{"id":76,"date":"2019-08-28T16:54:20","date_gmt":"2019-08-28T16:54:20","guid":{"rendered":"https:\/\/eportfolios.capilanou.ca\/talekson\/?p=76"},"modified":"2019-08-28T16:54:52","modified_gmt":"2019-08-28T16:54:52","slug":"new-titles-in-american-cinema-history","status":"publish","type":"post","link":"https:\/\/eportfolios.capilanou.ca\/talekson\/2019\/08\/28\/new-titles-in-american-cinema-history\/","title":{"rendered":"New Titles in American Cinema History"},"content":{"rendered":"\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192598&amp;site=eds-live&amp;scope=site\">MONITORING THE MOVIES: THE FIGHT OVER FILM CENSORSHIP IN EARLY TWENTIETH-CENTURY URBAN AMERICA<\/a><br>Author: JENNIFER FRONC.<br><a href=\"https:\/\/ebookcentral-proquest-com.ezproxy.capilanou.ca\/lib\/capilano-ebooks\/detail.action?docID=5105837#?\">Read online<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"504\" height=\"708\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-10.png\" alt=\"\" class=\"wp-image-81\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-10.png 504w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-10-214x300.png 214w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-10-68x96.png 68w\" sizes=\"auto, (max-width: 504px) 100vw, 504px\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1193289&amp;site=eds-live&amp;scope=site\">AMERICAN INDEPENDENT CINEMA : AN INTRODUCTION<\/a><br> Author: YANNIS TZIOUMAKIS. <br>On the shelves at: PN1993.5.U6 T956 2017. <\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192596&amp;site=eds-live&amp;scope=site\">SEEING THROUGH THE SCREEN: INTERPRETING AMERICAN POLITICAL FILM<\/a><br>Author: BRUCE E. ALTSCHULER.<br><a href=\"https:\/\/ebookcentral-proquest-com.ezproxy.capilanou.ca\/lib\/capilano-ebooks\/detail.action?docID=5101860#?\">Read online<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192607&amp;site=eds-live&amp;scope=site\">CLINT EASTWOOD&#8217;S CINEMA OF TRAUMA: ESSAYS ON PTSD IN THE DIRECTOR&#8217;S FILMS<\/a><br>Edited by: CHARLES R. HAMILTON AND ALLEN H. REDMON.<br><a href=\"https:\/\/ebookcentral-proquest-com.ezproxy.capilanou.ca\/lib\/capilano-ebooks\/detail.action?docID=4946491#?\">Read online<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192110&amp;site=eds-live&amp;scope=site\">THE DISNEY MUSICAL ON STAGE AND SCREEN: CRITICAL APPROACHES FROM &#8216;SNOW WHITE&#8217; TO &#8216;FROZEN&#8217;<\/a><br>Author: EDITED BY GEORGE RODOSTHENOUS.<br>On the shelf at: PN1999.W27 D576 2017.<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192053&amp;site=eds-live&amp;scope=site\">FREE AND EASY?: A DEFINING HISTORY OF THE AMERICAN FILM MUSICAL GENRE<\/a><br>Author: SEAN GRIFFIN.<br><a href=\"https:\/\/eds-b-ebscohost-com.ezproxy.capilanou.ca\/eds\/SmartLink\/OpenIlsLink?sid=0bf9ec82-9594-4973-8180-d5ce4d782936@pdc-v-sessmgr05&amp;vid=14&amp;sl=smartlink&amp;st=ilslink_new&amp;sv=sdbn%253Dcat02755a%2526pbt%253DeBook%2526issn%253D%2526ttl%253DFree%252520and%252520easy%25253F%252520%25253A%252520a%252520defining%252520history%252520of%252520the%252520American%252520film%252520musical%252520genre%252520%25252F%252520Sean%252520Griffin%25252E%2526stp%253DC%2526asi%253DY%2526ldc%253DRead%252520online%2526lna%253DeBooks%252520from%252520Catalogue%2526lca%253DfullText%2526lo%255Fan%253Dcul%25252Eb1192053&amp;su=https%3A%2F%2Fezproxy%2Ecapilanou%2Eca%2Flogin%3Furl%3Dhttps%3A%2F%2Febookcentral%2Eproquest%2Ecom%2Flib%2Fcapilano%2Debooks%2Fdetail%2Eaction%3FdocID%3D4875041%23%3F\">eBook<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-11.png\" alt=\"\" class=\"wp-image-82\" width=\"188\" height=\"270\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-11.png 503w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-11-209x300.png 209w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-11-67x96.png 67w\" sizes=\"auto, (max-width: 188px) 100vw, 188px\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1040728&amp;site=eds-live&amp;scope=site\">REINVENTING HOLLYWOOD: HOW 1940S FILMMAKERS CHANGED MOVIE STORYTELLING<\/a><br>Author: DAVID BORDWELL.