SuperGraphics Innovator

Craig and Karl

When it comes to writing blog posts, I enjoy challenging myself to research and write about someone or something obscure and equally powerful. Not only do I find it more interesting but it widens my knowledge on the topic assigned. Usually, the information available is scarce and more investigating is required but for today’s topic, I decided to be more accomodating towards more ‘mainstream’ choices. With that being said, I present to you Craig & Karl.

A team of two, Craig Redman and Karl Maier met at an art college in Australia and have been collaborating ever since. What is worth mentioning is that Craig resides in New York and Karl in London, making their partnership that much more interesting.

They have an extremely distinctive and cohesive style, using bright colors, bold outlines, and a mixture of shapes and patterns. Their art has so much going on, but you somehow never get lost and know exactly where to look. I would call it contemporary psychedelia. The palettes and the exploration of there art resemble immensely 60-70’s psychedelic posters but it doesn’t have the flow and organic shapes that marries both the image and type. It’s blunt and bold which has become a trend in contemporary design.

Each piece they have created, whether it is murals, packaging or set design, they all reference supergraphics. I usually like to analyze a favorite piece but with Craig and Karl, it is like choosing your favorite child, impossible (well from what I’ve heard). So instead I thought I would feature a couple and that showcase why I believe they are the supergraphic innovators of the 21st century.

Survey 6 – Dreams and Designer (1895-1905)

This week I was assigned to design a zine about typography. I have decided to focus of the Glasgow style and its vertical and angles type style. I will focus on a few features, such as important characteristics of the type style, important figures, the history and it’s influence or maybe it’s appearance it’s present times. I definitely want to incorporate Glasgow style elements, such as long figures, value palette and natural shapes.

Characteristics:

Vertical lines

Geometrical

Long

Important Figures

The Four – Mackintosh, Charles Rennie, J. Hebert McNair, Frances and Margaret McDonald.

Beardsley

History

Hybrid of Arts in Crafts and art nouveau emerging in Scotland

Influence

Vienna Secession Style

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