{"id":433,"date":"2020-11-30T21:25:41","date_gmt":"2020-11-30T21:25:41","guid":{"rendered":"https:\/\/eportfolios.capilanou.ca\/talekson\/?p=433"},"modified":"2020-12-02T23:51:45","modified_gmt":"2020-12-02T23:51:45","slug":"new-film-theory-and-history-books-dec-2020","status":"publish","type":"post","link":"https:\/\/eportfolios.capilanou.ca\/talekson\/2020\/11\/30\/new-film-theory-and-history-books-dec-2020\/","title":{"rendered":"New Film Theory and History Books, Dec 2020"},"content":{"rendered":"\n

Documentary<\/strong><\/p>\n\n\n\n

DOCUMENTARY RESISTANCE : SOCIAL CHANGE AND PARTICIPATORY MEDIA<\/a>
Author:  ANGELA J. AGUAYO.
On the shelves at: PN1995.9.D6 A33 2019.<\/p>\n\n\n\n

Film History<\/strong><\/p>\n\n\n\n

THE MOVIES AS A WORLD FORCE : AMERICAN SILENT CINEMA AND THE UTOPIAN IMAGINATION<\/a>
Author:  RYAN JAY FRIEDMAN.
On the shelves at: PN1995.9.U76 F75 2019.<\/p>\n\n\n\n

INDEPENDENT FEMALE FILMMAKERS : A CHRONICLE THROUGH INTERVIEWS, PROFILES, AND MANIFESTOS<\/a>
Author:  EDITED BY MICHELE MEEK.
On the shelves at: PN1998.2 .I53 2019.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Film Theory<\/strong><\/p>\n\n\n\n

\"Book<\/figure>\n\n\n\n

DECONSTRUCTION, FEMINISM, FILM<\/a>
Author:  SARAH DILLON.
On the shelves at: PN1995.9.W6 D55 2018.<\/p>\n\n\n\n

GENRE, AUTHORSHIP AND CONTEMPORARY WOMEN FILMMAKERS<\/a>
Author:  KATARZYNA PASZKIEWICZ.
On the shelves at: PN1995.9.W6 P37 2019.<\/p>\n\n\n\n

THE ARTS OF CINEMA<\/a>
Author:  MARTIN SEEL ; TRANSLATED BY KIZER S. WALKER.
On the shelves at: PN1995 .S4113 2018.<\/p>\n\n\n\n

\"Book<\/figure>\n\n\n\n

THE ELOQUENT SCREEN : A RHETORIC OF FILM<\/a>
Author:  GILBERTO PEREZ ; FOREWORD BY JAMES HARVEY.
Read Online<\/a>
On the shelves at: PN1995 .P3965 2019.<\/p>\n\n\n\n

THE INTERVALS OF CINEMA<\/a>
Author:  JACQUES RANCIERE ; TRANSLATED BY JOHN HOWE.
On the shelves at: PN1995 .R33513 2019.<\/p>\n\n\n\n

\"Book<\/figure>\n\n\n\n

PSYCHOANALYSIS AND HIDDEN NARRATIVE IN FILM : READING THE SYMPTOM<\/a>
Author:  TREVOR C. PEDERSON.
On the shelves at: PN1995.9.P78 P225 2019.<\/p>\n\n\n\n

HOLLYWOOD AT THE INTERSECTION OF RACE AND IDENTITY<\/a>
Author:  EDITED BY DELIA MALIA CAPAROSO KONZETT.
On the shelves at: PN1995.9.I34 H65 2020.<\/p>\n\n\n\n

Studying film with Andr\u00e9 Bazin<\/a>
Author:  BLANDINE JORET.
On the shelves at: PN1998.3.B39 J67 2019.<\/p>\n\n\n\n

MARXIST FILM THEORY AND FIGHT CLUB<\/a>
Author:  ANNA KORNBLUH.
On the shelves at: PN1995 .K67 2019.<\/p>\n\n\n\n

NEW APPROACHES TO CINEMATIC SPACE<\/a>
edited by Filipa Ros\u00e1rio, Iv\u00e1n Villarmea \u00c1lvarez
On the shelves at: PN1995.9.C513 N49 2019.<\/p>\n","protected":false},"excerpt":{"rendered":"

Documentary DOCUMENTARY RESISTANCE : SOCIAL CHANGE AND PARTICIPATORY MEDIAAuthor:  ANGELA J. AGUAYO.On the shelves at: PN1995.9.D6 A33 2019. Film History THE MOVIES AS A WORLD FORCE : AMERICAN SILENT CINEMA AND THE UTOPIAN IMAGINATIONAuthor:  RYAN JAY FRIEDMAN.On the shelves at:… Continue Reading →<\/a><\/p>\n","protected":false},"author":1318,"featured_media":452,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-433","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mopa"],"_links":{"self":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/433","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/users\/1318"}],"replies":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/comments?post=433"}],"version-history":[{"count":5,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/433\/revisions"}],"predecessor-version":[{"id":472,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/433\/revisions\/472"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media\/452"}],"wp:attachment":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media?parent=433"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/categories?post=433"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/tags?post=433"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}