09-17-at-1.02.25-PM-202x300.png 202w, https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-content\/uploads\/sites\/7908\/2018\/09\/Screen-Shot-2018-09-17-at-1.02.25-PM.png 314w\" sizes=\"auto, (max-width: 219px) 100vw, 219px\" \/><p id=\"caption-attachment-66\" class=\"wp-caption-text\">Thief on the Cross, fragment from a lost altar, 1420<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_72\" style=\"width: 308px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-72\" class=\" wp-image-72\" src=\"https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-content\/uploads\/sites\/7908\/2018\/09\/Screen-Shot-2018-09-19-at-1.08.43-PM-300x176.png\" alt=\"\" width=\"298\" height=\"175\" srcset=\"https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-content\/uploads\/sites\/7908\/2018\/09\/Screen-Shot-2018-09-19-at-1.08.43-PM-300x176.png 300w, https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-content\/uploads\/sites\/7908\/2018\/09\/Screen-Shot-2018-09-19-at-1.08.43-PM-768x450.png 768w, https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-content\/uploads\/sites\/7908\/2018\/09\/Screen-Shot-2018-09-19-at-1.08.43-PM-1024x601.png 1024w, https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-content\/uploads\/sites\/7908\/2018\/09\/Screen-Shot-2018-09-19-at-1.08.43-PM-945x554.png 945w, https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-content\/uploads\/sites\/7908\/2018\/09\/Screen-Shot-2018-09-19-at-1.08.43-PM-600x352.png 600w, https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-content\/uploads\/sites\/7908\/2018\/09\/Screen-Shot-2018-09-19-at-1.08.43-PM.png 1862w\" sizes=\"auto, (max-width: 298px) 100vw, 298px\" \/><p id=\"caption-attachment-72\" class=\"wp-caption-text\">The Seilern Triptych, 1425<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\">Campin, along with Rogier van Der Weyden and Jan van Eyck, became influential in the new developed art of the century called Flemish art. While I was researching on Campin\u2019s works, some of the things that stood out to me was his realistic approach in displaying contrast and composition. In my opinion, Campin\u2019s observation of space and perspective had led to the change in his art style. In the M\u00e9rode Altarpiece (1427), Campin showed a certain understanding of space between foreground and background elements. However, in comparison to the complex composition we see in <i>The Werl Triptych <\/i>(1438)<i>, <\/i>the perspective seems much more realistic and lively. Although his art style was greatly inspired by the biblical figures in manuscript illumination,<i> <\/i>Campin showed his attention to details from the way he tackled tonal contrast of the drapery fabric and Saint Barbaras\u2019s neck in <i>The Werl Triptych.<\/i><\/p>\n<div id=\"attachment_70\" style=\"width: 266px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-70\" class=\" wp-image-70\" src=\"https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-content\/uploads\/sites\/7908\/2018\/09\/Screen-Shot-2018-09-19-at-12.57.03-PM-270x300.png\" alt=\"\" width=\"256\" height=\"284\" srcset=\"https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-content\/uploads\/sites\/7908\/2018\/09\/Screen-Shot-2018-09-19-at-12.57.03-PM-270x300.png 270w, https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-content\/uploads\/sites\/7908\/2018\/09\/Screen-Shot-2018-09-19-at-12.57.03-PM-600x666.png 600w, https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-content\/uploads\/sites\/7908\/2018\/09\/Screen-Shot-2018-09-19-at-12.57.03-PM.png 704w\" sizes=\"auto, (max-width: 256px) 100vw, 256px\" \/><p id=\"caption-attachment-70\" class=\"wp-caption-text\">The two surviving wings of The Werl Altarpiece, 1438. (Right panel: Saint Barbara, Left panel: Saint John and donor)<\/p><\/div>\n<div id=\"attachment_71\" style=\"width: 456px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-71\" class=\" wp-image-71\" src=\"https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-content\/uploads\/sites\/7908\/2018\/09\/Screen-Shot-2018-09-19-at-12.59.42-PM-300x149.png\" alt=\"\" width=\"446\" height=\"221\" srcset=\"https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-content\/uploads\/sites\/7908\/2018\/09\/Screen-Shot-2018-09-19-at-12.59.42-PM-300x149.png 300w, https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-content\/uploads\/sites\/7908\/2018\/09\/Screen-Shot-2018-09-19-at-12.59.42-PM-768x382.png 768w, https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-content\/uploads\/sites\/7908\/2018\/09\/Screen-Shot-2018-09-19-at-12.59.42-PM-1024x509.png 1024w, https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-content\/uploads\/sites\/7908\/2018\/09\/Screen-Shot-2018-09-19-at-12.59.42-PM-945x470.png 945w, https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-content\/uploads\/sites\/7908\/2018\/09\/Screen-Shot-2018-09-19-at-12.59.42-PM-600x298.png 600w, https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-content\/uploads\/sites\/7908\/2018\/09\/Screen-Shot-2018-09-19-at-12.59.42-PM.png 1528w\" sizes=\"auto, (max-width: 446px) 100vw, 446px\" \/><p id=\"caption-attachment-71\" class=\"wp-caption-text\">Robert Campin and workshop, M\u00e9rode Altarpiece, 1427.<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p5\">Reference:<\/p>\n<p class=\"p6\"><a href=\"https:\/\/www.britannica.com\/biography\/Robert-Campin\">https:\/\/www.britannica.com\/biography\/Robert-Campin<\/a><\/p>\n<p class=\"p6\"><a href=\"https:\/\/www.britannica.com\/art\/Western-painting\/Western-Dark-Ages-and-medieval-Christendom\">https:\/\/www.britannica.com\/art\/Western-painting\/Western-Dark-Ages-and-medieval-Christendom<\/a><\/p>\n<p class=\"p6\"><a href=\"https:\/\/en.wikipedia.org\/wiki\/Robert_Campin\">https:\/\/en.wikipedia.org\/wiki\/Robert_Campin<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Robert Campin (Late Gothic &amp; Early Renaissance) Being one of the greatest contributors to the new painting style in the 15th century, Robert Campin\u2019s works marked the transition from the Gothic to Renaissance in art. Some of his most famous&#8230; <a class=\"more-link\" href=\"https:\/\/eportfolios.capilanou.ca\/joycechan4\/2018\/09\/19\/week-1-robert-campin\/\">Continue Reading &rarr;<\/a><\/p>\n","protected":false},"author":7859,"featured_media":67,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-69","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-json\/wp\/v2\/posts\/69","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-json\/wp\/v2\/users\/7859"}],"replies":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-json\/wp\/v2\/comments?post=69"}],"version-history":[{"count":7,"href":"https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-json\/wp\/v2\/posts\/69\/revisions"}],"predecessor-version":[{"id":1337,"href":"https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-json\/wp\/v2\/posts\/69\/revisions\/1337"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-json\/wp\/v2\/media\/67"}],"wp:attachment":[{"href":"https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-json\/wp\/v2\/media?parent=69"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-json\/wp\/v2\/categories?post=69"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/joycechan4\/wp-json\/wp\/v2\/tags?post=69"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}