Elisabeth Louise Vigée Le Brun (1755-1842)

The most famous female Neoclassical/Rococo painter in France.

“Self Portrait in a Straw Hat” (1782)

Vigée Le Brun was a master of portrait painters for the aristocrats and monarchy during the time around the French Revolution. How did she become so successful as a female artist at that time?

The life of Vigée Le Brun

At the age of 12, her father, who was also a portrait painter, passed away and Vigée Le Brun took on his legacy of painting. She was very successful for such a young artist, as she was in high demand for commissions by the age of 15, and was able to financially support her whole family. By the age of 19, She was accepted into Académie de St Luc, even though very few women were able to join. Her most famous client, Marie Antoinette began to commission her for portraits at the age of 20, and during this time Vigée Le Brun produced some of her most famous works. It is quite clear that she is considered to be a very noble and high-class woman, especially at the time of the revolution. However, in 1789 she fleed France to avoid the riots and catastrophe that came with the revolution, travelling across Europe with her 9-year-old daughter. She was able to enjoy a wealthy life even after leaving France, as she continued to receive commissions from nobility across Europe, maintaining a stable income. She returned to France and settled in 1809, having lived a successful life as an artist.

Artworks

It is believed that Vigée Le Brun’s art often blurred the lines between Rococo and Neoclassical style, as seen in her choice of subjects and use of color.

“Marie Antoinette and Her Children” (1785)

This painting of Marie Antoinette was believed to be a propaganda painting, as it depicts her in her most formal attire, full of love and care for her children. However, this was the opposite of her true lifestyle. Vigée Le Brun chose a pyramid-style composition, which is a reference to the Madonna paintings by Raphael. The way she paints soft, glowing skin tones is really remarkable, I think this is a common trait of the romantic Rococo style portraits. Her usage of colors here really emphasizes the theme of royalty and nobility.

“Marie-Antoinette with a Rose” (1783)

The beautiful silky texture of the blue dress and the soft blending of the garden in the background really reminds me of Fragonard’s paintings too. Classical Rococo themes. I love how she uses a really dark background to make Marie Antoinette stand out as if some divine light was shining on her. However the background doesn’t look ominous or menacing although it uses dark colors, it still looks rather soft and tender.

“Self Portrait with Daughter” (1789)

I absolutely love this painting, Vigée Le Brun showed motherly love in such a beautiful way. Something that stands out is their attire, rather than the luxurious puffy dresses at the time, they are wearing what seems to be similar to Ancient Greek/Roman robes. I think this represents the Neoclassical themes that are beginning to emerge at the time, especially seeing how Neoclassical architecture also references Ancient Greek/Roman themes.

“Peace Bringing Back Abundance” (1780)

Another combination of Rococo and Neoclassical art style. Abundance (on the left) is a classic representation of the flowery, glowing softness that is iconic to the Rococo period, while Peace (on the right) is depicted as more of a leader with a serious feeling that conveys a sense of power and freedom. But that’s just my personal opinion on what I feel about the figures.

Reflection

Overall, I absolutely loved learning about the stories and artworks of Elisabeth Louise Vigée Le Brun, especially since she is a female artist. I was really impressed with how successful one can become by just painting, even if you are a woman in the middle of a crazy revolution! She really carried her whole family through a big disaster, and I think she’s a really intelligent and strong woman. To me, it seems like her life was extremely successful and it makes me really happy to see historical women being this successful since it is very rare. She definitely made an impact on the transition between Rococo and Neoclassical art styles, she blends the two elements together very well.

Sources

https://www.theartstory.org/artist/vigee-le-brun-elisabeth-louise/artworks/

https://www.nationalgallery.org.uk/paintings/international-womens-day-elisabeth-louise-vigee-le-brun

https://commons.wikimedia.org/wiki/File:Self-portrait_in_a_Straw_Hat_by_Elisabeth-Louise_Vigée-Lebrun_-_1782.jpg

https://www.biography.com/artist/elisabeth-vigee-le-brun

Survey 4: Steam and the Speed of Light

1750-1850

Technology: the Watt engine-new and improved steam engine!

Watt said it’s time for the steam engine 1.1 update.

