{"id":23,"date":"2019-09-16T00:17:41","date_gmt":"2019-09-16T00:17:41","guid":{"rendered":"https:\/\/eportfolios.capilanou.ca\/miacanderan\/?p=23"},"modified":"2019-09-29T21:44:39","modified_gmt":"2019-09-29T21:44:39","slug":"simone-martini","status":"publish","type":"post","link":"https:\/\/eportfolios.capilanou.ca\/miacanderan\/2019\/09\/16\/simone-martini\/","title":{"rendered":"Late Gothic &amp; Early Renaissance: Simone Martini"},"content":{"rendered":"\n<p>Simone Martini was an influential Italian artist who lived from 1284-1344. Although he was not as impactful as Duccio, he did an incredible job of popularizing Sienese paintings after him. <\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"844\" height=\"720\" src=\"https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-content\/uploads\/sites\/9762\/2019\/09\/Simone_Martini_and_Lippo_Memmi_-_The_Annunciation_and_Two_Saints_-_WGA15010-1.jpg\" alt=\"\" class=\"wp-image-27\" srcset=\"https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-content\/uploads\/sites\/9762\/2019\/09\/Simone_Martini_and_Lippo_Memmi_-_The_Annunciation_and_Two_Saints_-_WGA15010-1.jpg 844w, https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-content\/uploads\/sites\/9762\/2019\/09\/Simone_Martini_and_Lippo_Memmi_-_The_Annunciation_and_Two_Saints_-_WGA15010-1-300x256.jpg 300w, https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-content\/uploads\/sites\/9762\/2019\/09\/Simone_Martini_and_Lippo_Memmi_-_The_Annunciation_and_Two_Saints_-_WGA15010-1-768x655.jpg 768w\" sizes=\"auto, (max-width: 844px) 100vw, 844px\" \/><figcaption><em>The Annunciation and the Two Saints<\/em>, 1333 <a href=\"https:\/\/en.wikipedia.org\/wiki\/Annunciation_with_St._Margaret_and_St._Ansanus\">https:\/\/en.wikipedia.org\/wiki\/Annunciation_with_St._Margaret_and_St._Ansanus<\/a><\/figcaption><\/figure>\n\n\n\n<p>He impacted many, for example the local artists who imitated him in their paintings. It is assumed that Martini learned how to paint from the colour and figure styles that Duccio initially had painted with.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"477\" src=\"https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-content\/uploads\/sites\/9762\/2019\/09\/1200px-Simone_Martini_-_Madonna_and_Child_between_St_Stephen_and_St_Ladislaus_-_WGA21399-1024x477.jpg\" alt=\"\" class=\"wp-image-28\" srcset=\"https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-content\/uploads\/sites\/9762\/2019\/09\/1200px-Simone_Martini_-_Madonna_and_Child_between_St_Stephen_and_St_Ladislaus_-_WGA21399-1024x477.jpg 1024w, https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-content\/uploads\/sites\/9762\/2019\/09\/1200px-Simone_Martini_-_Madonna_and_Child_between_St_Stephen_and_St_Ladislaus_-_WGA21399-300x140.jpg 300w, https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-content\/uploads\/sites\/9762\/2019\/09\/1200px-Simone_Martini_-_Madonna_and_Child_between_St_Stephen_and_St_Ladislaus_-_WGA21399-768x358.jpg 768w, https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-content\/uploads\/sites\/9762\/2019\/09\/1200px-Simone_Martini_-_Madonna_and_Child_between_St_Stephen_and_St_Ladislaus_-_WGA21399.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><em>Madonna and Child between St Stephen and St Ladislaus<\/em>, 1320-25 <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File%3ASimone_Martini_-_Madonna_and_Child_between_St_Stephen_and_St_Ladislaus_-_WGA21399.jpg\">https:\/\/commons.wikimedia.org\/wiki\/File%3ASimone_Martini_-_Madonna_and_Child_between_St_Stephen_and_St_Ladislaus_-_WGA21399.jpg<\/a><\/figcaption><\/figure>\n\n\n\n<p> Comparing the two artist\u2019s work, I notice that the faces and figures are very similar looking; however, Martini has added decorative lines and an extra elegance and beauty to his art. <\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"966\" src=\"https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-content\/uploads\/sites\/9762\/2019\/09\/800px-SIMONE_MARTINI_Maest\u00e0_detail_1315.jpg\" alt=\"\" class=\"wp-image-29\" srcset=\"https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-content\/uploads\/sites\/9762\/2019\/09\/800px-SIMONE_MARTINI_Maest\u00e0_detail_1315.jpg 800w, https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-content\/uploads\/sites\/9762\/2019\/09\/800px-SIMONE_MARTINI_Maest\u00e0_detail_1315-248x300.jpg 248w, https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-content\/uploads\/sites\/9762\/2019\/09\/800px-SIMONE_MARTINI_Maest\u00e0_detail_1315-768x927.