{"id":61,"date":"2019-08-28T16:41:53","date_gmt":"2019-08-28T16:41:53","guid":{"rendered":"https:\/\/eportfolios.capilanou.ca\/talekson\/?p=61"},"modified":"2019-08-28T21:26:59","modified_gmt":"2019-08-28T21:26:59","slug":"new-titles-in-film-theory","status":"publish","type":"post","link":"https:\/\/eportfolios.capilanou.ca\/talekson\/2019\/08\/28\/new-titles-in-film-theory\/","title":{"rendered":"New Film Theory Titles"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-4.png\" alt=\"\" class=\"wp-image-66\" width=\"183\" height=\"288\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-4.png 440w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-4-191x300.png 191w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-4-61x96.png 61w\" sizes=\"auto, (max-width: 183px) 100vw, 183px\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1208483&amp;site=eds-live&amp;scope=site\">THE STORY OF FILM<\/a><br> Author: MARK COUSINS. <br> <a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1208483&amp;site=eds-live&amp;scope=site\">Read online.<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ebookcentral-proquest-com.ezproxy.capilanou.ca\/lib\/capilano-ebooks\/detail.action?docID=5106077#?\">FILM\/MUSIC ANALYSIS: A FILM STUDIES APPROACH<\/a><br> Author: EMILIO AUDISSINO.<br><a href=\"https:\/\/ebookcentral-proquest-com.ezproxy.capilanou.ca\/lib\/capilano-ebooks\/detail.action?docID=5106077#?\"> Read online<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192606&amp;site=eds-live&amp;scope=site\">CONSTRUCTING TRANSGRESSIVE SEXUALITY IN SCREENWRITING: THE FEITICEIRO\/A AS CHARACTER<\/a><br> Author: LJ THEO ; WITH A FORWORD BY LINDSAY CLOWES.<br> <a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192606&amp;site=eds-live&amp;scope=site\">Read online<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"240\" height=\"345\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image.png\" alt=\"\" class=\"wp-image-62\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image.png 240w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-209x300.png 209w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-67x96.png 67w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192481&amp;site=eds-live&amp;scope=site\">GRASPING SHADOWS: THE DARK SIDE OF LITERATURE, PAINTING, PHOTOGRAPHY, AND FILM<\/a><br> Author: WILLIAM CHAPMAN SHARPE.<br> On the shelf at: NX650.S55 S53 2017.<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192040&amp;site=eds-live&amp;scope=site\">BREAKING THE SPELL: A HISTORY OF ANARCHIST FILMMAKERS, VIDEOTAPE GUERRILLAS, AND DIGITAL NINJAS<\/a><br> Author: CHRIS ROB\u00c9.<br> <a href=\"https:\/\/ebookcentral-proquest-com.ezproxy.capilanou.ca\/lib\/capilano-ebooks\/detail.action?docID=4832902#?\">Read Online<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192058&amp;site=eds-live&amp;scope=site\">HOW THE ESSAY FILM THINKS<\/a><br> Author: LAURA RASCAROLI.<br> On the shelf at: PN1995.9.E96 R37 2017<\/p>\n\n\n\n<p><a href=\"https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=5276115#?\">THE ESSAY FILM AFTER FACT AND FICTION<\/a><br> Author: NORA M. ALTER. <br> <a href=\"https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=5276115#?\">Read online.