{"id":712,"date":"2022-08-26T19:05:52","date_gmt":"2022-08-26T19:05:52","guid":{"rendered":"https:\/\/eportfolios.capilanou.ca\/talekson\/?p=712"},"modified":"2022-08-26T19:05:52","modified_gmt":"2022-08-26T19:05:52","slug":"new-music-books-fall-2022","status":"publish","type":"post","link":"https:\/\/eportfolios.capilanou.ca\/talekson\/2022\/08\/26\/new-music-books-fall-2022\/","title":{"rendered":"New Music Books, Fall 2022"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">New Approaches to Music Criticism and Education<\/h2>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1604398&amp;site=eds-live&amp;scope=site\">Classical music in a changing world : crisis and vital signs<\/a><br>Editors: \u00a0Lawrence Kramer and Alberto Nones<br>On the shelves at: ML3916 C53 2021<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1619411&amp;site=eds-live&amp;scope=site\">The Oxford handbook of social justice in music education<\/a><br>Editors: Cathy Benedict, Patrick Schmidt, Gary Spruce, and Paul Woodford<br>On the shelves at: MT1 .O96 2018<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1604465&amp;site=eds-live&amp;scope=site\">Gender, subjectivity, and cultural work : classical music profession<\/a><br>Author: Christina Scharff<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/www.taylorfrancis.com\/books\/9781315673080\">Read Online<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"183\" height=\"276\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-16.png\" alt=\"\" class=\"wp-image-713\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1609678&amp;site=eds-live&amp;scope=site\">Sound relations : native ways of doing music history in Alaska<\/a><br>Author: Jessica Bissett Perea<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/dx.doi.org\/10.1093\/oso\/9780190869137.001.0001\">Read Online<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Music History<\/h2>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=nlebk&amp;AN=2601225&amp;site=eds-live&amp;scope=site\">A history of emotion in Western music : a thousand years from chant to pop<\/a><br>Author: Michael Spitzer<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;scope=site&amp;db=nlebk&amp;db=nlabk&amp;AN=2601225\">Read Online<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-18.png\" alt=\"\" class=\"wp-image-715\" width=\"235\" height=\"353\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1582813&amp;site=eds-live&amp;scope=site\">Both from the Ears and Mind : Thinking about Music in Early Modern England<\/a><br>Author: Linda Phyllis Austern<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=6216149\">Read Online<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1603416&amp;site=eds-live&amp;scope=site\">Aesthetics of Baroque Music in France<\/a><br>Author: David Whitwell<br>On the shelves at: Ml3845 .W563 2013b<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"239\" height=\"360\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-17.png\" alt=\"\" class=\"wp-image-714\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-17.png 239w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-17-199x300.png 199w\" sizes=\"auto, (max-width: 239px) 100vw, 239px\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1610243&amp;site=eds-live&amp;scope=site\">A companion to music at the Habsburg courts in the sixteenth and seventeenth centuries<\/a><br>Editor: Andrew H. Weaver<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=nlebk&amp;AN=2637346&amp;site=eds-live&amp;scope=site&amp;ebv=EB&amp;ppid=pp_Covi\">Read Online<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1322388&amp;site=eds-live&amp;scope=site\">Debussy&#8217;s instrumental music in its cultural context<\/a><br>Author: Siglind Bruhn<br>On the shelves at: ML410.D28 B8813 2019<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"180\" height=\"272\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-19.png\" alt=\"\" class=\"wp-image-716\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1582814&amp;site=eds-live&amp;scope=site\">Mozart in Context<\/a><br>Edited by Simon P. Keefe<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/dx.doi.org\/10.1017\/9781316848487\">Read Online<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"180\" height=\"258\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-20.png\" alt=\"\" class=\"wp-image-717\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1582815&amp;site=eds-live&amp;scope=site\">Music and the Sonorous Sublime in European Culture, 1680-1880<\/a><br>Edited by Sarah Hibberd, Miranda Stanyon<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/dx.doi.org\/10.1017\/9781108761253\">Read Online<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-21.png\" alt=\"\" class=\"wp-image-718\" width=\"193\" height=\"294\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1610245&amp;site=eds-live&amp;scope=site\">The musical discourse of servitude : authority, autonomy, and the work-concept in Fux, Bach, and Handel<\/a><br>Author: Harry White<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=nlebk&amp;AN=2628904&amp;site=eds-live&amp;scope=site&amp;ebv=EB&amp;ppid=pp_Cover\">Read Online<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>New Approaches to Music Criticism and Education Classical music in a changing world : crisis and vital signsEditors: \u00a0Lawrence Kramer and Alberto NonesOn the shelves at: ML3916 C53 2021 The Oxford handbook of social justice in music educationEditors: Cathy Benedict,&#8230; <a class=\"more-link\" href=\"https:\/\/eportfolios.capilanou.ca\/talekson\/2022\/08\/26\/new-music-books-fall-2022\/\">Continue Reading &rarr;<\/a><\/p>\n","protected":false},"author":1318,"featured_media":719,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-712","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music"],"_links":{"self":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/712","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/users\/1318"}],"replies":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/comments?post=712"}],"version-history":[{"count":1,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/712\/revisions"}],"predecessor-version":[{"id":720,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/712\/revisions\/720"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media\/719"}],"wp:attachment":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media?parent=712"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/categories?post=712"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/tags?post=712"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}