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption>Detail of: <em>Maest\u00e0 <\/em>(Madonna with Angels and Saints), 1312 &#8211; 1315 <a href=\"https:\/\/en.wikipedia.org\/wiki\/Simone_Martini#\/media\/File:SIMONE_MARTINI_Maest\u00e0_(detail)_1315.jpg\">https:\/\/en.wikipedia.org\/wiki\/Simone_Martini#\/media\/File:SIMONE_MARTINI_Maest\u00e0_(detail)_1315.jpg<\/a><\/figcaption><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"555\" src=\"https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-content\/uploads\/sites\/9762\/2019\/09\/maesta700.jpg\" alt=\"\" class=\"wp-image-30\" srcset=\"https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-content\/uploads\/sites\/9762\/2019\/09\/maesta700.jpg 700w, https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-content\/uploads\/sites\/9762\/2019\/09\/maesta700-300x238.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><figcaption><em>Maest\u00e0 <\/em>(Madonna with Angels and Saints), 1312 &#8211; 1315 <a href=\"http:\/\/www.travelingintuscany.com\/art\/simonemartini\/maesta.htm\">http:\/\/www.travelingintuscany.com\/art\/simonemartini\/maesta.htm<\/a><\/figcaption><\/figure>\n\n\n\n<p>His paintings from Siena were a very important aspect of Late Gothic artworks, as the Sienese people knew Martini to have painted the first nonreligious Sienese painting, which was a portrait of Guidoriccio da Fogliano on a horse. <\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"346\" src=\"https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-content\/uploads\/sites\/9762\/2019\/09\/Simone_Martini_Guidoriccio_da_Fogliano-2000x675-1024x346.jpg\" alt=\"\" class=\"wp-image-25\" srcset=\"https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-content\/uploads\/sites\/9762\/2019\/09\/Simone_Martini_Guidoriccio_da_Fogliano-2000x675-1024x346.jpg 1024w, https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-content\/uploads\/sites\/9762\/2019\/09\/Simone_Martini_Guidoriccio_da_Fogliano-2000x675-300x101.jpg 300w, https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-content\/uploads\/sites\/9762\/2019\/09\/Simone_Martini_Guidoriccio_da_Fogliano-2000x675-768x259.jpg 768w, https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-content\/uploads\/sites\/9762\/2019\/09\/Simone_Martini_Guidoriccio_da_Fogliano-2000x675.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><em>Equestrian portrait of Guidoriccio da Fogliano<\/em>, 1328-30 <a href=\"https:\/\/www.analisidellopera.it\/guidoriccio-da-fogliano-di-simone-martini\/\">https:\/\/www.analisidellopera.it\/guidoriccio-da-fogliano-di-simone-martini\/<\/a><\/figcaption><\/figure>\n\n\n\n<p>It is no doubt that Martini created a number of iconic artworks and influenced many. <\/p>\n\n\n\n<p style=\"text-align:left\" class=\"has-small-font-size\"><\/p>\n\n\n\n<p>Taken from: <a href=\"http:\/\/travelingintuscany.com\/art\/simonemartini.htm\">http:\/\/travelingintuscany.com\/art\/simonemartini.htm <\/a>and <a href=\"https:\/\/www.britannica.com\/biography\/Simone-Martini\">https:\/\/www.britannica.com\/biography\/Simone-Martini<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Simone Martini was an influential Italian artist who lived from 1284-1344. Although he was not as impactful as Duccio, he did an incredible job of popularizing Sienese paintings after him. He impacted many, for example the local artists who imitated him in their paintings. It is assumed that Martini learned how to paint from the&hellip; <a class=\"more-link\" href=\"https:\/\/eportfolios.capilanou.ca\/miacanderan\/2019\/09\/16\/simone-martini\/\">Continue reading <span class=\"screen-reader-text\">Late Gothic &amp; Early Renaissance: Simone Martini<\/span> <span class=\"meta-nav\" aria-hidden=\"true\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":9770,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-23","post","type-post","status-publish","format-standard","hentry","category-131r"],"_links":{"self":[{"href":"https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-json\/wp\/v2\/posts\/23","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-json\/wp\/v2\/users\/9770"}],"replies":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-json\/wp\/v2\/comments?post=23"}],"version-history":[{"count":4,"href":"https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-json\/wp\/v2\/posts\/23\/revisions"}],"predecessor-version":[{"id":73,"href":"https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-json\/wp\/v2\/posts\/23\/revisions\/73"}],"wp:attachment":[{"href":"https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-json\/wp\/v2\/media?parent=23"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-json\/wp\/v2\/categories?post=23"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/miacanderan\/wp-json\/wp\/v2\/tags?post=23"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}