{"id":93,"date":"2021-10-21T06:10:54","date_gmt":"2021-10-21T06:10:54","guid":{"rendered":"https:\/\/eportfolios.capilanou.ca\/rachelliddle\/?p=93"},"modified":"2021-10-21T06:10:58","modified_gmt":"2021-10-21T06:10:58","slug":"tiepolo-and-the-stories-within-stories","status":"publish","type":"post","link":"https:\/\/eportfolios.capilanou.ca\/rachelliddle\/2021\/10\/21\/tiepolo-and-the-stories-within-stories\/","title":{"rendered":"Tiepolo and the Stories within Stories"},"content":{"rendered":"\n

Survey 2: Baroque, The Dutch Golden Age, Rococo, Neoclassicism, & Romanticism<\/h4>\n\n\n\n
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“Allegory of the Planets and Continents” is regeared as Tiepolo’s greatest artistic achievement. It is both complex with the multitude of figures in dynamic poses that lead the viewer’s eye smoothly around the composition. The painting is packed with detail to create an allegorical message behind the piece. The figures represent both the four continents and members of the Greco-Roman that were often connected to celestial bodies. The way different characters in the painting interact each tells smaller stories within the larger piece.<\/figcaption><\/figure><\/div>\n\n\n\n

Giambattista Tiepolo is the first name you will find on the list of the Venetian painters\u2019 guild in 1717. He is also known as Giovanni Battista Tiepolo and was a notable Italian painter and printmaker who was often commissioned to create art for Germany and Spain during the Rococo era. His work commonly showcases popular Rococo themes as he often painted allegorical pieces of classical myths or incorporated layers upon layers of symbolism to tell stories within his art.<\/p>\n\n\n\n

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“An Allegory with Venus and Time” this oil painting represents the passage of time using Greek gods and their associations to illustrate the fable. This painting uses Rococo’s infamous softer pastel color pallet. Tiepolo also has a unique way he frames and crops his paintings. He often uses shapes, whether that’s blocks of flat color or detailed frames like the example above.<\/figcaption><\/figure><\/div>\n\n\n\n
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This is an example of some of the lesser-known works of his prints. Known as the “Half-dressed Nymph with two children, surrounded by four men”. I thought it would be interesting to dive into some of Tiepolo’s work in other mediums. I was looking to see the possible stylistic crossover between his printing and painting work. It’s possible that the sketches for his paintings could look similar in style to these prints as he uses etching techniques to create fine lines that imitate the look of pencils or ink on paper<\/figcaption><\/figure><\/div>\n\n\n\n

Tiepolo\u2019s paintings carried all the whimsy and decor expected from the Rococo era, even though his style is defined and said to be influenced by the earlier Baroque period. Many of the characteristics in his work can be attributed to incorporating Baroque techniques. This is shown in the sense of drama and movement he brought to each painting. He was almost able to direct his figures among the canvas like actors on stage, conceiving large scenes with genuine emotions and dynamic compositions. All of his work was completed in his signature melancholic style that Tiepolo achieved through the use of strong \u2018chiaroscuro\u2019. This can be seen in famous works of his like \u201cMadonna of Carmelo and the \u201cSouls of Purgatory\u201d and especially in \u201cThe Sacrifice of Isaac\u201d. <\/p>\n\n\n\n

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“The Sacrifice of Isaac” is one of Tiepolo’s fewer allegories from the Christain Bible. It’s a story about an angel that keeps Abraham from sacrificing his son Issac in a test of faithfulness. This is a looser painting in terms of brushstrokes, especially in the background. Yet it still uses softer colors and dynamic poses to convey a father’s conviction and faith. This is also the strongest use of chiaroscuro in his work.<\/figcaption><\/figure><\/div>\n\n\n\n

I’m an avid lover of storytelling regardless of mediums, so over the process of this blog post, I’ve become a big fan of Giambattista Tiepolo’s work. I love to study the different techniques people use to get these stories across. Tiepolo used symbols to craft his own unique way of illustrating these stories. I love mythology and breaking down symbolism, so I found his work especially interesting research. His style reflected this love for telling stories, as though it’s complex and detailed, he also integrates the use of looser brushstrokes in his works. It seems almost as if he knows the exact quantity of detail and precisely where to put it to get the story of his artwork across in the most succinct way possible. I would like to be able to integrate this quality into my own work to improve my visual compositions and storytelling.<\/p>\n\n\n\n

