Author:\u00a0 BY MARTIN MCDONAGH.
On the shelves at: PR6063.C377 L54 2003.<\/p>\n\n\n\n
Technical Theatre & Acting<\/h3>\n\n\n\n
PROJECT PLANNING FOR THE STAGE : TOOLS AND TECHNIQUES FOR MANAGING EXTRAORDINARY PERFORMANCES<\/a> PLAYING THE MASK : ACTING WITHOUT BULLSHIT<\/a> THE LETTERS OF COLE PORTER<\/a> OSCAR WILDE AND CONTEMPORARY IRISH DRAMA : LEARNING TO BE OSCAR’S CONTEMPORARY<\/a> DISCOVERING MUSICALS : A LIBERAL ARTS GUIDE TO STAGE AND SCREEN<\/a> BROADWAY TO MAIN STREET : HOW SHOW TUNES ENCHANTED AMERICA<\/a> MIXED FAITH AND SHARED FEELING : THEATER IN POST-REFORMATION LONDON<\/a> BROADWAY AND THE BLACKLIST<\/a> MITCHELL AND TRASK’S HEDWIG AND THE ANGRY INCH<\/a> PARKER, LOPEZ AND STONE’S THE BOOK OF MORMON<\/a> (SYN)AESTHETICS : REDEFINING VISCERAL PERFORMANCE<\/a> PERFORMING ANIMALITY : ANIMALS IN PERFORMANCE PRACTICES<\/a> POSTDRAMATIC THEATRE<\/a> THEATRICAL REALITY : SPACE, EMBODIMENT AND EMPATHY IN PERFORMANCE<\/a> PUTTING INTELLECTUAL PROPERTY IN ITS PLACE : RIGHTS DISCOURSES, CREATIVE LABOR, AND THE EVERYDAY<\/a> Scripts THE LIEUTENANT OF INISHMOREAuthor:\u00a0 BY MARTIN MCDONAGH.On the shelves at: PR6063.C377 L54 2003. Technical Theatre & Acting PROJECT PLANNING FOR THE STAGE : TOOLS AND TECHNIQUES FOR MANAGING EXTRAORDINARY PERFORMANCESAuthor: RICH DIONNE ; FOREWORD BY BONNIE J. MONTE.Read Online… Continue Reading →<\/a><\/p>\n","protected":false},"author":1318,"featured_media":369,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-368","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musicaltheatre"],"_links":{"self":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/368","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/users\/1318"}],"replies":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/comments?post=368"}],"version-history":[{"count":2,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/368\/revisions"}],"predecessor-version":[{"id":398,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/368\/revisions\/398"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media\/369"}],"wp:attachment":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media?parent=368"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/categories?post=368"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/tags?post=368"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Author: RICH DIONNE ; FOREWORD BY BONNIE J. MONTE.
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