The invention of the steam engine was no doubt a revolutionary leap towards a thriving industrialized society. James Watt, a mathematical-instrument maker, was the one who made the Watt engine, a revised version of the original prototype——the Newcomen atmospheric steam engine. While Watt attempted to fix a Newcomen engine, He was not impressed with the waste of resources that Newcomen atmospheric steam engine causes and realized that all the luscious energy and heat being lost in the process needed compensation. Watt added another compressor, reducing the steam consumption and upgrading efficiency. He partnered up with a British inventor, John Roebuck, and successfully launched the Watt engine in 1777-1778. Pumping water from mines has never been easier for them!

Watt’s version of the steam engine greatly improved efficiency and reduced energy consumption.
James Watt (1736-1819)

Architecture: Neoclassical Architecture-going back to Ancient Greece and Rome

Have you ever wondered why the White House and many other important buildings look like this?

Greatly inspired by Ancient Greek and Roman architecture, the neoclassical style emerges in the mid-18th century. The consistent designs of these buildings have many common themes: grand simplicity, geometrical harmony, usage of columns, and classical nobleness. This style is believed to be a reaction to the Rococo and Baroque period, which focused more on ornamental elements and sophisticated designs. Learning from the old masters of architecture was definitely a trend back in the days. Neoclassical architecture spread through Europe quickly, and today we can see these elements being used commonly in governmental buildings, theatres, museums, and other buildings that require a visually grand scale. This is why the Neoclassical form is often associated with power, seriousness, and grandness.

Pueblo County Courthouse, Pueblo, Colorado USA
U.S. Capitol building in Washington DC
The White House in Washington DC

sources:

https://www.uh.edu/engines/epi2869.htm

https://www.sciencephoto.com/media/997991/view/james-watt-s-prototype-steam-engine-old-bess-c1778

https://www.britannica.com/biography/James-Watt

https://interestingengineering.com/james-watt-father-of-the-modern-steam-engine

https://www.designingbuildings.co.uk/wiki/Neoclassical_architecture

https://www.mayfairgallery.com/blog/neoclassical-style-guide-art-architecture-18th-century

https://www.barrons.com/articles/how-much-is-the-white-house-worth-1471060823

Survey 3: Block books and Baroque

Typography: Gutenberg’s printing press

We just want to read the Bible! give books. now.

Johannes Gutenberg can be considered the father of western printing technology. He replaced wood-based printing with metal text blocks in 1450, which is the first metal movable type. This was a revolutionary step to printing in Germany, as it allowed books to be printed in large quantities of copies.

Gutenberg’s printing press

It is believed that Gutenberg had borrowed money from a business partner who believed in Gutenberg’s innovative idea—-Johann Fust. Fust lent 800 guilders to Gutenberg which kickstarted the printing career (Gutenberg was kinda broke). Gutenberg continued to improve the press while updating new versions of it, slowly but surely perfecting what he had to work with. In 1455, Gutenberg published the 42-line Bible which contained easy-to-read text in gothic font, and even colored illustrations, which was very popular amongst the churches. Great job at finding your first target audience, Gutenberg :).

The Gutenberg 42-line Bible

However, in 1456, Fust grew impatient and demanded the loan to be returned. This issue quickly escalated to court, and Gutenberg lost the trial. In the end, Gutenberg was unable to pay 2,026 guilders (gasp) —- much more than the original amount because of added interests. This resulted in his invention being taken away from him, and the press was handed to Fust (come on Gutenberg, you can do better than that). Fust carried on with this technology and explored new printing strategies and fonts, and it is believed that he credited Gutenberg as he did so. Some also believe that while Gutenberg became bankrupt, he had the freedom to open his own small printing shop, and continued from there. Although Gutenberg isn’t the first person to use printing technology, he definitely made revolutionary advances and brought it success in the western world. I personally think if he dealt with the money before wanting to perfect the technology, he and Fust possibly could have been great partners for a longer period of time and made even better improvements to the printing press.

Gutenberg working on the printing technology in his workshop

Art – the Renaissance and the Baroque painters

There’s this Artist who was definitely wild and you’ll quickly see why.

The 14th century is considered to be a rebirth and revolution in the art world by many since some of the most influential artists in art history originated from this era. The infamous father of Baroque painting, Caravaggio, is one of them. When the Italian painter first settled in Rome, he was greatly influenced by previous artists such as Masaccio and Giotto, masters of the Renaissance era. However, Caravaggio’s art shook the art world by using his own naturalistic interpretations.