<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192052&amp;site=eds-live&amp;scope=site\">FILM AND CINEMA: PAST, PRESENT AND FUTURE PERSPECTIVES<\/a><br> Author: JOANNE COPELAND, <a href=\"https:\/\/eds-b-ebscohost-com.ezproxy.capilanou.ca\/eds\/SmartLink\/OpenIlsLink?sid=0bf9ec82-9594-4973-8180-d5ce4d782936@pdc-v-sessmgr05&amp;vid=12&amp;sl=smartlink&amp;st=ilslink_new&amp;sv=sdbn%253Dcat02755a%2526pbt%253DeBook%2526issn%253D%2526ttl%253DFilm%252520and%252520cinema%252520%25253A%252520past%25252C%252520present%252520and%252520future%252520perspectives%252520%25252F%252520Joanne%252520Copeland%25252C%252520editor%25252E%2526stp%253DC%2526asi%253DY%2526ldc%253DRead%252520online%2526lna%253DeBooks%252520from%252520Catalogue%2526lca%253DfullText%2526lo%255Fan%253Dcul%25252Eb1192052&amp;su=https%3A%2F%2Fezproxy%2Ecapilanou%2Eca%2Flogin%3Furl%3Dhttps%3A%2F%2Febookcentral%2Eproquest%2Ecom%2Flib%2Fcapilano%2Debooks%2Fdetail%2Eaction%3FdocID%3D4789232%23%3F\">EDITOR.<br>Read online.<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-2.png\" alt=\"\" class=\"wp-image-64\" width=\"202\" height=\"294\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-2.png 484w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-2-206x300.png 206w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-2-66x96.png 66w\" sizes=\"auto, (max-width: 202px) 100vw, 202px\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192061&amp;site=eds-live&amp;scope=site\">IMPROVING PASSIONS: SENTIMENTAL AESTHETICS IN AMERICAN FILM<\/a><br> Author: CHARLES BURNETTS.<br><a href=\"https:\/\/eds-b-ebscohost-com.ezproxy.capilanou.ca\/eds\/SmartLink\/OpenIlsLink?sid=0bf9ec82-9594-4973-8180-d5ce4d782936@pdc-v-sessmgr05&amp;vid=12&amp;sl=smartlink&amp;st=ilslink_new&amp;sv=sdbn%253Dcat02755a%2526pbt%253DeBook%2526issn%253D%2526ttl%253DFilm%252520and%252520cinema%252520%25253A%252520past%25252C%252520present%252520and%252520future%252520perspectives%252520%25252F%252520Joanne%252520Copeland%25252C%252520editor%25252E%2526stp%253DC%2526asi%253DY%2526ldc%253DRead%252520online%2526lna%253DeBooks%252520from%252520Catalogue%2526lca%253DfullText%2526lo%255Fan%253Dcul%25252Eb1192052&amp;su=https%3A%2F%2Fezproxy%2Ecapilanou%2Eca%2Flogin%3Furl%3Dhttps%3A%2F%2Febookcentral%2Eproquest%2Ecom%2Flib%2Fcapilano%2Debooks%2Fdetail%2Eaction%3FdocID%3D4789232%23%3F\">Read online.<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192477&amp;site=eds-live&amp;scope=site\">ARE YOU WATCHING CLOSELY?: CULTURAL PARANOIA, NEW TECHNOLOGIES, AND THE CONTEMPORARY HOLLYWOOD MISDIRECTION FILM<\/a><br> Author: SETH FRIEDMAN.<br> On the shelves at: PN1995 .F7445 2017.<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192069&amp;site=eds-live&amp;scope=site\">PHENOMENOLOGY OF FILM: A HEIDEGGERIAN ACCOUNT OF THE FILM EXPERIENCE<\/a><br> Author: SHAWN LOHT.<br> <a href=\"https:\/\/eds-b-ebscohost-com.ezproxy.capilanou.ca\/eds\/SmartLink\/OpenIlsLink?sid=0bf9ec82-9594-4973-8180-d5ce4d782936@pdc-v-sessmgr05&amp;vid=18&amp;sl=smartlink&amp;st=ilslink_new&amp;sv=sdbn%253Dcat02755a%2526pbt%253DeBook%2526issn%253D%2526ttl%253DPhenomenology%252520of%252520film%252520%25253A%252520a%252520Heideggerian%252520account%252520of%252520the%252520film%252520experience%252520%25252F%252520Shawn%252520Loht%25252E%2526stp%253DC%2526asi%253DY%2526ldc%253DRead%252520online%2526lna%253DeBooks%252520from%252520Catalogue%2526lca%253DfullText%2526lo%255Fan%253Dcul%25252Eb1192069&amp;su=https%3A%2F%2Fezproxy%2Ecapilanou%2Eca%2Flogin%3Furl%3Dhttps%3A%2F%2Febookcentral%2Eproquest%2Ecom%2Flib%2Fcapilano%2Debooks%2Fdetail%2Eaction%3FdocID%3D5060079%23%3F\">Read online.