{"id":295,"date":"2020-02-25T05:02:22","date_gmt":"2020-02-25T05:02:22","guid":{"rendered":"https:\/\/eportfolios.capilanou.ca\/talekson\/?p=295"},"modified":"2020-03-04T23:29:53","modified_gmt":"2020-03-04T23:29:53","slug":"new-music-titles-spring-2020","status":"publish","type":"post","link":"https:\/\/eportfolios.capilanou.ca\/talekson\/2020\/02\/25\/new-music-titles-spring-2020\/","title":{"rendered":"New Music Titles &#8211; Spring 2020"},"content":{"rendered":"\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1252469&amp;site=eds-live&amp;scope=site\">LISTENING TO BACH AND HANDEL : A COMPARATIVE CRITIQUE<\/a> <br>Author:&nbsp; JOSEPH P. SWAIN<br>On the shelves at: ML195 .S83 2018<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"183\" height=\"275\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2020\/02\/image-1.jpeg\" alt=\"Image result for The sonatas of Henry Purcell : rhetoric and reversal\" class=\"wp-image-310\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1254874&amp;site=eds-live&amp;scope=site\">THE SONATAS OF HENRY PURCELL : RHETORIC AND REVERSAL<\/a> <br>Author:\u00a0 ALON SCHAB<br>On the shelves at: ML410.P93 S26 2018.<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1255003&amp;site=eds-live&amp;scope=site\">MUSIC AND THE BENEFIT PERFORMANCE IN EIGHTEENTH-CENTURY BRITAIN<\/a> <br>Author:\u00a0 EDITED BY MATTHEW GARDNER, ALISON CLARK DESIMONE<br>On the shelves at: ML285.3 .M85 2020<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1252455&amp;site=eds-live&amp;scope=site\">BARONIAL PATRONAGE OF MUSIC IN EARLY MODERN ROME<\/a> <br>Author:&nbsp; VALERIO MORUCCI<br><a href=\"https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=5352840#?\">Read Online<\/a> <\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/images-na.ssl-images-amazon.com\/images\/I\/91IWRB5OdCL.jpg\" alt=\"Image result for Allusion as narrative premise in Brahms's instrumental music\" width=\"207\" height=\"310\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1254872&amp;site=eds-live&amp;scope=site\">ALLUSION AS NARRATIVE PREMISE IN BRAHMS&#8217;S INSTRUMENTAL MUSIC<\/a> <br>Author:&nbsp; JACQUELYN E.C. SHOLES<br>On the shelves at: ML410.B8 S42 2018. <\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1252486&amp;site=eds-live&amp;scope=site\">THE TCHAIKOVSKY PAPERS : UNLOCKING THE FAMILY ARCHIVE<\/a><br>EDITED BY MARINA KOSTALEVSKY ; TRANSLATED BY STEPHEN PEARL; ADAPTED FROM THE RUSSIAN EDITION, COMPILED AND EDITED BY POLINA E. VAIDMAN<br>On the shelves at: ML410.C4 A4 2018<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1216152&amp;site=eds-live&amp;scope=site\">THE MUSIC OF FRANZ LISZT : STYLISTIC DEVELOPMENT AND CULTURAL SYNTHESIS<\/a><br>Author: MICHAEL SAFFLE<br>On the shelves at: ML410.L7 S25 2018<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/www.press.uillinois.edu\/books\/images\/9780252083570.jpg\" alt=\"Image result for Black opera : history, power, engagement\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1254873&amp;site=eds-live&amp;scope=site\">BLACK OPERA : HISTORY, POWER, ENGAGEMENT<\/a> <br>Author:&nbsp; Naomi Andr\u00e9<br>On the shelves at: ML1700 .A53 2018. <\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1252475&amp;site=eds-live&amp;scope=site\">MUSIC &amp; CAMP<\/a> <br>Author:&nbsp; EDITED BY CHRISTOPHER MOORE AND PHILIP PURVIS<br><a href=\"https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=5334097#?\">Read Online<\/a> <\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1254848&amp;site=eds-live&amp;scope=site\">CREATING THE REVOLUTIONARY ARTIST : ENTREPRENEURSHIP FOR THE 21ST- CENTURY MUSICIAN<\/a> <br>Author:\u00a0 MARK RABIDEAU; FOREWORD BY TAYLOE HARDING<br>On the shelves at: ML3795 .R33 2018. <\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1254877&amp;site=eds-live&amp;scope=site\">COMPLETE VOCAL FITNESS : A SINGER&#8217;S GUIDE TO PHYSICAL TRAINING, ANATOMY, AND BIOMECHANICS<\/a> <br> Author:\u00a0 CLAUDIA FRIEDLANDER<br>On the shelves at: MT821 .F75 2018. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>LISTENING TO BACH AND HANDEL : A COMPARATIVE CRITIQUE Author:&nbsp; JOSEPH P. SWAINOn the shelves at: ML195 .S83 2018 THE SONATAS OF HENRY PURCELL : RHETORIC AND REVERSAL Author:\u00a0 ALON SCHABOn the shelves at: ML410.P93 S26 2018. MUSIC AND THE&#8230; <a class=\"more-link\" href=\"https:\/\/eportfolios.capilanou.ca\/talekson\/2020\/02\/25\/new-music-titles-spring-2020\/\">Continue Reading &rarr;<\/a><\/p>\n","protected":false},"author":1318,"featured_media":296,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-295","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music"],"_links":{"self":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/295","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/users\/1318"}],"replies":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/comments?post=295"}],"version-history":[{"count":5,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/295\/revisions"}],"predecessor-version":[{"id":332,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/295\/revisions\/332"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media\/296"}],"wp:attachment":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media?parent=295"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/categories?post=295"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/tags?post=295"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}