{"id":729,"date":"2022-08-29T22:10:03","date_gmt":"2022-08-29T22:10:03","guid":{"rendered":"https:\/\/eportfolios.capilanou.ca\/talekson\/?p=729"},"modified":"2022-08-29T22:22:08","modified_gmt":"2022-08-29T22:22:08","slug":"new-film-theory-history-books-fall-2022","status":"publish","type":"post","link":"https:\/\/eportfolios.capilanou.ca\/talekson\/2022\/08\/29\/new-film-theory-history-books-fall-2022\/","title":{"rendered":"New Film Theory &amp; History Books, Fall 2022"},"content":{"rendered":"\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1582856&amp;site=eds-live&amp;scope=site\">Cinema And Its Representations : Poetics and Politics<\/a><br>Edited By Hossein Keramatfar and Maryam Beyad<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=6005243\">Read Online<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"126\" height=\"189\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-25.png\" alt=\"\" class=\"wp-image-730\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=nlebk&amp;AN=1910124&amp;site=eds-live&amp;scope=site\">Cinema\/Politics\/Philosophy<\/a><br>Author: Nico Baumbach<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=nlebk&amp;AN=1910124&amp;site=eds-live&amp;scope=site&amp;ebv=EB&amp;ppid=pp_Front_Cover\">Read Online<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1582851&amp;site=eds-live&amp;scope=site\">Affect Poetics of&nbsp;the New Hollywood: Suspense, Paranoia, and Melancholy<\/a><br>Author: Hauke Lehmann<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=5995191\">Read Online<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"240\" height=\"337\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-26.png\" alt=\"\" class=\"wp-image-731\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-26.png 240w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-26-214x300.png 214w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1610240&amp;site=eds-live&amp;scope=site\">Class on screen: the global work class in contemporary cinema<\/a><br>Author: Sarah Attfield<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=nlebk&amp;AN=2618133&amp;site=eds-live&amp;scope=site&amp;ebv=EB&amp;ppid=pp_C1\">Read Online<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1610239&amp;site=eds-live&amp;scope=site\">Deleuze and the gynesis of horror : from monstrous births to the birth of the monster<\/a><br>Author: Sunny Hawkins<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=nlebk&amp;AN=2555458&amp;site=eds-live&amp;scope=site&amp;ebv=EB&amp;ppid=pp_C\">Read Online<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"240\" height=\"337\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-27.png\" alt=\"\" class=\"wp-image-732\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-27.png 240w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-27-214x300.png 214w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1610242&amp;site=eds-live&amp;scope=site\">The maternal imagination of film and film theory<\/a><br>Author: Lauren Bliss<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=6336355\">Read Online<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"226\" height=\"360\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-28.png\" alt=\"\" class=\"wp-image-733\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-28.png 226w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-28-188x300.png 188w\" sizes=\"auto, (max-width: 226px) 100vw, 226px\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1582867&amp;site=eds-live&amp;scope=site\">Mental Disorders In Popular Film : How Hollywood Uses, Shames, and Obscures Mental Diversity<\/a><br>Author: Erin Heath<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=5845014\">Read Online<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1609673&amp;site=eds-live&amp;scope=site\">Fat on film : gender, race and body size in contemporary Hollywood cinema<\/a><br>Author: Barbara Plotz<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=nlebk&amp;AN=2320116&amp;site=eds-live&amp;scope=site&amp;ebv=EB&amp;ppid=pp_Cover\">Read Online<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"240\" height=\"318\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-29.png\" alt=\"\" class=\"wp-image-734\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-29.png 240w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-29-226x300.png 226w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1555816&amp;site=eds-live&amp;scope=site\">Art history for filmmakers : the art of visual storytelling<\/a><br>Author: Gillian McIver<br>On the shelves at: N72.M6 M39 2019<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"198\" height=\"297\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-30.png\" alt=\"\" class=\"wp-image-735\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1582850&amp;site=eds-live&amp;scope=site\">Aesthetic Spaces : The Place Of Art In Film<\/a><br>Author: Brigitte Peucker<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=5624954\">Read Online<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1619376&amp;site=eds-live&amp;scope=site\">(Re)rites of passage : Asian Canada in motion<\/a><br>Editors: Jasmine Gui, V.T. Nayani, Khanh Tudo, Aaditya Aggarwal, and Philbert Lu<br>On the shelves at: PN1993.43.T67 R47 2021<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1582872&amp;site=eds-live&amp;scope=site\">The Afterlife of the Hollywood Western<\/a><br>Author: Pete Falconer<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=6162738\">Read Online<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"224\" height=\"360\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-31.png\" alt=\"\" class=\"wp-image-736\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-31.png 224w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2022\/08\/image-31-187x300.png 187w\" sizes=\"auto, (max-width: 224px) 100vw, 224px\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1582876&amp;site=eds-live&amp;scope=site\">The Films of Martin Scorsese<\/a><br>Author: Eric San Juan<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=6361887\">Read Online<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cinema And Its Representations : Poetics and PoliticsEdited By Hossein Keramatfar and Maryam BeyadRead Online Cinema\/Politics\/PhilosophyAuthor: Nico BaumbachRead Online Affect Poetics of&nbsp;the New Hollywood: Suspense, Paranoia, and MelancholyAuthor: Hauke LehmannRead Online Class on screen: the global work class in contemporary&#8230; <a class=\"more-link\" href=\"https:\/\/eportfolios.capilanou.ca\/talekson\/2022\/08\/29\/new-film-theory-history-books-fall-2022\/\">Continue Reading &rarr;<\/a><\/p>\n","protected":false},"author":1318,"featured_media":737,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-729","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mopa"],"_links":{"self":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/729","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/users\/1318"}],"replies":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/comments?post=729"}],"version-history":[{"count":3,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/729\/revisions"}],"predecessor-version":[{"id":740,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/729\/revisions\/740"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media\/737"}],"wp:attachment":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media?parent=729"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/categories?post=729"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/tags?post=729"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}