{"id":321,"date":"2020-03-04T23:54:34","date_gmt":"2020-03-04T23:54:34","guid":{"rendered":"https:\/\/eportfolios.capilanou.ca\/talekson\/?p=321"},"modified":"2020-03-04T23:54:34","modified_gmt":"2020-03-04T23:54:34","slug":"film-theory-new-books-for-2020","status":"publish","type":"post","link":"https:\/\/eportfolios.capilanou.ca\/talekson\/2020\/03\/04\/film-theory-new-books-for-2020\/","title":{"rendered":"Film Theory &#8211; New Books for 2020"},"content":{"rendered":"\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1254971&amp;site=eds-live&amp;scope=site\">TUITIONS AND INTUITIONS : ESSAYS AT THE INTERSECTION OF FILM CRITICISM AND PHILOSOPHY<\/a> <br>Author:&nbsp; WILLIAM ROTHMAN<br>On the shelves at: PN1995 .R6853 2019. <\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/contentcafe2.btol.com\/ContentCafe\/jacket.aspx?UserID=ebsco-test&amp;Password=ebsco-test&amp;Return=T&amp;Type=M&amp;Value=9780190867140\" alt=\"Book Jacket\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1252482&amp;site=eds-live&amp;scope=site\">SCREEN STORIES : EMOTION AND THE ETHICS OF ENGAGEMENT<\/a> <br>Author:&nbsp; CARL PLANTINGA <br>On the shelves at: PN1995.5 .P52 2018. <\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1216180&amp;site=eds-live&amp;scope=site\">NARRATIVE COMPREHENSION AND FILM<\/a><br>Author: EDWARD BRANIGAN<br><a href=\"https:\/\/eds.a.ebscohost.com\/eds\/SmartLink\/OpenIlsLink?sid=877e1d46-a59a-4b50-8d15-cd6bec5cc22e@sdc-v-sessmgr02&amp;vid=18&amp;sl=smartlink&amp;st=ilslink_new&amp;sv=sdbn%253Dcat02755a%2526pbt%253DeBook%2526issn%253D%2526ttl%253DNarrative%252520comprehension%252520and%252520film%252520%25252F%252520Edward%252520Branigan%25252E%2526stp%253DC%2526asi%253DY%2526ldc%253DRead%252520online%2526lna%253DeBooks%252520from%252520Catalogue%2526lca%253DfullText%2526lo%255Fan%253Dcul%25252Eb1216180&amp;su=https%3A%2F%2Fezproxy%2Ecapilanou%2Eca%2Flogin%3Furl%3Dhttps%3A%2F%2Fwww%2Etaylorfrancis%2Ecom%2Fbooks%2F9781315003108%23%3F\">Read online<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1254852&amp;site=eds-live&amp;scope=site\">AUTEUR THEORY AND MY SON JOHN<\/a> <br>Author:&nbsp; JAMES MORRISON<br>On the shelves at: PN1995.9.A837 M68 2018. <\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1216165&amp;site=eds-live&amp;scope=site\">CINEPHILIA IN THE AGE OF DIGITAL REPRODUCTION. VOL. 1, FILM, PLEASURE AND DIGITAL CULTURE<\/a><br>Author: EDITED BY SCOTT BALCERZAK &amp; JASON SPERB<br>On the shelves at: PN1994 .C5324 2009. <\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1252458&amp;site=eds-live&amp;scope=site\">DIGITAL CINEMA<\/a><br>Author: STEPHEN PRINCE<br>On the shelves at: TR860 .P78 2019. <\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/contentcafe2.btol.com\/ContentCafe\/jacket.aspx?UserID=ebsco-test&amp;Password=ebsco-test&amp;Return=T&amp;Type=M&amp;Value=9781433138522\" alt=\"Book Jacket\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1254859&amp;site=eds-live&amp;scope=site\">TELEVISION 2.0 : VIEWER AND FAN ENGAGEMENT WITH DIGITAL TV<\/a> <br>Author:&nbsp; RHIANNON BURY<br>On the shelves at: PN1992.55 .B87 2017.  <\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1254154&amp;site=eds-live&amp;scope=site\">FEMINIST MEDIA STUDIES<\/a> <br>Author:&nbsp; ALISON HARVEY<br>On the shelves at: P96.F46 H38 2020<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1252481&amp;site=eds-live&amp;scope=site\">THE ROUTLEDGE INTERNATIONAL HANDBOOK OF JUNGIAN FILM STUDIES<\/a> <br>EDITED BY LUKE HOCKLEY<br><a href=\"https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=5888459#?