Hidden self-portrait of Caravaggio in “David with the head of Goliath” (1610)

Caravaggio took Chiaroscuro to the next level by pushing the contrast of light and dark in his works, which is an iconic characteristic of his paintings. Using this technique, he often depicted the biblical events as dark, gruesome, gory, but still natural and realistic to the point where the audience immediately puts themselves inside the image. This was the magic of his paintings. As you can imagine, controversies emerged because Biblical stories were not always pretty in his paintings, and not everyone was a big fan of that.

“The incredulity of Saint Thomas” (1601-1603) (Yes, his finger is inside the wound)

He went on to influence many great artists after him who also made great impacts on the art world, such as Rubens, Velazquez, and Rembrandt. Without Caravaggio’s works, art would not be what it is today.

“Death of the Virgin” (1601-1606)

As you can probably tell, these people didn’t always look like the prettiest Gods and Goddesses. That’s because Caravaggio wanted the paintings to look natural and believable, so he picked models from people on the street. This is also why his naturalistic style is so different from previous famous artists, as they were mostly about “photoshopping” and idealizing the figures to look perfect.

Sources

http://www.visual-arts-cork.com/old-masters/caravaggio.htm

https://en.wikipedia.org/wiki/The_Incredulity_of_Saint_Thomas_(Caravaggio)

https://en.wikipedia.org/wiki/List_of_paintings_by_Caravaggio

https://www.thoughtco.com/johannes-gutenberg-and-the-printing-press-1991865

https://www.history.com/topics/inventions/printing-press

https://www.britannica.com/biography/Johannes-Gutenberg

https://www.google.com/search?q=gutenberg+and+fust&tbm=isch&ved=2ahUKEwjdwI3NzrPsAhXXBTQIHS9yBckQ2-cCegQIABAA&oq=gutenberg+and+fust&gs_lcp=CgNpbWcQAzICCAA6BAgAEEM6BwgAELEDEEM6BAgAEB46BggAEAgQHjoECAAQGFDu0kBYxNlAYNvaQGgAcAB4AIABmQGIAeoEkgEDOC4xmAEAoAEBqgELZ3dzLXdpei1pbWfAAQE&sclient=img&ei=6K-GX92sFteL0PEPr-SVyAw&bih=1057&biw=1792&client=safari#imgrc=LzbsTu1Nw7bsgM

Mood Board reflection

If I were to give myself a mark, I would give myself a 7.5/10. I think I tried to get all the points down, but I could’ve written some parts with better language, and it was a bit difficult to find the fitting images especially for the camera (very difficult to find non-repetitive images and I couldn’t find a sample of a photo taken with the original Leica). I also think I could have made the connections a bit clearer though that was also hard because seemingly, these three events have no relation to each other. But I think I have the right idea. In all, It was a project heavily research-based, and less visually-creative based in my opinion. I think sometimes I lack skills in the presentation of my research, even though I’m not bad at learning on my own about these topics and simply attaining the information to myself. The main thing I learn through these projects is how to write and present to show that I know this knowledge. So I think this was mainly a writing exercise for me personally. I learned a lot about these events on my own though.

Jacopo Tintoretto (Robusti) (1518-1594)

Tintoretto was an Italian artist who was mainly a mannerist painter. It is believed that he began working as an apprentice for Titian in his early teens. His works are visibly influenced by other great artists of the Renaissance, such as Michelangelo and Titian.

Miracle of the Slave (1548)

here it is clear that the voluminous, muscular figures are influenced by Michaelangelo. This painting depicts the miracle of Saint Mark descending upon the slave who prayed to him.

The origin of the Milky Way (around 1575-1580)

The dynamic placement of figures in this painting is distincive to Tintoretto’s style. The colors and overall style suggest that it is indeed a mannnerist painting.

The Crucifixion (1565)

Possibly being one of the most famous and largest paintings from Tintoretto, his depiction of the crucifixion is unique as it displays an incredibly inclusive, detailed scene. Rather than choosing the main characters involved in this scene, Tintoretto’s way of storytelling involves showing as many people as he could. The colors here are also influenced by Titian.

Self Portrait (1548)

It is clear that even in his earlier works, the most distinctive aspect to his paintings are the strong, bold brushstrokes. Tintoretto may have been ahead of his time because of this.

Sources:

https://www.theartstory.org/artist/tintoretto/artworks/

https://collections.vam.ac.uk/item/O80701/self-portrait-as-a-young-oil-painting-tintoretto-jacopo/

https://en.wikipedia.org/wiki/Tintoretto#Style_of_life_and_assessment

http://www.visual-arts-cork.com/old-masters/tintoretto.htm