{"id":939,"date":"2023-12-07T17:03:11","date_gmt":"2023-12-07T17:03:11","guid":{"rendered":"https:\/\/eportfolios.capilanou.ca\/talekson\/?p=939"},"modified":"2023-12-07T17:03:11","modified_gmt":"2023-12-07T17:03:11","slug":"new-theatre-books-identity-genre-history-fall-2023","status":"publish","type":"post","link":"https:\/\/eportfolios.capilanou.ca\/talekson\/2023\/12\/07\/new-theatre-books-identity-genre-history-fall-2023\/","title":{"rendered":"New Theatre Books &#8211; Identity, Genre &amp; History, Fall 2023"},"content":{"rendered":"\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1713103&amp;site=eds-live&amp;scope=site\">Queer approaches in musical theatre<\/a><br>Author: Ryan Donovan<br>On the shelves at: ML3918.M87 D66 2023<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"256\" height=\"360\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2023\/12\/image-29.png\" alt=\"\" class=\"wp-image-941\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2023\/12\/image-29.png 256w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2023\/12\/image-29-213x300.png 213w\" sizes=\"auto, (max-width: 256px) 100vw, 256px\" \/><\/figure>\n\n\n\n<p><br><br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1656084&amp;site=eds-live&amp;scope=site\">Black British women&#8217;s theatre : intersectionality, archives, aesthetics<\/a><br>Author: Nicola Abram<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=6371543\">Read Online<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1656096&amp;site=eds-live&amp;scope=site\">Dementia, narrative and performance : staging reality, reimagining identities<\/a><br>Author: Janet Gibson<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;scope=site&amp;db=nlebk&amp;db=nlabk&amp;AN=2637473\">Read Online<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"198\" height=\"298\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2023\/12\/image-28.png\" alt=\"\" class=\"wp-image-940\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1713701&amp;site=eds-live&amp;scope=site\">Broadway bodies : a critical history of conformity<\/a><br>Author: Ryan Donovan<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=7184176\">Read Online<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1706086&amp;site=eds-live&amp;scope=site\">Inclusive character analysis : putting theory into practice for the 21st century theatre classroom<\/a><br>Author: Jennifer Thomas and Robert J. Vrtis<br>On the shelves at: PN2075 .T56 2021<br><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"255\" height=\"360\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2023\/12\/image-30.png\" alt=\"\" class=\"wp-image-942\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2023\/12\/image-30.png 255w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2023\/12\/image-30-213x300.png 213w\" sizes=\"auto, (max-width: 255px) 100vw, 255px\" \/><\/figure>\n\n\n\n<p><br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1656544&amp;site=eds-live&amp;scope=site\">Humanism, drama, and performance : unwriting theatre<\/a><br>Author: Hana Worthen<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=6381246\">Read Online<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1656092&amp;site=eds-live&amp;scope=site\">Fifty key stage musicals<\/a><br>Editors: Robert W. Schneider and Shannon Agnew<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/www.taylorfrancis.com\/books\/9781003009726\">Read Online<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"126\" height=\"189\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2023\/12\/image-31.png\" alt=\"\" class=\"wp-image-943\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1706124&amp;site=eds-live&amp;scope=site\">Drag in a changing scene. Volume 2, Drag histories, herstories and hairstories<\/a><br>Editors: Mark Edward and Stephen Farrier<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=nlebk&amp;AN=2731145&amp;site=eds-live&amp;scope=site&amp;ebv=EK&amp;ppid=Page-__-1\">Read Online<\/a><br><br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1656089&amp;site=eds-live&amp;scope=site\">American theatre ensembles. Volume 2, Post-1995 : the Builders Association, Pig Iron Theatre, Rude Mechs, Radiohole, the Civilians, and 600 Highwaymen<\/a> Editor: Mike Vanden Heuvel<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=6427383\">Read Online<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"240\" height=\"360\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2023\/12\/image-32.png\" alt=\"\" class=\"wp-image-944\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2023\/12\/image-32.png 240w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2023\/12\/image-32-200x300.png 200w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/figure>\n\n\n\n<p><br><br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1656306&amp;site=eds-live&amp;scope=site\">Starring women : celebrity, patriarchy, and American theater, 1790-1850<\/a><br>Author: Sara E. Lampert<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=6374793\">Read Online<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"240\" height=\"360\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2023\/12\/image-33.png\" alt=\"\" class=\"wp-image-945\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2023\/12\/image-33.png 240w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2023\/12\/image-33-200x300.png 200w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1706093&amp;site=eds-live&amp;scope=site\">I can&#8217;t give you anything but love, baby : Dorothy Fields and her life in the American musical theater<\/a><br>Author: Kristin Stultz Pressley<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=6455160\">Read Online<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"240\" height=\"360\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2023\/12\/image-34.png\" alt=\"\" class=\"wp-image-946\" srcset=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2023\/12\/image-34.png 240w, https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2023\/12\/image-34-200x300.png 200w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1706094&amp;site=eds-live&amp;scope=site\">Good nights out : a history of popular British theatre since the Second World War<\/a><br>Author: Aleks Sierz<br>On the shelves at: PN2581 .S52 2021<br><br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1706101&amp;site=eds-live&amp;scope=site\">Digital theatre : the making and meaning of live mediated performance, US &amp; UK 1990-2020<\/a><br>Author: Nadja Masura<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/ebookcentral.proquest.com\/lib\/capilano-ebooks\/detail.action?docID=6381039\">Read Online<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"180\" height=\"271\" src=\"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-content\/uploads\/sites\/1318\/2023\/12\/image-35.png\" alt=\"\" class=\"wp-image-947\" \/><\/figure>\n\n\n\n<p><br><br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=https:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,uid&amp;db=cat02755a&amp;AN=cul.b1656086&amp;site=eds-live&amp;scope=site\">Maya Rao and Indian feminist theatre<\/a><br>Author: Bishnupriya Dutt<br><a href=\"https:\/\/ezproxy.capilanou.ca\/login?url=http:\/\/dx.doi.org\/10.1017\/9781009071987\">Read Online<\/a><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Queer approaches in musical theatreAuthor: Ryan DonovanOn the shelves at: ML3918.M87 D66 2023 Black British women&#8217;s theatre : intersectionality, archives, aestheticsAuthor: Nicola AbramRead Online Dementia, narrative and performance : staging reality, reimagining identitiesAuthor: Janet GibsonRead Online Broadway bodies : a&#8230; <a class=\"more-link\" href=\"https:\/\/eportfolios.capilanou.ca\/talekson\/2023\/12\/07\/new-theatre-books-identity-genre-history-fall-2023\/\">Continue Reading &rarr;<\/a><\/p>\n","protected":false},"author":1318,"featured_media":948,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-939","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musicaltheatre"],"_links":{"self":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/939","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/users\/1318"}],"replies":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/comments?post=939"}],"version-history":[{"count":1,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/939\/revisions"}],"predecessor-version":[{"id":949,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/posts\/939\/revisions\/949"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media\/948"}],"wp:attachment":[{"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/media?parent=939"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/categories?post=939"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/talekson\/wp-json\/wp\/v2\/tags?post=939"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}