{"id":66,"date":"2021-09-22T06:39:50","date_gmt":"2021-09-22T06:39:50","guid":{"rendered":"https:\/\/eportfolios.capilanou.ca\/yelizavetaborissova\/?p=66"},"modified":"2021-09-28T01:43:23","modified_gmt":"2021-09-28T01:43:23","slug":"visual-research-shape","status":"publish","type":"post","link":"https:\/\/eportfolios.capilanou.ca\/yelizavetaborissova\/2021\/09\/22\/visual-research-shape\/","title":{"rendered":"Visual research I: Design Fundamentals"},"content":{"rendered":"\n<h2 class=\"has-text-align-left wp-block-heading\">Shape<\/h2>\n\n\n\n<p class=\"has-text-align-left\"><strong><span style=\"color:#606668\" class=\"has-inline-color\">1960 \/ Sebasti\u00e3o Rodrigues \/ PT \/ magazine cover<\/span><\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-1 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-media-text alignfull is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"525\" height=\"700\" src=\"https:\/\/eportfolios.capilanou.ca\/yelizavetaborissova\/wp-content\/uploads\/sites\/13295\/2021\/09\/c6a965ed-ad3d-4e59-978c-f35b5eaeedcf.jpg\" alt=\"\" class=\"wp-image-69 size-full\" srcset=\"https:\/\/eportfolios.capilanou.ca\/yelizavetaborissova\/wp-content\/uploads\/sites\/13295\/2021\/09\/c6a965ed-ad3d-4e59-978c-f35b5eaeedcf.jpg 525w, https:\/\/eportfolios.capilanou.ca\/yelizavetaborissova\/wp-content\/uploads\/sites\/13295\/2021\/09\/c6a965ed-ad3d-4e59-978c-f35b5eaeedcf-225x300.jpg 225w\" sizes=\"auto, (max-width: 525px) 100vw, 525px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-large-font-size\">To describe the figure as the basis of the design, I took the famous cover of the &#8220;Almanac&#8221; magazine from Sebasti\u00e3o Rodrigues. Dots instead of eyes, triangles instead of teeth, circles, lines, and so on. These are simple and uncomplicated figures that line up in the outline of a lion on a solid orange background, which is very organic and pleasing to the eye.<\/p>\n<\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"has-text-align-left wp-block-heading\">Space<\/h2>\n\n\n\n<p><strong><span style=\"color:#7c7c7c\" class=\"has-inline-color\">Rokas Aleliunas \/ poster<\/span><\/strong><\/p>\n\n\n\n<div class=\"wp-block-media-text alignfull has-media-on-the-right is-stacked-on-mobile is-vertically-aligned-center\" style=\"grid-template-columns:auto 48%\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"636\" height=\"899\" src=\"https:\/\/eportfolios.capilanou.ca\/yelizavetaborissova\/wp-content\/uploads\/sites\/13295\/2021\/09\/poster_656.jpg\" alt=\"\" class=\"wp-image-76 size-full\" srcset=\"https:\/\/eportfolios.capilanou.ca\/yelizavetaborissova\/wp-content\/uploads\/sites\/13295\/2021\/09\/poster_656.jpg 636w, https:\/\/eportfolios.capilanou.ca\/yelizavetaborissova\/wp-content\/uploads\/sites\/13295\/2021\/09\/poster_656-212x300.jpg 212w, https:\/\/eportfolios.capilanou.ca\/yelizavetaborissova\/wp-content\/uploads\/sites\/13295\/2021\/09\/poster_656-600x848.jpg 600w\" sizes=\"auto, (max-width: 636px) 100vw, 636px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-large-font-size\">The use of positive and negatives space is illustrated in the poster \u201cFragments\u201d of Rokas Aleliunas. The positive space is the black outlines of the arms and legs, which perfectly contrast with the milky background. Two spaces complement each other well. The negative one fills the space so that it seems to finish drawing the imaginary parts, combining the picture as a whole, making it balanced and exciting.<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"has-text-align-left wp-block-heading\">Texture<\/h2>\n\n\n\n<p class=\"has-text-align-left\"><strong><span style=\"color:#898787\" class=\"has-inline-color\">1987 \/ Yukimasa Okumura \/ JP \/ Book cover<\/span><\/strong><\/p>\n\n\n\n<div class=\"wp-block-media-text alignfull is-stacked-on-mobile\" style=\"grid-template-columns:48% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"717\" height=\"1024\" src=\"https:\/\/eportfolios.capilanou.ca\/yelizavetaborissova\/wp-content\/uploads\/sites\/13295\/2021\/09\/tumblr_n8i51oGaIg1stthygo1_1280-1-717x1024.jpg\" alt=\"\" class=\"wp-image-63 size-full\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-large-font-size\">The cover for the science fiction book \u201cBurning Chrome\u201d by William Gibson is intertwined with different textures. The background is filled with the surface of the TV screen. The face and text were also slightly distorted. And the main component of this cover is a glitch located on top of the composition, which perfectly describes the atmosphere of cyberpunk and the idea of the author and designer about the future of that time.<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Shape 1960 \/ Sebasti\u00e3o Rodrigues \/ PT \/ magazine cover To describe the figure as the basis of the design, I took the famous cover of the &#8220;Almanac&#8221; magazine from Sebasti\u00e3o Rodrigues. Dots instead of eyes, triangles instead of teeth,&#8230; <a class=\"more-link\" href=\"https:\/\/eportfolios.capilanou.ca\/yelizavetaborissova\/2021\/09\/22\/visual-research-shape\/\">Continue Reading &rarr;<\/a><\/p>\n","protected":false},"author":13172,"featured_media":60,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-66","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-6"],"_links":{"self":[{"href":"https:\/\/eportfolios.capilanou.ca\/yelizavetaborissova\/wp-json\/wp\/v2\/posts\/66","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eportfolios.capilanou.ca\/yelizavetaborissova\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eportfolios.capilanou.ca\/yelizavetaborissova\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/yelizavetaborissova\/wp-json\/wp\/v2\/users\/13172"}],"replies":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/yelizavetaborissova\/wp-json\/wp\/v2\/comments?post=66"}],"version-history":[{"count":8,"href":"https:\/\/eportfolios.capilanou.ca\/yelizavetaborissova\/wp-json\/wp\/v2\/posts\/66\/revisions"}],"predecessor-version":[{"id":99,"href":"https:\/\/eportfolios.capilanou.ca\/yelizavetaborissova\/wp-json\/wp\/v2\/posts\/66\/revisions\/99"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/yelizavetaborissova\/wp-json\/wp\/v2\/media\/60"}],"wp:attachment":[{"href":"https:\/\/eportfolios.capilanou.ca\/yelizavetaborissova\/wp-json\/wp\/v2\/media?parent=66"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/yelizavetaborissova\/wp-json\/wp\/v2\/categories?post=66"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eportfolios.capilanou.ca\/yelizavetaborissova\/wp-json\/wp\/v2\/tags?post=66"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}