{"id":276,"date":"2020-02-25T03:53:12","date_gmt":"2020-02-25T03:53:12","guid":{"rendered":"https:\/\/eportfolios.capilanou.ca\/talekson\/?p=276"},"modified":"2020-03-04T23:33:41","modified_gmt":"2020-03-04T23:33:41","slug":"new-for-spring-american-film-tv-history","status":"publish","type":"post","link":"https:\/\/eportfolios.capilanou.ca\/talekson\/2020\/02\/25\/new-for-spring-american-film-tv-history\/","title":{"rendered":"New for Spring – American Film & TV History"},"content":{"rendered":"\n

AMERICAN FILM AND SOCIETY SINCE 1945<\/a>
Author:  LEONARD QUART AND ALBERT AUSTER.
Read Online<\/a> <\/p>\n\n\n\n

THE IMAGE IN EARLY CINEMA : FORM AND MATERIAL<\/a>
Author:\u00a0 EDITED BY SCOTT CURTIS, PHILIPPE GAUTHIER, TOM GUNNING, AND JOSHUA YUMIBE
Read Online<\/a> <\/p>\n\n\n\n

\"Book<\/figure>\n\n\n\n

ENGAGING DIALOGUE : CINEMATIC VERBALISM IN AMERICAN INDEPENDENT CINEMA<\/a>
Author:\u00a0 JENNIFER O’MEARA
On the shelves at: PN1995.9.D49 O44 2018. <\/p>\n\n\n\n

HOLLYWOOD CHINESE : THE CHINESE IN AMERICAN FEATURE FILMS<\/a>
Author:  ARTHUR DONG ; FORWARD BY RANDY HABERKAMP ; AFTERWORD BY JANET YANG
On the shelves at: PN1995.9.C48 D66 2019<\/p>\n\n\n\n

\"Book<\/figure>\n\n\n\n

JOHN HUSTON AS ADAPTOR<\/a>
Author: EDITED BY DOUGLAS MCFARLAND AND WESLEY KING.
On the shelves at: PN1998.3.H87 J654 2017<\/p>\n\n\n\n

ANNIE HALL<\/a>
Author: Peter Cowie
On the shelves at: PN1997.A4463 C69 1996<\/p>\n\n\n\n

BELL, BOOK AND CAMERA : A CRITICAL HISTORY OF WITCHES IN AMERICAN FILM AND TELEVISION<\/a>
Author:  HEATHER GREENE
On the shelves at: PN1995.9.W583 G74 2018. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

TELEVISION REWIRED : THE RISE OF THE AUTEUR SERIES<\/a>
Author:  MARTHA P. NOCHIMSON
Read Online<\/a> <\/p>\n","protected":false},"excerpt":{"rendered":"

AMERICAN FILM AND SOCIETY SINCE 1945 Author:  LEONARD QUART AND ALBERT AUSTER. Read Online THE IMAGE IN EARLY CINEMA : FORM AND MATERIAL Author:\u00a0 EDITED BY SCOTT CURTIS, PHILIPPE GAUTHIER, TOM GUNNING, AND JOSHUA YUMIBERead Online ENGAGING DIALOGUE : CINEMATIC… Continue Reading →<\/a><\/p>\n","protected":false},"author":1318,"featured_media":280,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-276","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mopa"],"_links":{"self":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/276","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/users\/1318"}],"replies":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/comments?post=276"}],"version-history":[{"count":5,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/276\/revisions"}],"predecessor-version":[{"id":335,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/276\/revisions\/335"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media\/280"}],"wp:attachment":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media?parent=276"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/categories?post=276"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/tags?post=276"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}