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“The Apotheosis of the Spanish Monarch”, was created in 1716 through the use of oil on canvas. This painting was commissioned to be representative of the Spanish Monarchy, attesting to it’s its antiquity, military power, and preeminence among European royal families. This painting is packed with iconography and symbolism, as each figure is either historical, mythological, or allegorical. This is piece is truly a mosaic of stories and symbolism that pushes a larger narrative. It’s a fascinating painting to break down and is probably my favorite as I spent way too much time invested in attempting to understand all the symbolism. If you’re interested the website link below takes you to the MUSEO DEL PRADO’s breakdown of some of the key features in the painting, which I recommend as it adds a level of understanding to help you appreciate the piece further.
https:\/\/www.museodelprado.es\/en\/the-collection\/art-work\/vault-with-the-apotheosis-of-the-spanish-monarchy\/6bd56ee8-029e-4534-ac84-c83292602d0b<\/a><\/figcaption><\/figure><\/div>\n\n\n\n

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Citations:<\/p>\n\n\n\n

\u201cThe Banquet of Cleopatra – Giambattista Tiepolo – Google Arts & Culture.\u201d Google<\/em>, Google, https:\/\/artsandculture.google.com\/asset\/the-banquet-of-cleopatra-giambattista-tiepolo\/wwFHnS1cmltkFw?hl=en.<\/p>\n\n\n\n

Christiansen, Keith. \u201cGiovanni Battista Tiepolo (1696\u20131770).\u201d Metmuseum.org<\/em>, Department of European Paintings, The Metropolitan Museum of Art, Oct. 2003, https:\/\/www.metmuseum.org\/toah\/hd\/tiep\/hd_tiep.htm.<\/p>\n\n\n\n

\u201cGiovanni Battista Tiepolo.\u201d Encyclop\u00e6dia Britannica<\/em>, Encyclop\u00e6dia Britannica, Inc., https:\/\/www.britannica.com\/biography\/Giovanni-Battista-Tiepolo.<\/p>\n\n\n\n

\u201cGiovanni Battista Tiepolo.\u201d Wikipedia<\/em>, Wikimedia Foundation, 1 Sept. 2021, https:\/\/en.wikipedia.org\/wiki\/Giovanni_Battista_Tiepolo.<\/p>\n\n\n\n

Metmuseum.org<\/em>, https:\/\/www.metmuseum.org\/art\/collection\/search\/437792.<\/p>\n\n\n\n

Metmuseum.org<\/em>, https:\/\/www.metmuseum.org\/art\/collection\/search\/437815.<\/p>\n\n\n\n

\u201cVault with the Apotheosis of the Spanish Monarchy – the Collection.\u201d The Collection – Museo Nacional Del Prado<\/em>, https:\/\/www.museodelprado.es\/en\/the-collection\/art-work\/vault-with-the-apotheosis-of-the-spanish-monarchy\/6bd56ee8-029e-4534-ac84-c83292602d0b.<\/p>\n","protected":false},"excerpt":{"rendered":"

Survey 2: Baroque, The Dutch Golden Age, Rococo, Neoclassicism, & Romanticism Giambattista Tiepolo is the first name you will find on the list of the Venetian painters\u2019 guild in 1717. He is also known as Giovanni Battista Tiepolo and was a notable Italian painter and printmaker who was often commissioned to create art for Germany […]<\/p>\n","protected":false},"author":13118,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-93","post","type-post","status-publish","format-standard","hentry","category-6"],"_links":{"self":[{"href":"https:\/\/eportfolios.capilanou.ca\/rachelliddle\/wp-json\/wp\/v2\/posts\/93","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eportfolios.capilanou.ca\/rachelliddle\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eportfolios.capilanou.ca\/rachelliddle\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/rachelliddle\/wp-json\/wp\/v2\/users\/13118"}],"replies":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/rachelliddle\/wp-json\/wp\/v2\/comments?post=93"}],"version-history":[{"count":1,"href":"https:\/\/eportfolios.capilanou.ca\/rachelliddle\/wp-json\/wp\/v2\/posts\/93\/revisions"}],"predecessor-version":[{"id":99,"href":"https:\/\/eportfolios.capilanou.ca\/rachelliddle\/wp-json\/wp\/v2\/posts\/93\/revisions\/99"}],"wp:attachment":[{"href":"https:\/\/eportfolios.capilanou.ca\/rachelliddle\/wp-json\/wp\/v2\/media?parent=93"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/rachelliddle\/wp-json\/wp\/v2\/categories?post=93"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/rachelliddle\/wp-json\/wp\/v2\/tags?post=93"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}