<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=nlebk&amp;AN=1571876&amp;site=eds-live&amp;scope=site\">eBook<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192046&amp;site=eds-live&amp;scope=site\">THE CONTEMPORARY FEMME FATALE: GENDER, GENRE AND AMERICAN CINEMA<\/a><br>Author: KATHERINE FARRIMOND.<br><a href=\"https:\/\/eds.b.ebscohost.com\/eds\/SmartLink\/OpenIlsLink?sid=0bf9ec82-9594-4973-8180-d5ce4d782936@pdc-v-sessmgr05&amp;vid=1&amp;sl=smartlink&amp;st=ilslink_new&amp;sv=sdbn%253Dcat02755a%2526pbt%253DeBook%2526issn%253D%2526ttl%253DThe%252520contemporary%252520femme%252520fatale%252520%25253A%252520gender%25252C%252520genre%252520and%252520American%252520cinema%252520%25252F%252520Katherine%252520Farrimond%25252E%2526stp%253DC%2526asi%253DY%2526ldc%253DRead%252520online%2526lna%253DeBooks%252520from%252520Catalogue%2526lca%253DfullText%2526lo%255Fan%253Dcul%25252Eb1192046&amp;su=https%3A%2F%2Fezproxy%2Ecapilanou%2Eca%2Flogin%3Furl%3Dhttps%3A%2F%2Febookcentral%2Eproquest%2Ecom%2Flib%2Fcapilano%2Debooks%2Fdetail%2Eaction%3FdocID%3D4905406%23%3F\">eBook<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192054&amp;site=eds-live&amp;scope=site\">FROM MARTYRS TO MURDERERS: IMAGES OF TEACHERS AND TEACHING IN HOLLYWOOD FILMS<\/a><br>Author: ROBERT L. DAHLGREN.<br>On the shelves at: PN1995.9.T4 .D34 2017<br>Also available in <a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=nlebk&amp;AN=1504987&amp;site=eds-live&amp;scope=site\">eBook<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192479&amp;site=eds-live&amp;scope=site\">THE GOSPEL ACCORDING TO STAR WARS: FAITH, HOPE, AND THE FORCE<\/a><br>Author: JOHN C. MCDOWELL.<br>On the shelves at: PN1995.9.S695 M43 2017.<\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-6.png\" alt=\"\" class=\"wp-image-77\" width=\"142\" height=\"210\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-6.png 488w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-6-203x300.png 203w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-6-65x96.png 65w\" sizes=\"auto, (max-width: 142px) 100vw, 142px\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192065&amp;site=eds-live&amp;scope=site\">MARTIN SCORSESE : INTERVIEWS<\/a><br>EDITED BY ROBERT RIBERA. <br>On the shelves at: PN1998.3.S39 A5 2017. <\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192484&amp;site=eds-live&amp;scope=site\">TO BOLDLY GO: ESSAYS ON GENDER AND IDENTITY IN THE STAR TREK UNIVERSE<\/a><br>Edited by: NADINE FARGHALY AND SIMON BACON.<br>On the shelves at: PN1992.8.S74 T62 2017.<\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-9.png\" alt=\"\" class=\"wp-image-80\" width=\"180\" height=\"271\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-9.png 480w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-9-199x300.png 199w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-9-64x96.png 64w\" sizes=\"auto, (max-width: 180px) 100vw, 180px\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192049&amp;site=eds-live&amp;scope=site\">DECONSTRUCTING DIRTY DANCING<\/a><br>Author: STEPHEN LEE NAISH.<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=4832615\">eBook<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192060&amp;site=eds-live&amp;scope=site\">IMPERIAL AFFECTS: SENSATIONAL MELODRAMA AND THE ATTRACTIONS OF AMERICAN CINEMA<\/a><br>Author: JONNA EAGLE.<br>On the shelf at: PN1995.9.A3 E24 2017.<\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1040640&amp;site=eds-live&amp;scope=site\">SCREENING THE SIXTIES: HOLLYWOOD CINEMA AND THE POLITICS OF MEMORY<\/a><br>Author: OLIVER GRUNER.