\nAuthor: Travis Newton
\nOn the shelves at: : ML3790 .N493 2022<\/p>\n
Together in music : coordination, expression, participation<\/a> Music and capitalism : melody, harmony, and rhythm in the modern world<\/a> Drawing the line : what to do with the work of immoral artists from museums to the movies<\/a> The bible of classical guitar technique : a detailed compendium of the fundamentals and playing techniques of 21st century classical guitar including comprehensive, progressivley structured exercises throughout<\/a><\/p>\n Author: Hubert K\u00e4ppel The Cambridge companion to music and romanticism<\/a> Music and liturgy in medieval Britain and Ireland<\/a> Sound within sound : a radical history of composers in the 20th century<\/a> Japanoise : music at the edge of circulation<\/a> French opera: a short history<\/a> Listening across borders : musicology in the global classroom<\/a> Crisis music: the life-and-times of six twentieth-century composers<\/a> Russian composers abroad : how they left, stayed, returned<\/a> Dvo\u0159\u00e1k’s prophecy : and the vexed fate of Black classical music<\/a> Beethoven and the lyric impulse : essays on Beethoven song<\/a> Mozart in motion : his work and his world in pieces<\/a> Profession & Craft Orchestra management handbook : building relationships in turbulent times Author: Travis Newton On the shelves at: : ML3790 .N493 2022 Together in music : coordination, expression, participation Editors: Renee Timmers, Freya Bailes, Helena Daffern On the shelves… Continue Reading →<\/a><\/p>\n","protected":false},"author":1318,"featured_media":825,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-824","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music"],"_links":{"self":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/824","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/users\/1318"}],"replies":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/comments?post=824"}],"version-history":[{"count":3,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/824\/revisions"}],"predecessor-version":[{"id":829,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/824\/revisions\/829"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media\/825"}],"wp:attachment":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media?parent=824"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/categories?post=824"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/tags?post=824"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nEditors: Renee Timmers, Freya Bailes, Helena Daffern
\nOn the shelves at: MT810 .T63 2022<\/p>\n<\/a><\/p>\n
\nAuthor: Sabby Sagall
\nOn the shelves at: ML3916 .S34 2021<\/p>\n
\nAuthor: Erich Hatala Matthes
\nOn the shelves at: NX180.E8 M38 2022<\/p>\n
\nOn the shelves at: : MT582 .K37 2016<\/p>\nMusic History & Theory<\/h3>\n
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\nEditor: Benedict Taylor
\nOn the shelves at: ML196 .C35 2021<\/p>\n
\nEditors: Ann Buckley, Lisa Colton
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\nAuthor: Kate Molleson
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\nEditors: James A. Davis, Christopher Lynch
\nOn the shelves at: MT1 .L67 2022<\/p>\nComposers<\/h3>\n
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\nAuthor: John Caps
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\nOn the shelves at: ML200 .H798 2022<\/p>\n
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\nOn the shelves at: ML410.M9 M33 2022<\/p>\n","protected":false},"excerpt":{"rendered":"