• Direction

ACC CINEMA FUND Poster
Asia Culture Center, 2019


This static and dynamic ACC Cinema Fund poster touches our eyes in the middle. The screen sucking into the middle in the layers makes us feel like we are gradually entering the movie screen. As it is a movie fund premiere, it is a design that increases expectations for experimental films that transcend time and space. It visualized ‘immersion’ really well by using directional design elements.


  • Line

《說時 TIMEFLIES》 系刊 Vol.14
MCU Commercial Design Department, 2016


Under the theme of Time Travel, the book cover is reminiscent of a black hole using line patterns. It expresses a cliff heading to the abyss by narrowing the line’s curvature and spacing even though there is no coloring. It is a design that made us know that only a good line pattern can also give this depth. In addition, the design becomes more attractive by contrasting the scale of the falling child and the vast black hole.
  • Space

Little Red Riding Hood
Tang Yau Hoong

This illustration, expressing ‘the little red riding hood,’ uses space effectively. Considering it is a This illustration, expressing ‘the little red riding hood,’ uses space effectively. Considering it is a fairy tale, the stacked paper was expressed like a tree by giving space between the trees, and the book cover surrounds it, reminiscent of a forest. In addition, the color of the cover and trees are identified to show that a book has a story efficiently. This illustration shows that beautiful fairy tales exist in the book by using spatial elements.






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  • Shape (3D)

Metaball Animation Poster
Roman Osypenko

This poster essentially best represents the shape of 3D by adding animation. Distorted text and reflected light make the three-dimensional effect of water droplets stand out even more. It effectively conveys a message to a person who doubts the computer graphic element “metaball.”