<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192071&amp;site=eds-live&amp;scope=site\">RELIGION AND FILM: CINEMA AND THE RE-CREATION OF THE WORLD<\/a><br> Author: S. BRENT PLATE.<br><a href=\"https:\/\/eds-b-ebscohost-com.ezproxy.capilanou.ca\/eds\/SmartLink\/OpenIlsLink?sid=0bf9ec82-9594-4973-8180-d5ce4d782936@pdc-v-sessmgr05&amp;vid=20&amp;sl=smartlink&amp;st=ilslink_new&amp;sv=sdbn%253Dcat02755a%2526pbt%253DeBook%2526issn%253D%2526ttl%253DReligion%252520and%252520film%252520%25253A%252520cinema%252520and%252520the%252520re%25252Dcreation%252520of%252520the%252520world%252520%25252F%252520S%25252E%252520Brent%252520Plate%25252E%2526stp%253DC%2526asi%253DY%2526ldc%253DRead%252520online%2526lna%253DeBooks%252520from%252520Catalogue%2526lca%253DfullText%2526lo%255Fan%253Dcul%25252Eb1192071&amp;su=https%3A%2F%2Fezproxy%2Ecapilanou%2Eca%2Flogin%3Furl%3Dhttps%3A%2F%2Febookcentral%2Eproquest%2Ecom%2Flib%2Fcapilano%2Debooks%2Fdetail%2Eaction%3FdocID%3D5276198%23%3F\"> Read Online.<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192072&amp;site=eds-live&amp;scope=site\">SILENT CINEMA: BEFORE THE PICTURES GOT SMALL<\/a><br> Author: LAWRENCE NAPPER.<br> <a href=\"https:\/\/eds-b-ebscohost-com.ezproxy.capilanou.ca\/eds\/SmartLink\/OpenIlsLink?sid=0bf9ec82-9594-4973-8180-d5ce4d782936@pdc-v-sessmgr05&amp;vid=22&amp;sl=smartlink&amp;st=ilslink_new&amp;sv=sdbn%253Dcat02755a%2526pbt%253DeBook%2526issn%253D%2526ttl%253DSilent%252520cinema%252520%25253A%252520before%252520the%252520pictures%252520got%252520small%252520%25252F%252520Lawrence%252520Napper%25252E%2526stp%253DC%2526asi%253DY%2526ldc%253DRead%252520online%2526lna%253DeBooks%252520from%252520Catalogue%2526lca%253DfullText%2526lo%255Fan%253Dcul%25252Eb1192072&amp;su=https%3A%2F%2Fezproxy%2Ecapilanou%2Eca%2Flogin%3Furl%3Dhttps%3A%2F%2Febookcentral%2Eproquest%2Ecom%2Flib%2Fcapilano%2Debooks%2Fdetail%2Eaction%3FdocID%3D5276082%23%3F\">Read online.<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192064&amp;site=eds-live&amp;scope=site\">MAKING BELIEVE: SCREEN PERFORMANCE AND SPECIAL EFFECTS IN POPULAR CINEMA<\/a><br> Author: LISA BODE.<br> On the shelf at: TR858 .B63 2017.<\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-1.png\" alt=\"\" class=\"wp-image-63\" width=\"207\" height=\"325\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-1.png 544w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-1-191x300.png 191w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-1-61x96.png 61w\" sizes=\"auto, (max-width: 207px) 100vw, 207px\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192066&amp;site=eds-live&amp;scope=site\">MOVIES WITH MEANING: EXISTENTIALISM THROUGH FILM<\/a><br> Author: DANIEL SHAW.<br> On the shelf at: PN1995.9.E945 S53 2017.<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192068&amp;site=eds-live&amp;scope=site\">NARRATIVE THEORY AND ADAPTATION<\/a><br> Author: JASON MITTELL.