{"id":114,"date":"2019-08-28T22:22:46","date_gmt":"2019-08-28T22:22:46","guid":{"rendered":"https:\/\/eportfolios.capilanou.ca\/talekson\/?p=114"},"modified":"2019-08-28T22:24:59","modified_gmt":"2019-08-28T22:24:59","slug":"new-music-titles","status":"publish","type":"post","link":"https:\/\/eportfolios.capilanou.ca\/talekson\/2019\/08\/28\/new-music-titles\/","title":{"rendered":"New Music Titles"},"content":{"rendered":"\n<p>Including works on history and politics of classical eras, key musicians and professional aspects of musicianship.<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192102&amp;site=eds-live&amp;scope=site\">MUSICAL DEBATE AND POLITICAL CULTURE IN FRANCE, 1700-1830<\/a><br>Author: R.J. ARNOLD.<br>On the shelf at: ML1727.33 .A76 2017.<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192169&amp;site=eds-live&amp;scope=site\">THE UNIVERSAL BAROQUE<\/a><br>Author: PETER DAVIDSON.<br>On the shelf at: CB401 .D38 2018.<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1033600&amp;site=eds-live&amp;scope=site\">BAROQUE MUSIC IN FOCUS<\/a><br>Author: BY HUGH BENHAM.<br>On the shelf at: ML193 .B46 2010.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"240\" height=\"360\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-23.png\" alt=\"\" class=\"wp-image-118\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-23.png 240w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-23-200x300.png 200w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1040729&amp;site=eds-live&amp;scope=site\">HISTORICAL DICTIONARY OF BAROQUE MUSIC<\/a><br>Author: JOSEPH P. SWAIN.<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=nlebk&amp;AN=578784&amp;site=eds-live&amp;scope=site\">eBook<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192105&amp;site=eds-live&amp;scope=site\">VARIETIES OF MUSICAL IRONY: FROM MOZART TO MAHLER<\/a><br>Author: MICHAEL CHERLIN.<br>On the shelf at: ML3877 .C56 2017.<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192104&amp;site=eds-live&amp;scope=site\">SCHUBERT&#8217;S MATURE INSTRUMENTAL MUSIC: A THEORIST&#8217;S PERSPECTIVE<\/a><br>Author: DAVID BEACH.<br>On the shelf at: ML410.S3 B33 2017.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"240\" height=\"336\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-22.png\" alt=\"\" class=\"wp-image-117\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-22.png 240w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-22-214x300.png 214w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192583&amp;site=eds-live&amp;scope=site\">MUSIC AND FANTASY IN THE AGE OF BERLIOZ<\/a><br> Author: FRANCESCA BRITTAN. <br><a href=\"https:\/\/eds.b.ebscohost.com\/eds\/SmartLink\/OpenIlsLink?sid=2bfa8e95-a64a-40d1-9aa6-4a11c7c7872d@pdc-v-sessmgr04&amp;vid=0&amp;sl=smartlink&amp;st=ilslink_new&amp;sv=sdbn%253Dcat02755a%2526pbt%253DeBook%2526issn%253D%2526ttl%253DMusic%252520and%252520fantasy%252520in%252520the%252520age%252520of%252520Berlioz%252520%25252F%252520Francesca%252520Brittan%25252E%2526stp%253DC%2526asi%253DY%2526ldc%253DRead%252520online%2526lna%253DeBooks%252520from%252520Catalogue%2526lca%253DfullText%2526lo%255Fan%253Dcul%25252Eb1192583&amp;su=https%3A%2F%2Fezproxy%2Ecapilanou%2Eca%2Flogin%3Furl%3Dhttps%3A%2F%2Febookcentral%2Eproquest%2Ecom%2Flib%2Fcapilano%2Debooks%2Fdetail%2Eaction%3FdocID%3D5101577%23%3F\">Read online<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192101&amp;site=eds-live&amp;scope=site\">MUSIC IN GOETHE&#8217;S FAUST: GOETHE&#8217;S FAUST IN MUSIC<\/a><br>Editor(s): LORRAINE BYRNE BODLEY.<br>On the shelf at: ML80.G5 M87 2017.<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1040730&amp;site=eds-live&amp;scope=site\">IGNAZ MOSCHELES AND THE CHANGING WORLD OF MUSICAL EUROPE<\/a><br>Author: MARK KROLL.<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=nlebk&amp;AN=777087&amp;site=eds-live&amp;scope=site\">eBook<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1040731&amp;site=eds-live&amp;scope=site\">MUSIC AND DIPLOMACY FROM THE EARLY MODERN ERA TO THE PRESENT<\/a><br>Editor(s): REBEKAH AHRENDT, MARK FERRAGUTO, AND DAMIEN MAHIET.