Author: EDITED BY BERTIE FERDMAN AND JOVANA STOKIC
On the shelves at: \u00a0NX460.5.P47 M48 2020<\/p>\n\n\n\n
THE ARCHAEOLOGY OF SEEING : SCIENCE AND INTERPRETATION, THE PAST AND THE CONTEMPORARY VISUAL ART<\/a> CULTURES OF VIOLENCE : VISUAL ARTS AND POLITICAL VIOLENCE<\/a> EMERGING AFFINITIES: POSSIBLE FUTURES OF PERFORMATIVE ARTS<\/a> VOICES, BODIES, PRACTICES : PERFORMING MUSICAL SUBJECTIVITIES<\/a> MOVING IMAGE<\/a> THROUGH THE PRISM OF THE SENSES : MEDIATION AND NEW REALITIES OF THE BODY IN CONTEMPORARY PERFORMANCE TECHNOLOGY, COGNITION AND EMERGENT RESEARCH- CREATION METHODOLOGIES<\/a> THE A TO Z OF ARTS MANAGEMENT : REFLECTIONS ON THEORY AND REALITY<\/a> THE ARTIST ENTREPRENEUR : FINDING SUCCESS IN A NEW ARTS ECONOMY<\/a> MANAGING CULTURE : REFLECTING ON EXCHANGE IN GLOBAL TIMES<\/a> THE PROFITABLE ARTIST : A HANDBOOK FOR ALL ARTISTS IN THE PERFORMING, LITERARY, AND VISUAL ARTS<\/a> Theory and Practice THE METHUEN DRAMA COMPANION TO PERFORMANCE ARTAuthor: EDITED BY BERTIE FERDMAN AND JOVANA STOKICOn the shelves at: \u00a0NX460.5.P47 M48 2020 THE ARCHAEOLOGY OF SEEING : SCIENCE AND INTERPRETATION, THE PAST AND THE CONTEMPORARY VISUAL ARTAuthor: LILIANA JANIK… Continue Reading →<\/a><\/p>\n","protected":false},"author":1318,"featured_media":533,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[48],"tags":[],"class_list":["post-530","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-performing-arts"],"_links":{"self":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/530","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/users\/1318"}],"replies":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/comments?post=530"}],"version-history":[{"count":8,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/530\/revisions"}],"predecessor-version":[{"id":601,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/530\/revisions\/601"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media\/533"}],"wp:attachment":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media?parent=530"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/categories?post=530"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/tags?post=530"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Author: LILIANA JANIK ; ILLUSTRATED BY ADAM SZCZESNY.
On the shelves at: N71 .J36 2020.<\/p>\n\n\n\n<\/figure>\n\n\n\n
Author: EDITED BY RUTH KINNA AND GILLIAN WHITELEY.
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Authors: MATEUSZ BOROWSKI, MATEUSZ CHABERSKI, MALGORZATA SUGIERA (EDITORS).
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Author: Catherine Laws, William Brooks, David Gorton, Ngu\u0177\u1ebdn Thanh Th\u0309uy, Stefan \u00d6stersj\u00f6, and Jeremy J. Wells
On the shelves at: ML457 .L39 2019<\/p>\n\n\n\n<\/figure>\n\n\n\n
Author: EDITED BY OMAR KHOLEIF
On the shelves at: NX650.M64 M68 2015<\/p>\n\n\n\n
Author: ISABELLE CHOINI\u00c8RE, ENRICO PITOZZI AND ANDREA DAVIDSON; POSTFACE BY DERRICK DE KERCKHOVE; TRANSLATION BY ANDREA DAVIDSON
On the shelves at: NX650.H74 C49 2019<\/p>\n\n\n\n<\/figure>\n\n\n\n
The Business of Art<\/h3>\n\n\n\n
Author: ANN TONKS.
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Author: RONALD C. MCCURDY, RICHARD E. GOODSTEIN, ERIC J. LAPIN.
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Author: VICTORIA DURRER, RAPHAELA HENZE, EDITORS.
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Author: THE NEW YORK FOUNDATION FOR THE ARTS ; EDITED BY PETER COBB, FELICITY HOGAN, AND MICHAEL ROYCE.
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