Survey 8: Project Rationale – Artifact (1895 – 1905)

I was made the designer for a geopolitical artifact from 1895 – 1905. I debated making something for WWI, but ultimately decided that the Chinese Immigration act of 1885 was more interesting to me. I chose this topic because I thought it was an important topic to cover, and I knew what kind of artifact I wanted to make with it. I covered both the initial head tax in 1885 as well as the immigration act in 1923 because I felt that they are crucial to one another and help people understand the depth of the issue.

I made a newspaper mimicking the font and design of the time. I think my title is very easy to see, and I think I did well in putting together the newspaper itself. I also think the black and white composition of the spread helps set the serious tone of the topic. I also think that the addition of hands holding the objects adds to the spread, because they feel less like random history events but they feel more personal and connected with people’s lives.

I think I could have incorporated the body text better, as it gets difficult to read because of the dark shadow and the small size. I couldn’t get the spacing right, so the bleed lines and the centerfold spacing is not correct, but I know I can correct that later on if this spread ends up in the history book.

I would give myself a 7/10 because I think the spread works really well for the topic and I had good research but I also think that the spread itself could be easier to read.

Survey 8: Cubism, Dadaism, and Surrealism – Paul Klee (1879 – 1940)

Three Houses, 1922.

Paul Klee was born on December 18, 1879, in Münchenbuchsee, Switzerland. He was a painter and draftsman best known for his use of colour and hue in simple and abstract shapes. He was influenced by Renaissance prints, Impressionist artists, and especially by the North African landscape which was the reason for his unrestricted use of colour. He produced many child-like pieces that appealed to the public and depicted different landscapes and emotions he experienced during WWI. From 1920 – 1931 Klee was hired at the Bauhaus school of modern design to lecture about the mechanics of art. After 1931, Klee resigned to the Dusseldorf Academy until 1933 when Hitler came into power.

While I don’t usually enjoy cubism or abstract art, I find that Klee has a unique art style that combines a number of movements that makes his work unique and appealing. I enjoy his use of colour and the shapes he creates in his pieces. Some of his pieces portray clearer subjects, such as in Three Houses and One Who Understands. I love the abstraction of fruit in his piece Suspended Fruit and the colour scheme of dark green and dull grey-red. His use of shades in Three Houses and the way he creates distance and a horizon just by using colour. The blue shades in the background look like they are fading into mountains and they whole piece has a very calm albeit melancholic feeling.

One Who Understands, 1934.
Suspended Fruit, 1921.
Tower in Orange and Green, 1922.
Hilterfingen, July 19, 1895.
Rough-Cut Head, 1935.
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