{"id":646,"date":"2021-10-28T22:18:42","date_gmt":"2021-10-28T22:18:42","guid":{"rendered":"https:\/\/eportfolios.capilanou.ca\/talekson\/?p=646"},"modified":"2021-11-02T23:07:05","modified_gmt":"2021-11-02T23:07:05","slug":"new-film-theory-philosophy-books-fall-2021","status":"publish","type":"post","link":"https:\/\/eportfolios.capilanou.ca\/talekson\/2021\/10\/28\/new-film-theory-philosophy-books-fall-2021\/","title":{"rendered":"New Film Theory, Philosophy Books, Fall 2021"},"content":{"rendered":"\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1597146&amp;site=eds-live&amp;scope=site\">FILMED THOUGHT : CINEMA AS REFLECTIVE FORM<\/a><br>AUTHOR: ROBERT B. PIPPIN<br>ON THE SHELF AT: PN1993.5.U6 P53 2020<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1597148&amp;site=eds-live&amp;scope=site\">MIMETIC THEORY AND FILM<\/a><br>EDITED BY PAOLO DIEGO BUBBIO AND CHRIS FLEMING<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=http:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;scope=site&amp;db=nlebk&amp;db=nlabk&amp;AN=2006033\">READ ONLINE<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1597147&amp;site=eds-live&amp;scope=site\">HOLLYWOOD&#8217;S ARTISTS : THE DIRECTORS GUILD OF AMERICA AND THE CONSTRUCTION OF AUTHORSHIP<\/a><br>AUTHOR: VIRGINIA WRIGHT WEXMAN<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=5974464\">READ ONLINE<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/contentcafe2.btol.com\/ContentCafe\/jacket.aspx?UserID=ebsco-test&amp;Password=ebsco-test&amp;Return=T&amp;Type=M&amp;Value=9781501341007\" alt=\"Book Jacket\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1597152&amp;site=eds-live&amp;scope=site\">TRANSMEDIA DIRECTORS : ARTISTRY, INDUSTRY, AND NEW AUDIOVISUAL AESTHETICS<\/a><br>EDITED BY CAROL VERNALLIS, HOLLY RODGERS AND LISA PERROTT<br>ON THE SHELF AT: PN1995.9.P7 T73 2020<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1582855&amp;site=eds-live&amp;scope=site\">BORDER CINEMA : REIMAGINING IDENTITY THROUGH AESTHETICS<\/a><br>EDITED BY MONICA HANNA AND REBECCA ASHEEHAN<br>ON THE SHELF AT: PN1995.9.B67 B665 2019<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1582902&amp;site=eds-live&amp;scope=site\">SOUND AND IMAGE : AESTHETICS AND PRACTICES<\/a><br>AUTHOR: EDITED BY ANDREW KNIGHT- HILL<br>On the shelves at: ML2075 .S674 2020<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1582864&amp;site=eds-live&amp;scope=site\">FILM DIRECTORS AND EMOTION : AN AFFECTIVE TURN IN CONTEMPORARY AMERICAN CINEMA<\/a><br>AUTHORS: DARRAGH GREENE AND GRAHAM PRICE<br>ON THE SHELF AT: PN1995.9.E46 G74 2020<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/contentcafe2.btol.com\/ContentCafe\/jacket.aspx?UserID=ebsco-test&amp;Password=ebsco-test&amp;Return=T&amp;Type=M&amp;Value=9781476668895\" alt=\"Book Jacket\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1597145&amp;site=eds-live&amp;scope=site\">FILM ECOLOGY : DEFENDING THE BIOSPHERE &#8211; DOUGHNUT ECONOMICS AND FILM THEORY AND PRACTICE<\/a><br>AUTHOR: SUSAN HAYWARD<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=6135113|\">READ ONLINE<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1597149&amp;site=eds-live&amp;scope=site\">POSTCINEMATIC VISION : THE COEVOLUTION OF MOVING-IMAGE MEDIA AND THE SPECTATOR<\/a><br>AUTHOR: ROGER F. COOK<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=6118823\">READ ONLINE<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1574378&amp;site=eds-live&amp;scope=site\">SPACES MAPPED AND MONSTROUS : DIGITAL 3D CINEMA AND VISUAL CULTURE<\/a><br>Author: NICK JONES.<br><a href=\"http:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=5978746\">Read online<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/contentcafe2.btol.com\/ContentCafe\/jacket.aspx?UserID=ebsco-test&amp;Password=ebsco-test&amp;Return=T&amp;Type=M&amp;Value=9780190934125\" alt=\"Book Jacket\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1582868&amp;site=eds-live&amp;scope=site\">PRACTICES OF PROJECTION : HISTORIES AND TECHNOLOGIES<\/a><br>EDITED BY GABRIEL MENOTTI, VIRGINIA CRISP<br>ON THE SHELF AT: TR890 .P695 2020.<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1582858&amp;site=eds-live&amp;scope=site\">CINEMA PESSIMISM : A POLITICAL THEORY OF REPRESENTATION AND RECIPROCITY<\/a><br>AUTHOR: JOSHUA FOA DIENSTAG<br>AVAILABLE ON THE SHELF AT: PN1995.9.P6 D545 2020<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1582863&amp;site=eds-live&amp;scope=site\">FILM AS RELIGION : MYTHS, MORALS, AND RITUALS<\/a><br>Author: JOHN C. LYDEN<br>On the shelves at: PN1995.5 .L89 2019<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/contentcafe2.btol.com\/ContentCafe\/jacket.aspx?UserID=ebsco-test&amp;Password=ebsco-test&amp;Return=T&amp;Type=M&amp;Value=9781479811991\" alt=\"Book Jacket\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1574370&amp;site=eds-live&amp;scope=site\">THE CULTURAL POLITICS OF CONTEMPORARY HOLLYWOOD FILM : POWER, CULTURE AND SOCIETY<\/a><br>Author: CHRIS BEASLEY AND HEATHER BROOK<br><a href=\"http:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=5720109\">Read online<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1574371&amp;site=eds-live&amp;scope=site\">THE EMPATHIC SCREEN : CINEMA AND NEUROSCIENCE<\/a><br>Author: BY VITTORIO GALLESE AND MICHELE GUERRA ; TRANSLATED BY FRANCES ANDERSON.