<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=nlebk&amp;AN=997289&amp;site=eds-live&amp;scope=site\">eBook<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192553&amp;site=eds-live&amp;scope=site\">LISTENING TO EARLY MODERN CATHOLICISM : PERSPECTIVES FROM MUSICOLOGY<\/a><br> Editor(s): DANIELE V. FILIPPI, MICHAEL NOONE. <br>On the shelves at: ML3002 .L57 2017. <\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"238\" height=\"360\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-24.png\" alt=\"\" class=\"wp-image-119\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-24.png 238w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-24-198x300.png 198w\" sizes=\"auto, (max-width: 238px) 100vw, 238px\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1040630&amp;site=eds-live&amp;scope=site\">BEYOND BACH: MUSIC AND EVERYDAY LIFE IN THE EIGHTEENTH CENTURY<\/a><br>Author: ANDREW TALLE.<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=nlebk&amp;AN=1573829&amp;site=eds-live&amp;scope=site\">eBook<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192097&amp;site=eds-live&amp;scope=site\">CHOPIN AND HIS WORLD<\/a><br>Editor(s): JONATHAN D. BELLMAN AND HALINA GOLDBERG.<br>On the shelf at: ML410.C54 C4653 2017.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"239\" height=\"360\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-25.png\" alt=\"\" class=\"wp-image-120\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-25.png 239w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-25-199x300.png 199w\" sizes=\"auto, (max-width: 239px) 100vw, 239px\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1034026&amp;site=eds-live&amp;scope=site\">MUSIC IN MEDIEVAL EUROPE<\/a><br>Author: JEREMY YUDKIN.<br>On the shelf at: ML171 .Y8 2017.<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1034037&amp;site=eds-live&amp;scope=site\">SONG LOVES THE MASSES: HERDER ON MUSIC AND NATIONALISM<\/a><br>Author: JOHANN GOTTFRIED HERDER AND PHILIP V. BOHLMAN.<br>On the shelf at: ML3545 .H47 2017.<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1034005&amp;site=eds-live&amp;scope=site\">FIGURES OF THE IMAGINATION: FICTION AND SONG IN BRITAIN, 1790-1850<\/a><br>Author: ROGER HANSFORD.<br>On the shelf at: ML3849 .H28 2017.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"223\" height=\"360\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-21.png\" alt=\"\" class=\"wp-image-116\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-21.png 223w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-21-186x300.png 186w\" sizes=\"auto, (max-width: 223px) 100vw, 223px\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192554&amp;site=eds-live&amp;scope=site\">TEMPESTA : STORMY MUSIC IN THE EIGHTEENTH CENTURY<\/a><br> Author: CLIVE MCCLELLAND. <br><a href=\"https:\/\/eds.b.ebscohost.com\/eds\/SmartLink\/OpenIlsLink?sid=af6e30d8-a031-4818-ac1f-ae97d7a593db@sessionmgr103&amp;vid=0&amp;sl=smartlink&amp;st=ilslink_new&amp;sv=sdbn%253Dcat02755a%2526pbt%253DeBook%2526issn%253D%2526ttl%253DTempesta%252520%25253A%252520stormy%252520music%252520in%252520the%252520eighteenth%252520century%252520%25252F%252520Clive%252520McClelland%25252E%2526stp%253DC%2526asi%253DY%2526ldc%253DRead%252520online%2526lna%253DeBooks%252520from%252520Catalogue%2526lca%253DfullText%2526lo%255Fan%253Dcul%25252Eb1192554&amp;su=https%3A%2F%2Fezproxy%2Ecapilanou%2Eca%2Flogin%3Furl%3Dhttps%3A%2F%2Febookcentral%2Eproquest%2Ecom%2Flib%2Fcapilano%2Debooks%2Fdetail%2Eaction%3FdocID%3D5153975%23%3F\">Read online<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192098&amp;site=eds-live&amp;scope=site\">CHORAL MONUMENTS : STUDIES OF ELEVEN CHORAL MASTERWORKS<\/a><br> Author: DENNIS SHROCK.<br>On the shelves at: MT110 .S57 2017. <\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192096&amp;site=eds-live&amp;scope=site\">BEETHOVEN&#8217;S SYMPHONIES: NINE APPROACHES TO ART AND IDEAS<\/a><br>Author: MARTIN GECK ; TRANSLATED BY STEWART SPENCER.<br>On the shelf at: ML410.B42 G4413 2017.<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192100&amp;site=eds-live&amp;scope=site\">GATEWAY TO ITALIAN ART SONGS: AN ANTHOLOGY OF ITALIAN SONG AND INTERPRETATION<\/a><br>Author: JOHN GLENN PATON.