{"id":31,"date":"2020-09-16T05:31:01","date_gmt":"2020-09-16T05:31:01","guid":{"rendered":"https:\/\/eportfolios.capilanou.ca\/michellelussier\/?p=31"},"modified":"2020-10-14T05:42:14","modified_gmt":"2020-10-14T05:42:14","slug":"visual-research-i-sept-15-2020","status":"publish","type":"post","link":"https:\/\/eportfolios.capilanou.ca\/michellelussier\/2020\/09\/16\/visual-research-i-sept-15-2020\/","title":{"rendered":"Visual Research I – Sept 15, 2020."},"content":{"rendered":"\n
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1. This cover for The New Yorker created by Tomer Hanuka incorporates the element of texture as the character in this piece is seen to be modelling a top made of dandelion fluff. Hanuka’s ability to create a texture so similar to dandelions ends up creating a sense of lightness that flows throughout the piece.
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2. Levente Szabo’s use of the element of shape in the cover of ‘The Boy with the Tiger’s Heart’ creates a sense of depth as the branches of the trees and the vibrant orange sunset work together and create the shape of tiger.
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3. Christopher Delorenzo presents an interesting example of using negative space in his illustration ‘She & Him’. The use of the uneven edges of the apple’s core creating a silhouette of two faces staring at each other is such a creative way of using space.<\/figcaption><\/figure>\n\n\n\n

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