<br><a href=\"http:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=5899265\">Read online<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1574319&amp;site=eds-live&amp;scope=site\">COGNITIVE THEORY AND DOCUMENTARY FILM<\/a><br>Author: CATALIN BRYLLA, METTE KRAMER, EDITORS<br><a href=\"http:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=5496022\">Read Online<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/contentcafe2.btol.com\/ContentCafe\/jacket.aspx?UserID=ebsco-test&amp;Password=ebsco-test&amp;Return=T&amp;Type=M&amp;Value=9783319903323\" alt=\"Book Jacket\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1582852&amp;site=eds-live&amp;scope=site\">ANDRE BAZIN&#8217;S FILM THEORY : ART, SCIENCE, RELIGION<\/a><br>AUTHOR: ANGELA DALLE VACCHE<br>On the shelves at: PN1998.3.B39 D35 2020<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/contentcafe2.btol.com\/ContentCafe\/jacket.aspx?UserID=ebsco-test&amp;Password=ebsco-test&amp;Return=T&amp;Type=M&amp;Value=9780190067304\" alt=\"Book Jacket\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1582799&amp;site=eds-live&amp;scope=site\">BEGINNING POSTMODERNISM<\/a><br>AUTHOR: TIM WOODS<br>On the shelves at: B831.2 .W66 2009<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">By\/About Filmmakers<\/h2>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1582871&amp;site=eds-live&amp;scope=site\">SCULPTING IN TIME: REFLECTIONS ON THE CINEMA<\/a><br>AUTHOR: ANDREY TARKOVSKY ; TRANSLATED FROM THE RUSSIAN BY KITTY HUNTER-BLAIR<br>ON THE SHELF AT: PN1995 .T33513 1986<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1574295&amp;site=eds-live&amp;scope=site\">CHRISTOPHER NOLAN : A CRITICAL STUDY OF THE FILMS<\/a><br>Author: DARREN MOONEY<br><a href=\"http:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=5568976\">Read Online<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/contentcafe2.btol.com\/ContentCafe\/jacket.aspx?UserID=ebsco-test&amp;Password=ebsco-test&amp;Return=T&amp;Type=M&amp;Value=9781476634616\" alt=\"Book Jacket\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1582882&amp;site=eds-live&amp;scope=site\">SOFIA COPPOLA : THE POLITICS OF VISUAL PLEASURE<\/a><br>AUTHOR: ANNA BACKMAN ROGERS<br>ON THE SHELF AT: PN1998.3.C672 R64 2019<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/contentcafe2.btol.com\/ContentCafe\/jacket.aspx?UserID=ebsco-test&amp;Password=ebsco-test&amp;Return=T&amp;Type=M&amp;Value=9781785339752\" alt=\"Book Jacket\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1582862&amp;site=eds-live&amp;scope=site\">DISCOVERING KUBRICK&#8217;S SYMBOLISM : THE SECRETS OF THE FILMS<\/a><br>AUTHOR: NICOLE M. BERG<br>ON THE SHELF AT: PN1998.3.K83 B385 2020<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1555715&amp;site=eds-live&amp;scope=site\">THE FILMS OF XAVIER DOLAN<\/a><br>Author: EDITED BY ANDR\u00c9E LAFONTAINE<br>On the shelves at: PN1998.3.D64 F55 2021<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/contentcafe2.btol.com\/ContentCafe\/jacket.aspx?UserID=ebsco-test&amp;Password=ebsco-test&amp;Return=T&amp;Type=M&amp;Value=9781474444583\" alt=\"Book Jacket\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1582875&amp;site=eds-live&amp;scope=site\">THE FILMS OF DENYS ARCAND<\/a><br>AUTHOR: JIM LEACH<br>On the shelf at: PN2308.A68 L43 2020<\/p>\n","protected":false},"excerpt":{"rendered":"<p>FILMED THOUGHT : CINEMA AS REFLECTIVE FORMAUTHOR: ROBERT B. PIPPINON THE SHELF AT: PN1993.5.U6 P53 2020 MIMETIC THEORY AND FILMEDITED BY PAOLO DIEGO BUBBIO AND CHRIS FLEMINGREAD ONLINE HOLLYWOOD&#8217;S ARTISTS : THE DIRECTORS GUILD OF AMERICA AND THE CONSTRUCTION OF&#8230; <a class=\"more-link\" href=\"https:\/\/eportfolios.capilanou.ca\/talekson\/2021\/10\/28\/new-film-theory-philosophy-books-fall-2021\/\">Continue Reading &rarr;<\/a><\/p>\n","protected":false},"author":1318,"featured_media":647,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-646","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mopa"],"_links":{"self":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/646","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/users\/1318"}],"replies":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/comments?post=646"}],"version-history":[{"count":2,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/646\/revisions"}],"predecessor-version":[{"id":656,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/646\/revisions\/656"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media\/647"}],"wp:attachment":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media?parent=646"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/categories?post=646"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/tags?post=646"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}