<br> On the shelf at: PN1997.2.A32 M58 2017<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"440\" height=\"692\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-5.png\" alt=\"\" class=\"wp-image-67\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-5.png 440w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-5-191x300.png 191w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-5-61x96.png 61w\" sizes=\"auto, (max-width: 440px) 100vw, 440px\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1208480&amp;site=eds-live&amp;scope=site\">THE LONG TAKE : ART CINEMA AND THE WONDROUS<\/a><br> Author: LUTZ KOEPNICK. <br> On the shelves at: PN1995 .K6575 2017. <\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192055&amp;site=eds-live&amp;scope=site\">GHETTOS, TRAMPS, AND WELFARE QUEENS: DOWN AND OUT ON THE SILVER SCREEN<\/a><br> Author: STEPHEN PIMPARE.<br> On the shelf at: PN1995.9.P63 P56 2017.<\/p>\n\n\n\n<p><a href=\"https:\/\/eds.a.ebscohost.com\/eds\/ebookviewer\/ebook\/bmxlYmtfXzE3MTEzNTVfX0FO0?sid=d0d6944a-2b09-47af-9c3d-ab8da34e7cc0@sdc-v-sessmgr01&amp;vid=0&amp;hid=http:\/\/eds.a.ebscohost.com\/&amp;format=EB\">CINEMA AND NARRATIVE COMPLEXITY : EMBODYING THE FABULA<\/a> Author: STEFFEN HVEN. <br>On the shelf at: PN1995 .H94 2017. <\/p>\n\n\n\n<p><a href=\"https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=5276124#?\">CINEMA IN THE DIGITAL AGE<\/a><br> Author: NICHOLAS ROMBES. <br> <a href=\"https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=5276124#?\">Read online.<\/a><\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-3.png\" alt=\"\" class=\"wp-image-65\" width=\"174\" height=\"274\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-3.png 440w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-3-191x300.png 191w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-3-61x96.png 61w\" sizes=\"auto, (max-width: 174px) 100vw, 174px\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192476&amp;site=eds-live&amp;scope=site\">THE AESTHETIC PLEASURES OF GIRL TEEN FILM<\/a><br> Author: SAMANTHA COLLING.  <br>On the shelves at: PN1995.9.G57 C65 2019.  <\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>THE STORY OF FILM Author: MARK COUSINS. Read online. FILM\/MUSIC ANALYSIS: A FILM STUDIES APPROACH Author: EMILIO AUDISSINO. Read online CONSTRUCTING TRANSGRESSIVE SEXUALITY IN SCREENWRITING: THE FEITICEIRO\/A AS CHARACTER Author: LJ THEO ; WITH A FORWORD BY LINDSAY CLOWES. Read&#8230; <a class=\"more-link\" href=\"https:\/\/eportfolios.capilanou.ca\/talekson\/2019\/08\/28\/new-titles-in-film-theory\/\">Continue Reading &rarr;<\/a><\/p>\n","protected":false},"author":1318,"featured_media":71,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-61","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mopa"],"_links":{"self":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/61","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/users\/1318"}],"replies":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/comments?post=61"}],"version-history":[{"count":3,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/61\/revisions"}],"predecessor-version":[{"id":101,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/61\/revisions\/101"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media\/71"}],"wp:attachment":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media?parent=61"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/categories?post=61"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/tags?post=61"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}