<br><a href=\"https:\/\/eds-b-ebscohost-com.ezproxy.capilanou.ca\/eds\/SmartLink\/OpenIlsLink?sid=0bf9ec82-9594-4973-8180-d5ce4d782936@pdc-v-sessmgr05&amp;vid=56&amp;sl=smartlink&amp;st=ilslink_new&amp;sv=sdbn%253Dcat02755a%2526pbt%253DeBook%2526issn%253D%2526ttl%253DScreening%252520the%252520sixties%252520%25253A%252520hollywood%252520cinema%252520and%252520the%252520politics%252520of%252520memory%252520%25252F%252520Oliver%252520Gruner%25252E%2526stp%253DC%2526asi%253DY%2526ldc%253DRead%252520online%2526lna%253DeBooks%252520from%252520Catalogue%2526lca%253DfullText%2526lo%255Fan%253Dcul%25252Eb1040640&amp;su=https%3A%2F%2Fezproxy%2Ecapilanou%2Eca%2Flogin%3Furl%3Dhttps%3A%2F%2Febookcentral%2Eproquest%2Ecom%2Flib%2Fcapilano%2Debooks%2Fdetail%2Eaction%3FdocID%3D4720649%23%3F\">eBook<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192600&amp;site=eds-live&amp;scope=site\">LEWD LOOKS: AMERICAN SEXPLOITATION CINEMA IN THE 1960S<\/a><br>Author: ELENA GORFINKEL.<br>On the shelves at: PN1995.9.S45 G67 2017.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-7.png\" alt=\"\" class=\"wp-image-78\" width=\"198\" height=\"296\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-7.png 483w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-7-201x300.png 201w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-7-64x96.png 64w\" sizes=\"auto, (max-width: 198px) 100vw, 198px\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1192477&amp;site=eds-live&amp;scope=site\">ARE YOU WATCHING CLOSELY?: CULTURAL PARANOIA, NEW TECHNOLOGIES, AND THE CONTEMPORARY HOLLYWOOD MISDIRECTION FILM<\/a><br>Author: SETH FRIEDMAN.<br>On the shelves at: PN1995 .F7445 2017.<\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-8.png\" alt=\"\" class=\"wp-image-79\" width=\"186\" height=\"276\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-8.png 486w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-8-202x300.png 202w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2019\/08\/image-8-65x96.png 65w\" sizes=\"auto, (max-width: 186px) 100vw, 186px\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=cat02755a&amp;AN=cul.b1194253&amp;site=eds-live&amp;scope=site\">HOLLYWOOD&#8217;S INDIAN : THE PORTRAYAL OF THE NATIVE AMERICAN IN FILM<\/a><br>Author: EDITED BY PETER C. ROLLINS AND JOHN E. O&#8217;CONNOR. <br>On the shelves at: PN1995.9.I48 H66 1998. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>MONITORING THE MOVIES: THE FIGHT OVER FILM CENSORSHIP IN EARLY TWENTIETH-CENTURY URBAN AMERICAAuthor: JENNIFER FRONC.Read online AMERICAN INDEPENDENT CINEMA : AN INTRODUCTION Author: YANNIS TZIOUMAKIS. On the shelves at: PN1993.5.U6 T956 2017. SEEING THROUGH THE SCREEN: INTERPRETING AMERICAN POLITICAL FILMAuthor:&#8230; <a class=\"more-link\" href=\"https:\/\/eportfolios.capilanou.ca\/talekson\/2019\/08\/28\/new-titles-in-american-cinema-history\/\">Continue Reading &rarr;<\/a><\/p>\n","protected":false},"author":1318,"featured_media":84,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-76","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mopa"],"_links":{"self":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/76","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/users\/1318"}],"replies":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/comments?post=76"}],"version-history":[{"count":1,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/76\/revisions"}],"predecessor-version":[{"id":83,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/76\/revisions\/83"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media\/84"}],"wp:attachment":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media?parent=76"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/categories?post=76"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/tags?post=76"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}