<br><a href=\"https:\/\/eds.a.ebscohost.com\/eds\/SmartLink\/OpenIlsLink?sid=73f9b817-1c82-4b7f-8623-3bd7fdf56a79@sdc-v-sessmgr05&amp;vid=29&amp;sl=smartlink&amp;st=ilslink_new&amp;sv=sdbn%253Dcat02755a%2526pbt%253DeBook%2526issn%253D%2526ttl%253DGateway%252520to%252520Italian%252520art%252520songs%252520%25253A%252520an%252520anthology%252520of%252520Italian%252520song%252520and%252520interpretation%252520%25252F%252520John%252520Glenn%252520Paton%25252E%2526stp%253DC%2526asi%253DY%2526ldc%253DRead%252520online%2526lna%253DeBooks%252520from%252520Catalogue%2526lca%253DfullText%2526lo%255Fan%253Dcul%25252Eb1192100&amp;su=https%3A%2F%2Fezproxy%2Ecapilanou%2Eca%2Flogin%3Furl%3Dhttps%3A%2F%2Febookcentral%2Eproquest%2Ecom%2Flib%2Fcapilano%2Debooks%2Fdetail%2Eaction%3FdocID%3D4724910%23%3F\">eBook<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192688&amp;site=eds-live&amp;scope=site\">QUPAI IN CHINESE MUSIC : MELODIC MODELS IN FORM AND PRACTICE<\/a><br> Editor(s): ALAN R. THRASHER. <br>On the shelves at: ML3746 .Q4 2016. <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Opera<\/h2>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192099&amp;site=eds-live&amp;scope=site\">FRENCH BAROQUE OPERA: A READER<\/a><br>Author: CAROLINE WOOD AND GRAHAM SADLER.<br><a href=\"https:\/\/eds.a.ebscohost.com\/eds\/SmartLink\/OpenIlsLink?sid=73f9b817-1c82-4b7f-8623-3bd7fdf56a79@sdc-v-sessmgr05&amp;vid=27&amp;sl=smartlink&amp;st=ilslink_new&amp;sv=sdbn%253Dcat02755a%2526pbt%253DeBook%2526issn%253D%2526ttl%253DFrench%252520baroque%252520opera%252520%25253A%252520a%252520reader%252520%25252F%252520Caroline%252520Wood%252520and%252520Graham%252520Sadler%25252E%2526stp%253DC%2526asi%253DY%2526ldc%253DRead%252520online%2526lna%253DeBooks%252520from%252520Catalogue%2526lca%253DfullText%2526lo%255Fan%253Dcul%25252Eb1192099&amp;su=https%3A%2F%2Fezproxy%2Ecapilanou%2Eca%2Flogin%3Furl%3Dhttps%3A%2F%2Febookcentral%2Eproquest%2Ecom%2Flib%2Fcapilano%2Debooks%2Fdetail%2Eaction%3FdocID%3D4890932%23%3F\">eBook<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192103&amp;site=eds-live&amp;scope=site\">O MA CARMEN: BIZET&#8217;S FATEFUL GYPSY IN PORTRAYALS FROM 1875 TO THE<\/a> <a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192103&amp;site=eds-live&amp;scope=site\">PRESENT<\/a><br>Author: VICTORIA ETNIER VILLAMIL.<br>On the shelf at: ML410.B62 V57 2017.<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1194306&amp;site=eds-live&amp;scope=site\">SATYAGRAHA<\/a> <br>Author: PHILIP GLASS ; VOCAL TEXT, CONSTANCE DEJONG, ADAPTED FROM THE BHAGAVAD-GITA. <br>Call Number: M1500.G52 S2 2009. <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Professional Craft<\/h2>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1194155&amp;site=eds-live&amp;scope=site\">TEXTURES AND TIMBRES : AN ORCHESTRATOR&#8217;S HANDBOOK<\/a><br>Author: HENRY BRANT. <br>On the shelves at: MT70 .B72 2009.<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1208498&amp;site=eds-live&amp;scope=site\">MANAGING STAGE FRIGHT : A GUIDE FOR MUSICIANS AND MUSIC TEACHERS<\/a><br> Author: JULIE JAFFEE NAGEL. <br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1208498&amp;site=eds-live&amp;scope=site\">Read online.<\/a> <\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1208499&amp;site=eds-live&amp;scope=site\">MUSICIANS IN THE MAKING : PATHWAYS TO CREATIVE PERFORMANCE<\/a><br> Editor(s): JOHN RINK, HELENA GAUNT, AARON WILLIAMON. <br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1208499&amp;site=eds-live&amp;scope=site\">Read online.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Including works on history and politics of classical eras, key musicians and professional aspects of musicianship. MUSICAL DEBATE AND POLITICAL CULTURE IN FRANCE, 1700-1830Author: R.J. ARNOLD.On the shelf at: ML1727.33 .A76 2017. THE UNIVERSAL BAROQUEAuthor: PETER DAVIDSON.On the shelf at:&#8230; <a class=\"more-link\" href=\"https:\/\/eportfolios.capilanou.ca\/talekson\/2019\/08\/28\/new-music-titles\/\">Continue Reading &rarr;<\/a><\/p>\n","protected":false},"author":1318,"featured_media":115,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-114","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music"],"_links":{"self":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/users\/1318"}],"replies":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/comments?post=114"}],"version-history":[{"count":1,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/114\/revisions"}],"predecessor-version":[{"id":121,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/114\/revisions\/121"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media\/115"}],"wp:attachment":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media?parent=114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/categories?post=114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/tags?post=114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}