{"id":57,"date":"2018-09-23T17:01:24","date_gmt":"2018-09-24T00:01:24","guid":{"rendered":"https:\/\/eportfolios.capilanou.ca\/mikaelamanuel\/?p=57"},"modified":"2018-09-23T17:10:42","modified_gmt":"2018-09-24T00:10:42","slug":"late-gothic-early-renaissance-simone-martini","status":"publish","type":"post","link":"https:\/\/eportfolios.capilanou.ca\/mikaelamanuel\/2018\/09\/23\/late-gothic-early-renaissance-simone-martini\/","title":{"rendered":"Late Gothic &amp; Early Renaissance: Simone Martini"},"content":{"rendered":"<h1>Simone Martini<\/h1>\n<p>Simone Martini was an Italian painter based in Sienna during the 14<sup>th<\/sup> Century and, like many Gothic artists, his paintings depicted mostly aspects of Christianity. As writer Andrew Martindale states, \u201cSimone was a true Sienese painter trained in the workshop of\u00a0Duccio\u2026\u201d (Martindale I, 1).\u00a0This style influence can clearly be seen in Martini\u2019s work, especially in his work on the <em>Maesta (fig 1)<\/em>, one of his most famous paintings.<\/p>\n<p>However, the <em>Maesta<\/em> was created in a unique way. As Martindale says, instead of fully embracing the religious aspects of Christianity, Martini displayed a more secular and materialistic presence (Martindale I, 2). In my opinion, this carries over to a lot of his art, including <em>Road to Cavalry (fig 2),<\/em>\u00a0<em>The Miracle of the Child (fig 3), <\/em>and\u00a0<em>Guidoriccio da Fogliano (fig 4)<\/em>. These paintings show a lot more livery and entertainment, rather than focussing on depicting the story accurately as most Gothic artists chose to do.<\/p>\n<p><a href=\"http:\/\/www.hotelsienaborgogrondaie.com\/the-majesty-of-simone-martini-siena\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/www.hotelsienaborgogrondaie.com\/sienahotelstuscany-2016\/wp-content\/uploads\/2013\/02\/maesta_s-e1494868930545.jpg\" alt=\"Related image\" width=\"1019\" height=\"789\" \/><\/a><\/p>\n<p><em>Figure 1<\/em><\/p>\n<p><a href=\"http:\/\/www.oxfordartonline.com.ezproxy.capilanou.ca\/groveart\/view\/10.1093\/gao\/9781884446054.001.0001\/oao-9781884446054-e-7000054737\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/www.oxfordartonline.com.ezproxy.capilanou.ca\/groveart\/doc\/searchableMedia\/oao-9781884446054-e-8000017187-graphic-1-full.jpg\" alt=\"\" width=\"413\" height=\"650\" \/><\/a><\/p>\n<p><em>Figure 2<\/em><\/p>\n<p><a href=\"https:\/\/it.wikipedia.org\/wiki\/File:Simone_Martini_072.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/3\/37\/Simone_Martini_072.jpg\" alt=\"Related image\" width=\"2024\" height=\"1966\" \/><\/a><\/p>\n<p><em>Figure 3<\/em><\/p>\n<p><a href=\"http:\/\/cudaswiata.files.wordpress.com\/2009\/03\/simone_martini_kondotier.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/cudaswiata.files.wordpress.com\/2009\/03\/simone_martini_kondotier.jpg\" alt=\"simone_martini_kondotier\" width=\"5120\" height=\"1727\" \/><\/a><\/p>\n<p><em>Figure 4<\/em><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/upload.wikimedia.org\/wikipedia\/commons\/2\/23\/Simone_Martini_and_Lippo_Memmi_-_The_Annunciation_and_Two_Saints_-_WGA15010.jpg\" alt=\"Image result for simone martini\" \/><\/p>\n<p><em>Figure 5: Annunciation with St. Margaret and St. Ansanus\u00a0<\/em><\/p>\n<p>&#8211;<\/p>\n<h3>Works Cited<\/h3>\n<p>Martindale, Andrew. &#8220;Martini, Simone.&#8221;\u00a0<u>Grove Art Online<\/u>.\u00a0\u00a0January\u00a001,\u00a02003. Oxford University Press,. Date of access 23 Sep.\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 2018,\u00a0&lt;http:\/\/\/\/www.oxfordartonline.com\/groveart\/view\/10.1093\/gao\/9781884446054.001.0001\/oao-9781884446054-e-7000054737&gt;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Simone Martini Simone Martini was an Italian painter based in Sienna during the 14th Century and, like many Gothic artists, his paintings depicted mostly aspects of Christianity. As writer Andrew Martindale states, \u201cSimone was a true Sienese painter trained in the workshop of\u00a0Duccio\u2026\u201d (Martindale I, 1).\u00a0This style influence can clearly be seen in Martini\u2019s work, [&hellip;]<\/p>\n","protected":false},"author":7862,"featured_media":60,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,1],"tags":[],"class_list":["post-57","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-131-res","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/eportfolios.capilanou.ca\/mikaelamanuel\/wp-json\/wp\/v2\/posts\/57","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eportfolios.capilanou.ca\/mikaelamanuel\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eportfolios.capilanou.ca\/mikaelamanuel\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/mikaelamanuel\/wp-json\/wp\/v2\/users\/7862"}],"replies":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/mikaelamanuel\/wp-json\/wp\/v2\/comments?post=57"}],"version-history":[{"count":4,"href":"https:\/\/eportfolios.capilanou.ca\/mikaelamanuel\/wp-json\/wp\/v2\/posts\/57\/revisions"}],"predecessor-version":[{"id":62,"href":"https:\/\/eportfolios.capilanou.ca\/mikaelamanuel\/wp-json\/wp\/v2\/posts\/57\/revisions\/62"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/mikaelamanuel\/wp-json\/wp\/v2\/media\/60"}],"wp:attachment":[{"href":"https:\/\/eportfolios.capilanou.ca\/mikaelamanuel\/wp-json\/wp\/v2\/media?parent=57"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/mikaelamanuel\/wp-json\/wp\/v2\/categories?post=57"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/mikaelamanuel\/wp-json\/wp\/v2\/tags?post=57"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}