Tag: IDES141

Yearbook Rationale

Jason LowLeave a comment

The first thought that came into my mind when we were assigned the yearbook project was a fork and knife cutting into my brain. I wanted the image to seem like people were taking pieces of my brain so they could find out what I think, and so they could get to know me. I made multiple thumbnails before settling on the final two page spread. In previous versions my face was in the center as the focal point, but I wanted to draw more attention to the brain and the act of eating. I included the mouth to show more emotion in the image. The fork and knife framed the photo and guided the viewers eyes toward the center where the brain is. I used the green to imitate the streaks in my hair, which made the faceless figure recognizable as myself rather than a random person. The pink and green contrast well, and don’t feel imbalanced as they are both fairly light colours. I cut the image in half because I wanted the yearbook page to be easily viewed after it was made into a book. I added white highlights to the brain to make it look like it was wet and as if it was just taken out of my head.

I used a restaurant theme on the text side, including the five descriptors as fake reviews. I wrote my “secret” in red because I wanted it to be harder to see from afar because it was supposed to be a secret. I wrote my introductory statement like a restaurant would describe their overpriced meat dish which made light of the morbid scene to the left, which I feel describes me fairly well.

I would give myself an 8/10. I think I did really well on the visual part of the yearbook, but I think I could have put more information onto it. I also think I could have switched the positions of the secret and the five descriptive words at the bottom of the page.

Blue-Faced Pharaohs: The Significance of Blue in Ancient Egypt (40,000 BCE – 0 CE)

Jason LowLeave a comment

In depictions of royalty throughout human history, few are portrayed with blue faces. Why would anyone create a work of art showing their ruler in such a strange colour? Surely they’d get punished for ruining their majesty’s image and making a mockery of them, right? But that was is not the case in Ancient Egypt. Blue was an important design element of Egyptian art, and was utilized in specific ways.

Amun and the colour blue

While all gods were all depicted with blue hair, Amun was the only one that was consistently shown to have a blue face. Amun was the god of creation, and he ruled over all beings– including other gods. That made Amun the most powerful of the gods, and blue was associated with his powers of life and creation. Some artwork of pharaohs depicted them with blue faces and hair, because they were associated with Amun and pharaohs were considered gods on earth.

1353-1336 BC, Amarna Period. A glass portrait inlay of the pharaoh, Akhenaten. A piece of a larger full-body portrait that could have been part of jewellery, furniture, or relief sculpture. The turquoise colour used represents life, fertility, and creation.
https://www.cmog.org/artwork/portrait-inlay-pharaoh-akhenaten
why was blue important?

 One of many reasons blue was important was because the pigment was very expensive to make. Especially the specific shade that was referred to as “Egyptian Blue”, or Irtiu. It was made of heated quartz, malachite, and calcium carbonate. Another reason was because the Nile River provided the Egyptians with many of their basic needs. It supported their transportation, agriculture, and provided them fresh water and fish to eat. The river sustained their lives and thus the colour blue reflected the waters of the Nile, and came to symbolize life as well. Blue was also important because faience, a material made of crushed quartz, was often a blue colour and the material was said to be “magical” and “filled with the undying shimmer of the sun, and imbued with the powers of rebirth” (Riccardelli 2007). 

Sculpture of Isis breastfeeding Horus symbolizing rebirth from Egypt, ca. 332–30 B.C. Egyptian, Ptolemaic Period, faience; H. 17 cm (6 11/16 in); W. 5.1 cm (2 in.); D. 7.7 cm (3 1/16 in.) The Metropolitan Museum of Art, New York, Joseph Pulitzer Bequest Fund, 1955 (55.121.5)
https://www.metmuseum.org/art/collection/search/548310.
where was blue utilized?

Although blue carried very strong symbolism and it was very expensive to make, it was not limited only to noble artwork. There were many ceramics, beads, and amulets that used blue. Faience was a cheaper and more accessible way for peasants to have the sought after colour. Lapis lazuli, on the other hand, was the most precious stone to Egyptians and was used in pieces meant for royalty. Lapis lazuli was often paired with gold to make jewellery and various protection amulets, such as the heart scarab. It was also used to decorate the tombs of pharaohs.

Upper section of a blue-painted Hathor Jar from Malqata, ca. 1390–1353 B.C. Egyptian; Thebes, Malqata, New Kingdom pottery, slip, paint; H. 24.5 × diam. 25 cm (9 5/8 × 9 13/16 in.) The Metropolitan Museum of Art, New York, Rogers Fund, 1911 (11.215.473) http://www.metmuseum.org/Collections/search-the-collections/549178

Blue was a vital part of Egyptian culture, and it was used in everyday items all the way up to the most expensive and lavish. Therefore, the blue faces of pharaohs was not a mockery, but a way of showing them the utmost respect. It associated them with life and creation, and the all powerful god Amun. Blue conveyed their elite status as royalty, and adorned them even in death.