{"id":118,"date":"2020-10-04T19:03:27","date_gmt":"2020-10-04T19:03:27","guid":{"rendered":"https:\/\/eportfolios.capilanou.ca\/tiffanyzhong\/?p=118"},"modified":"2020-10-04T20:12:51","modified_gmt":"2020-10-04T20:12:51","slug":"late-gothic-early-renaissance","status":"publish","type":"post","link":"https:\/\/eportfolios.capilanou.ca\/tiffanyzhong\/2020\/10\/04\/late-gothic-early-renaissance\/","title":{"rendered":"Late Gothic-Early Renaissance"},"content":{"rendered":"\n<h3 class=\"has-accent-color has-text-color wp-block-heading\">Domenico Ghirlandaio <br>(1449-1494)<\/h3>\n\n\n\n<h6 class=\"wp-block-heading\">Early Italian Renaissance Painter from Florence<\/h6>\n\n\n\n<p>Ghirlandaio operated a successful workshop where many great artists have trained and he is accredited as one of Michelangelo&#8217;s teachers. He was a master in fresco and was commissioned to do work in the Sistine Chapel amongst other chapels in his lifetime.<\/p>\n\n\n\n<p>Ghiralandaio&#8217;s most prominent patrons were the Medici family and Tornabuoni family. They gravitated towards the way Ghiralandaio pleasantly depicted scenes of the times and maybe for the way he idealized people for beauty&#8217;s sake in his works. <\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"582\" height=\"1024\" src=\"https:\/\/eportfolios.capilanou.ca\/tiffanyzhong\/wp-content\/uploads\/sites\/11628\/2020\/10\/Screen-Shot-2020-10-03-at-7.01.51-PM-582x1024.png\" alt=\"\" data-id=\"123\" data-full-url=\"https:\/\/eportfolios.capilanou.ca\/tiffanyzhong\/wp-content\/uploads\/sites\/11628\/2020\/10\/Screen-Shot-2020-10-03-at-7.01.51-PM.png\" data-link=\"https:\/\/eportfolios.capilanou.ca\/tiffanyzhong\/?attachment_id=123\" class=\"wp-image-123\" srcset=\"https:\/\/eportfolios.capilanou.ca\/tiffanyzhong\/wp-content\/uploads\/sites\/11628\/2020\/10\/Screen-Shot-2020-10-03-at-7.01.51-PM-582x1024.png 582w, https:\/\/eportfolios.capilanou.ca\/tiffanyzhong\/wp-content\/uploads\/sites\/11628\/2020\/10\/Screen-Shot-2020-10-03-at-7.01.51-PM-170x300.png 170w, https:\/\/eportfolios.capilanou.ca\/tiffanyzhong\/wp-content\/uploads\/sites\/11628\/2020\/10\/Screen-Shot-2020-10-03-at-7.01.51-PM.png 702w\" sizes=\"auto, (max-width: 582px) 100vw, 582px\" \/><figcaption class=\"blocks-gallery-item__caption\">Portrait of Giovanna Tornabuoni &#8211; 1489-90<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"544\" height=\"709\" src=\"https:\/\/eportfolios.capilanou.ca\/tiffanyzhong\/wp-content\/uploads\/sites\/11628\/2020\/10\/Screen-Shot-2020-10-03-at-6.34.01-PM.png\" alt=\"\" data-id=\"121\" data-full-url=\"https:\/\/eportfolios.capilanou.ca\/tiffanyzhong\/wp-content\/uploads\/sites\/11628\/2020\/10\/Screen-Shot-2020-10-03-at-6.34.01-PM.png\" data-link=\"https:\/\/eportfolios.capilanou.ca\/tiffanyzhong\/?attachment_id=121\" class=\"wp-image-121\" srcset=\"https:\/\/eportfolios.capilanou.ca\/tiffanyzhong\/wp-content\/uploads\/sites\/11628\/2020\/10\/Screen-Shot-2020-10-03-at-6.34.01-PM.png 544w, https:\/\/eportfolios.capilanou.ca\/tiffanyzhong\/wp-content\/uploads\/sites\/11628\/2020\/10\/Screen-Shot-2020-10-03-at-6.34.01-PM-230x300.png 230w\" sizes=\"auto, (max-width: 544px) 100vw, 544px\" \/><figcaption class=\"blocks-gallery-item__caption\">Francesco Sassetti and His Son Teodoro &#8211; 1487<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>He was also known to incorporate portraits of his contemporaries in many biblical scenes which made him even more popular amongst the rich Florentines who wanted to see themselves immortalized this way. He even incorporated hints of ancient art in the backgrounds just to appeal to their tastes.