{"id":703,"date":"2022-08-26T18:46:56","date_gmt":"2022-08-26T18:46:56","guid":{"rendered":"https:\/\/eportfolios.capilanou.ca\/talekson\/?p=703"},"modified":"2022-08-26T19:17:02","modified_gmt":"2022-08-26T19:17:02","slug":"theatre-history-criticism-new-books-for-fall-2021","status":"publish","type":"post","link":"https:\/\/eportfolios.capilanou.ca\/talekson\/2022\/08\/26\/theatre-history-criticism-new-books-for-fall-2021\/","title":{"rendered":"Theatre History &amp; Criticism, New Books for Fall 2022"},"content":{"rendered":"\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1604411&amp;site=eds-live&amp;scope=site\">Digital performance in Canada<\/a><br>Editor: David Owen<br>On the shelves at: PN2041.I57 D54 2021<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"238\" height=\"360\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-12.png\" alt=\"\" class=\"wp-image-704\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-12.png 238w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-12-198x300.png 198w\" sizes=\"auto, (max-width: 238px) 100vw, 238px\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1619219&amp;site=eds-live&amp;scope=site\">Asian Canadian theatre<\/a><br>Editors: Nina Lee Aquino and Ric Knowles<br>On the shelves at: PS8089.5 A8 A85 2011<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1322646&amp;site=eds-live&amp;scope=site\">Performance in the twenty-first century : theatres of engagement<\/a><br>Author: Andy Lavender<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/www.taylorfrancis.com\/books\/9780203128176\">Read Online<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"240\" height=\"359\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-13.png\" alt=\"\" class=\"wp-image-705\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-13.png 240w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-13-201x300.png 201w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1619362&amp;site=eds-live&amp;scope=site\">The Theatre of the Oppressed in practice today : an introduction to the work and principles of Augusto Boal<\/a><br>Author: Ali Campbell<br>On the shelves at: : PQ9698.12.O2 Z56 2019<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1582809&amp;site=eds-live&amp;scope=site\">The Theatre Of Imagining : A Cultural History of Imagination in the Mind and on the Stage<\/a><br>Author: Ulla Kallenbach<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=5452102\">Read Online<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"238\" height=\"360\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-14.png\" alt=\"\" class=\"wp-image-706\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-14.png 238w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-14-198x300.png 198w\" sizes=\"auto, (max-width: 238px) 100vw, 238px\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1610247&amp;site=eds-live&amp;scope=site\">Radical Black Theatre in the New Deal<\/a><br>Author: Kate Dossett<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=6031629\">Read Online<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"181\" height=\"279\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-15.png\" alt=\"\" class=\"wp-image-710\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1619419&amp;site=eds-live&amp;scope=site\">Postdramatic theatre and India : theatre-making since the 1990s<\/a><br>Author: Ashis Sengupta<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=6797819\">Read Online<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1619361&amp;site=eds-live&amp;scope=site\">Shakespeare lexicon and quotation dictionary. Volume 1, A-M : a complete dictionary of all the English words, phrases, and constructions in the works of the poet<\/a><br>Author: Alexander Schmidt<br>On the shelves at: PR2892 .S36 1971<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Digital performance in CanadaEditor: David OwenOn the shelves at: PN2041.I57 D54 2021 Asian Canadian theatreEditors: Nina Lee Aquino and Ric KnowlesOn the shelves at: PS8089.5 A8 A85 2011 Performance in the twenty-first century : theatres of engagementAuthor: Andy LavenderRead Online&#8230; <a class=\"more-link\" href=\"https:\/\/eportfolios.capilanou.ca\/talekson\/2022\/08\/26\/theatre-history-criticism-new-books-for-fall-2021\/\">Continue Reading &rarr;<\/a><\/p>\n","protected":false},"author":1318,"featured_media":707,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-703","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musicaltheatre"],"_links":{"self":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/703","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/users\/1318"}],"replies":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/comments?post=703"}],"version-history":[{"count":3,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/703\/revisions"}],"predecessor-version":[{"id":728,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/703\/revisions\/728"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media\/707"}],"wp:attachment":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media?parent=703"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/categories?post=703"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/tags?post=703"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}