{"id":261,"date":"2021-10-27T22:16:14","date_gmt":"2021-10-27T22:16:14","guid":{"rendered":"https:\/\/eportfolios.capilanou.ca\/yelizavetaborissova\/?p=261"},"modified":"2021-10-31T23:19:17","modified_gmt":"2021-10-31T23:19:17","slug":"typography-zine","status":"publish","type":"post","link":"https:\/\/eportfolios.capilanou.ca\/yelizavetaborissova\/2021\/10\/27\/typography-zine\/","title":{"rendered":"Typography Zine"},"content":{"rendered":"\n

Ideas<\/h2>\n\n\n\n

Initially, I wanted to take the topic of the Kazakh language and its transitions from Cyrillic to Latin and other interesting facts, but due to the lack of information on the Internet on this topic and concern that the presentation of information would be incomprehensible, I decided to choose another topic. This time I chose the font “Bodoni”<\/p>\n\n\n\n

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sketchbook<\/figcaption><\/figure><\/div>\n\n\n\n

Rational<\/h2>\n\n\n\n

When I started working on this project, I was inspired by the aesthetics of the Renaissance books’ covers and documents, so I chose a relatively calm monochrome palette with a red accent colours. Also you can see patterns and ornaments on almost every page, which I took from the reprint of Giambattista Bodoni’s manual on typography.<\/p>\n\n\n\n

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Giambattista Bodoni. The Complete Manual of Typography, page 238-239<\/figcaption><\/figure>\n\n\n\n