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"625\" height=\"490\" src=\"https:\/\/eportfolios.capilanou.ca\/tiffanyzhong\/wp-content\/uploads\/sites\/11628\/2020\/10\/Screen-Shot-2020-10-04-at-1.11.06-PM.png\" alt=\"\" class=\"wp-image-137\" srcset=\"https:\/\/eportfolios.capilanou.ca\/tiffanyzhong\/wp-content\/uploads\/sites\/11628\/2020\/10\/Screen-Shot-2020-10-04-at-1.11.06-PM.png 625w, https:\/\/eportfolios.capilanou.ca\/tiffanyzhong\/wp-content\/uploads\/sites\/11628\/2020\/10\/Screen-Shot-2020-10-04-at-1.11.06-PM-300x235.png 300w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption>The Last Supper &#8211; 1486<\/figcaption><\/figure>\n\n\n\n<p>His works were notably colourful and vivid, mirroring the fashionable, well-decorated lives of rich Florentines in his patronage. He somehow manages to not overuse colour to a point of garishness . It seems obvious that he knew what would catch the attention of the patrons he wanted and created works that would appease them and keep his business thriving. While some may see his work as a bit overindulgent to suit the tastes of the rich, it shows that he had business sensibilities and knew what he was doing to create works that would be attractive and beautiful and who could deny liking that?<\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"646\" height=\"980\" src=\"https:\/\/eportfolios.capilanou.ca\/tiffanyzhong\/wp-content\/uploads\/sites\/11628\/2020\/10\/Screen-Shot-2020-10-03-at-6.29.13-PM.png\" alt=\"\" class=\"wp-image-120\" srcset=\"https:\/\/eportfolios.capilanou.ca\/tiffanyzhong\/wp-content\/uploads\/sites\/11628\/2020\/10\/Screen-Shot-2020-10-03-at-6.29.13-PM.png 646w, https:\/\/eportfolios.capilanou.ca\/tiffanyzhong\/wp-content\/uploads\/sites\/11628\/2020\/10\/Screen-Shot-2020-10-03-at-6.29.13-PM-198x300.png 198w\" sizes=\"auto, (max-width: 646px) 100vw, 646px\" \/><figcaption>Christ in Glory with St. Benedict, St. Romuald, St. Attinia, St. Grecinia and the donor, abbot Buonvicini &#8211; 1492<\/figcaption><\/figure><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<h6 class=\"wp-block-heading\">References<\/h6>\n\n\n\n<p><a href=\"https:\/\/www.britannica.com\/biography\/Domenico-Ghirlandaio\">https:\/\/www.britannica.com\/biography\/Domenico-Ghirlandaio<\/a><\/p>\n\n\n\n<p><a href=\"http:\/\/www.travelingintuscany.com\/art\/ghirlandaio\/giovannatornabuoni.htm\">http:\/\/www.travelingintuscany.com\/art\/ghirlandaio\/giovannatornabuoni.htm<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/issuu.com\/workinmann\/docs\/the_story_of_art_by_e.h.gombrich__z-lib.org\">https:\/\/issuu.com\/workinmann\/docs\/the_story_of_art_by_e.h.gombrich__z-lib.org<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.wikiart.org\/en\/domenico-ghirlandaio\">https:\/\/www.wikiart.org\/en\/domenico-ghirlandaio<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Domenico Ghirlandaio (1449-1494) Early Italian Renaissance Painter from Florence Ghirlandaio operated a successful workshop where many great artists have trained and he is accredited as one of Michelangelo&#8217;s teachers. He was a master in fresco and was commissioned to do work in the Sistine Chapel amongst other chapels in his lifetime. Ghiralandaio&#8217;s most prominent patrons [&hellip;]<\/p>\n","protected":false},"author":11574,"featured_media":127,"comment_status":"open","ping_status":"open","sticky":false,"template":"templates\/template-full-width.php","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-118","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-5"],"_links":{"self":[{"href":"https:\/\/eportfolios.capilanou.ca\/tiffanyzhong\/wp-json\/wp\/v2\/posts\/118","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eportfolios.capilanou.ca\/tiffanyzhong\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eportfolios.capilanou.ca\/tiffanyzhong\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/tiffanyzhong\/wp-json\/wp\/v2\/users\/11574"}],"replies":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/tiffanyzhong\/wp-json\/wp\/v2\/comments?post=118"}],"version-history":[{"count":11,"href":"https:\/\/eportfolios.capilanou.ca\/tiffanyzhong\/wp-json\/wp\/v2\/posts\/118\/revisions"}],"predecessor-version":[{"id":141,"href":"https:\/\/eportfolios.capilanou.ca\/tiffanyzhong\/wp-json\/wp\/v2\/posts\/118\/revisions\/141"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/tiffanyzhong\/wp-json\/wp\/v2\/media\/127"}],"wp:attachment":[{"href":"https:\/\/eportfolios.capilanou.ca\/tiffanyzhong\/wp-json\/wp\/v2\/media?parent=118"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/tiffanyzhong\/wp-json\/wp\/v2\/categories?post=118"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/tiffanyzhong\/wp-json\/wp\/v2\/tags?post=118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}