edited by Larry Silverberg
On the shelves at: PN2080 .B485 2020<\/p>\n\n\n\n
![\"The](\"https:\/\/www.stageplays.com\/images\/_800x800_crop_center-center_82_none\/best_womens_stage_monologues_second_2020.jpg?mtime=1611502034\")
<\/figure>\n\n\n\nTHE BEST WOMEN’S STAGE MONOLOGUES<\/a> (2020) Don’t forget our online collections of plays, available 24\/7.<\/strong> Want to request a script or vocal selections?<\/strong> Email Tania.<\/a><\/p>\n\n\n\n MACBETH IN HARLEM : BLACK THEATER IN AMERICA FROM THE BEGINNING TO RAISIN IN THE SUN<\/a> FROM APHRA BEHN TO FUN HOME : A CULTURAL HISTORY OF FEMINIST THEATRE<\/a> MUSICAL THEATRE IN EUROPE 1830-1945<\/a> RODGERS AND HAMMERSTEIN’S THE SOUND OF MUSIC<\/a> QUEERING DRAG : REDEFINING THE DISCOURSE OF GENDER -BENDING<\/a> THE PROFITABLE ARTIST : A HANDBOOK FOR ALL ARTISTS IN THE PERFORMING, LITERARY, AND VISUAL ARTS<\/a> Plays and Scripts THE BEST MEN’S STAGE MONOLOGUES (2020)edited by Larry SilverbergOn the shelves at: PN2080 .B485 2020 THE BEST WOMEN’S STAGE MONOLOGUES (2020)edited by Larry SilverbergOn the shelves at: PN2080 .B489 2020 Don’t forget our online collections of plays,… Continue Reading →<\/a><\/p>\n","protected":false},"author":1318,"featured_media":542,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-541","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musicaltheatre"],"_links":{"self":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/users\/1318"}],"replies":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/comments?post=541"}],"version-history":[{"count":5,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/541\/revisions"}],"predecessor-version":[{"id":584,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/541\/revisions\/584"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media\/542"}],"wp:attachment":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media?parent=541"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/categories?post=541"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/tags?post=541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
edited by Larry Silverberg
On the shelves at: PN2080 .B489 2020<\/p>\n\n\n\n
Drama Texts Collection<\/a>
20th Century Drama<\/a><\/p>\n\n\n\nHistory and Theory<\/h3>\n\n\n\n
Author: CLIFFORD MASON.
Read Online<\/a><\/p>\n\n\n\n
Author: CAREY PURCELL.
Read Online<\/a><\/p>\n\n\n\n<\/figure>\n\n\n\n
Author: EDITED BY MICHELA NICCOLAI AND CLAIR ROWDEN.
On the shelves at: ML2054 .M875 2017.<\/p>\n\n\n\n![\"Rodgers](\"https:\/\/images.tandf.co.uk\/common\/jackets\/agentjpg\/978113868\/9781138682832.jpg\")
<\/figure>\n\n\n\n
Author: JULIAN WOOLFORD.
Read Online<\/a>
In this series of short essays, Julian Woolford re-examines the musical from seven different perspectives, revealing the ways in which it continues to impact the\u00a021st century.<\/em><\/p>\n\n\n\n
Author: MEREDITH HELLER.
Read Online<\/a><\/p>\n\n\n\nThe Business<\/h3>\n\n\n\n
THE NEW YORK FOUNDATION FOR THE ARTS
EDITED BY PETER COBB, FELICITY HOGAN, AND MICHAEL ROYCE.
Read Online<\/a><\/p>\n\n\n\n![\"\"](\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2021\/04\/image.png\")
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