{"id":356,"date":"2020-08-20T22:48:59","date_gmt":"2020-08-20T22:48:59","guid":{"rendered":"https:\/\/eportfolios.capilanou.ca\/talekson\/?p=356"},"modified":"2020-08-20T22:48:59","modified_gmt":"2020-08-20T22:48:59","slug":"new-film-theory-resources-fall-2020","status":"publish","type":"post","link":"https:\/\/eportfolios.capilanou.ca\/talekson\/2020\/08\/20\/new-film-theory-resources-fall-2020\/","title":{"rendered":"New Film Theory Resources, Fall 2020"},"content":{"rendered":"\n

FILM AND THE IMAGINED IMAGE<\/a>
Author:  SARAH COOPER.
Read Online<\/a><\/p>\n\n\n\n

FROM SENSATION TO SYNAESTHESIA IN FILM AND NEW MEDIA<\/a>
Author:  EDITED BY ROSSELLA CATANESE, FRANCESCA SCOTTO LAVINA AND VALENTINA VALENTE.
Read Online<\/a><\/p>\n\n\n\n

\"Book<\/figure>\n\n\n\n

PRIMAL ROOTS OF HORROR CINEMA : EVOLUTIONARY PSYCHOLOGY AND NARRATIVES OF FEAR<\/a>
Author:  CARROL L. FRY.
Read Online<\/a><\/p>\n\n\n\n

CINEMACHINES : AN ESSAY ON MEDIA AND METHOD<\/a>
Author:  GARRETT STEWART.
Read Online<\/a><\/p>\n\n\n\n

MYSTERIES OF CINEMA : REFLECTIONS ON FILM THEORY, HISTORY AND CULTURE<\/a> 1982-2016<\/a>
Author:  ADRIAN MARTIN.
Read Online<\/a><\/p>\n\n\n\n

FILM, PHILOSOPHY, AND REALITY : ANCIENT GREECE TO GODARD<\/a>
Author:  NATHAN ANDERSEN.
Read Online<\/a><\/p>\n\n\n\n

PHILOSOPHY AND FILM : BRIDGING DIVIDES<\/a>
Author:  EDITED BY CHRISTINA RAWLS, DIANA NEIVA, AND STEVEN S. GOUVEIA.
Read Online<\/a><\/p>\n\n\n\n

PHILOSOPHY-SCREENS : FROM CINEMA TO THE DIGITAL REVOLUTION<\/a>
Author:  MAURO CARBONE ; TRANSLATED BY MARTA NIJHUIS.
Read Online<\/a><\/p>\n\n\n\n

\"Book<\/figure>\n\n\n\n

PLATO AND THE MOVING IMAGE<\/a>
Author:  EDITED BY SHAI BIDERMAN, MICHAEL WEINMAN.
Read Online<\/a><\/p>\n\n\n\n

THE PSYCHOLOGY OF MOVIEGOING : CHOOSING, VIEWING AND BEING INFLUENCED BY FILMS<\/a>
Author:  ASHTON D. TRICE AND HUNTER W. GREER.
Read Online<\/a><\/p>\n\n\n\n

\"Book<\/figure>\n\n\n\n

SPECTATORSHIP AND FILM THEORY : THE WAYWARD SPECTATOR<\/a>
Author:  CARLO COMANDUCCI.
Read Online<\/a><\/p>\n\n\n\n

MOVIE MAKING AS CRITICAL PEDAGOGY : CONSCIENTIZATION THROUGH VISUAL STORYTELLING<\/a>
Author:  GRADY WALKER.
Read Online<\/a><\/p>\n\n\n\n

\"Book<\/figure>\n\n\n\n

TRANSCENDENTAL STYLE IN FILM : OZU, BRESSON, DREYER<\/a>
Author:  PAUL SCHRADER ; WITH A NEW INTRODUCTION.
Read Online<\/a><\/p>\n\n\n\n

PARABLES FOR THE VIRTUAL : MOVEMENT, AFFECT, SENSATION<\/a>
Author:  BRIAN MASSUMI.
Read Online<\/a><\/p>\n\n\n\n

AN EXAMINATION OF CHARACTERS AND SPACES IN FILM NARRATIVES IN THE CONTEXT OF PANOPTICON AND CHRONOTOPE WITHIN THE FRAMEWORK OF NARRATOLOGY THEORY<\/a>
Author:  BERCESTE G\u00dcL\u00c7IN \u00d6ZDEMIR.
Read Online<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

\"Book<\/figure>\n\n\n\n

CINEMATIC VITALISM : FILM THEORY AND THE QUESTION OF LIFE<\/a>
Author:  INGA POLLMANN.
On the shelves at: PN1995.9.V595 P65 2018.<\/p>\n\n\n\n

WILFRED BION, THINKING, AND EMOTIONAL EXPERIENCE WITH MOVING IMAGES:<\/a> BEING EMBEDDED<\/a>
Author:  KELLI FUERY.
On the shelves at: PN1995.9.P783 F837 2019.<\/p>\n","protected":false},"excerpt":{"rendered":"

FILM AND THE IMAGINED IMAGEAuthor:  SARAH COOPER.Read Online FROM SENSATION TO SYNAESTHESIA IN FILM AND NEW MEDIAAuthor:  EDITED BY ROSSELLA CATANESE, FRANCESCA SCOTTO LAVINA AND VALENTINA VALENTE.Read Online PRIMAL ROOTS OF HORROR CINEMA : EVOLUTIONARY PSYCHOLOGY AND NARRATIVES OF FEARAuthor: … Continue Reading →<\/a><\/p>\n","protected":false},"author":1318,"featured_media":393,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[50,49],"class_list":["post-356","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mopa","tag-philosophy","tag-plato"],"_links":{"self":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/356","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/users\/1318"}],"replies":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/comments?post=356"}],"version-history":[{"count":3,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/356\/revisions"}],"predecessor-version":[{"id":394,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/356\/revisions\/394"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media\/393"}],"wp:attachment":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media?parent=356"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/categories?post=356"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/tags?post=356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}