\">Read Online<\/a> <\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/contentcafe2.btol.com\/ContentCafe\/jacket.aspx?UserID=ebsco-test&amp;Password=ebsco-test&amp;Return=T&amp;Type=M&amp;Value=9789089648921\" alt=\"Book Jacket\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1252456&amp;site=eds-live&amp;scope=site\">CHRISTIAN METZ AND THE CODES OF CINEMA : FILM SEMIOLOGY AND BEYOND<\/a> <br>Author:&nbsp; EDITED BY MARGRIT TROHLER AND GUIDO KIRSTEN<br><a href=\"https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=5521576\">Read Online<\/a> <\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1252479&amp;site=eds-live&amp;scope=site\">RAYMOND BELLOUR : CINEMA AND THE MOVING IMAGE : WITH SELECTIONS FROM AN INTERVIEW WITH RAYMOND BELLOUR<\/a> <br>Author:&nbsp; HILARY RADNER AND ALISTAIR FOX<br>On the shelves at: PN1998.3.B44 R33 2018. <\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1252465&amp;site=eds-live&amp;scope=site\">THE IMAGE IN EARLY CINEMA : FORM AND MATERIAL<\/a> <br>Author:&nbsp; EDITED BY SCOTT CURTIS, PHILIPPE GAUTHIER, TOM GUNNING, AND JOSHUA YUMIBE<br><a href=\"https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=5357186#?\">Read Online<\/a> <\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/contentcafe2.btol.com\/ContentCafe\/jacket.aspx?UserID=ebsco-test&amp;Password=ebsco-test&amp;Return=T&amp;Type=M&amp;Value=9780199371099\" alt=\"Book Jacket\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1252490&amp;site=eds-live&amp;scope=site\">THEORIES OF THE SOUNDTRACK<\/a> <br>Author:&nbsp; JAMES BUHLER<br><a href=\"https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=5520866#?\">Read Online<\/a> <\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1252471&amp;site=eds-live&amp;scope=site\">MAKING SEX PUBLIC AND OTHER CINEMATIC FANTASIES<\/a> <br>Author:&nbsp; DAMON R. YOUNG<br>On the shelves at: PN1995.9.S45 Y68 2018. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>TUITIONS AND INTUITIONS : ESSAYS AT THE INTERSECTION OF FILM CRITICISM AND PHILOSOPHY Author:&nbsp; WILLIAM ROTHMANOn the shelves at: PN1995 .R6853 2019. SCREEN STORIES : EMOTION AND THE ETHICS OF ENGAGEMENT Author:&nbsp; CARL PLANTINGA On the shelves at: PN1995.5 .P52&#8230; <a class=\"more-link\" href=\"https:\/\/eportfolios.capilanou.ca\/talekson\/2020\/03\/04\/film-theory-new-books-for-2020\/\">Continue Reading &rarr;<\/a><\/p>\n","protected":false},"author":1318,"featured_media":343,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-321","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mopa"],"_links":{"self":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/321","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/users\/1318"}],"replies":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/comments?post=321"}],"version-history":[{"count":4,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/321\/revisions"}],"predecessor-version":[{"id":344,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/321\/revisions\/344"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media\/343"}],"wp:attachment":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media?parent=321"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/categories?post=321"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/tags?post=321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}