presented below is a 12” x 18″ gouache landscape painting from a photographic reference of our choice. I personally chose a reference that showed a cityscape and gave the feeling of isolation, as a reflection on the year 2020. Because the image was originally vertical and smaller than the size specified in the brief, I used the gridding system from our first assignment to make sure proportions were correct when resizing.
Giorgio di Antonio Vasari, “Born in 1511… in the town of Arezzo”(New York Times) was a successful Renaissance Man. He was a painter, architect, and famously known as the first biographical, art -historian. His book “The Lives of the Artists” – a “monumental encyclopedia” (BBC) about all the great artists of the Renaissance has had a profound impact on what we know about artists from that time today, and art history as a whole.
Giorgio Vasari was a powerful and transformative storyteller, at times he bordered on methodical fabrications and amplified his stories, but nonetheless his books are highly influential chronicles of more than 200 Italian artists in his time, and perhaps they are first appearance of what we know as the subject of art history. Some of his most central subjects being Leonardo, Raphael and his good friend Michelangelo of the “Golden Age”. Vasari believed the artists that came before him, had surpassed the successes of Antiquity and he regarded them as his quintessential heroes. Vasari was deeply influenced by these painters but because he has been such an integral narrator to art histories successes (regardless of his fabrications), his life as a painter can easily be overlooked.
Vasari was one of art history’s most important characters; he was a sublime painter mastering in Frescos throughout the Mannerist period but also an avid businessman who prioritized the economy of painting. Vasari is said to be the pioneer of studio production, typically relying on a team to accomplish what he did in his lifetime. He was a compulsive overachiever who gained notable peers such as Michelangelo, Titian and Giorgione as well as a significant following. Vasari was more of a businessman than his predecessors, motivated significantly by fortune and fame and was highly sought after with commissions from patrons like the Medici throughout his lifetime.
Vasari rose to his fame through working with the prolific Medici family, specifically through the commissions of Cosimo. He quickly gained became an important member of Italy’s elite and is famous for attributing this moment in to to the “rebirth” of “rinascita”. But perhaps the most important thing to understand about Vasari is his contributions to his era. Besides his renowned biographies that provided him much fame and financial success. Vasari was an inspiration to his pupils and even founded a design and art centre alongside Michelangelo. He was a meticulous art collector who collected a profound amount of valuable art and a well known architect, developing mannerist churches across Tuscany and Florence.
Vasari’s most famous artwork is without a doubt featured in the “Room of Elements”, Palazzo Vecchio, Florence, Italy, 16th century; a series of his most well known frescos, featured alongside the works of his heroes, Da Vinci and Michelangelo’s (unfinished) work “The Battle of Anghiari” and “The Battle of Cascina” in the “Il Salone dei Cinquecento (Hall of the Five Hundred)” in the The Palazzo Vecchio (The Art Story).
Sources:
“Vasari, Giorgio (1511 – 1574).” The Encyclopaedia of the Renaissance, edited by Thomas Goddard Bergin, and Jennifer Speake, Market House Books Ltd, 1st edition, 1987. Credo Reference
https://www.theartstory.org/artist/vasari-giorgio/artworks/
“BBC – Travels with Vasari – Part two (final);” https://www.youtube.com/watch?v=nSkCpvnn8HE
Collector of Lives; Giorgio Vasari https://www.nytimes.com/2017/12/01/books/review/collector-of-lives-giorgio-vasari-biography-rowland-charney.html
Images:
https://www.theartstory.org/artist/vasari-giorgio/artworks/
“Cosimo I leaving for exile, fresco by Giorgio Vasari (1511-1574). Salone dei Cinquecento (Hall of the Five Hundred), Palazzo Vecchio, Florence. Italy, 15th century.” Bridgeman Images: DeAgostini Library, edited by Bridgeman Images, 1st edition, 2014. Credo Reference,
“Frescoes by Giorgio Vasari (1511-1574), Room of Elements, Palazzo Vecchio, Florence, Italy, 16th century.” Bridgeman Images: DeAgostini Library, edited by Bridgeman Images, 1st edition, 2014. Credo Reference,
“Ceiling detail, Studiolo of Francesco I, by Giorgio Vasari (1511-1574). Palazzo Vecchio, Florence. Italy, 16th century.” Bridgeman Images: DeAgostini Library, edited by Bridgeman Images, 1st edition, 2014. Credo Reference,
This project is an observational drawing of an interior space in one’s home. The purpose of this project is to exercise Filippo Brunelleschi’s principles of linear perspective. By choosing an interesting angle and area, we are able to show that linear perspective can produce a realistic representation of 3 dimensional space.
Presented is a reproduction of artist Albrecht Dürers (May 1471 – 6 April 1528) ”Betende Hande” transferred from an 8.5 x 11 printed copy to a larger 18 X 24 cartridge paper using an 1’ x 1’ to 2’ x 2’ square gridding system and a graphite pencil (the original drawing was done with pen and ink, on blue coloured paper). The focus of this project is to observe and reproduce shading and tonal values when drawing, to match the original artwork to the best of our ability. While observing Dürers Praying Hands closely and exporting it to a large scale drawing, one can really begin to understand and appreciate the value, the commitment and detail of this masterpiece.
