Kodak and where it all started.

“With the KODAK Camera in 1888, Eastman put down the foundation for making photography available to everyone. Pre-loaded with enough film for 100 exposures, the camera could be easily carried and handheld during operation. It was priced at $25. After exposure, the whole camera was returned to Rochester. There the film was developed, prints were made and new film was inserted — all for $10”, Kodak company.

The first version of the Kodak camera.

With the slogan “you press the button, we do the rest”, George Eastaman, who was born on July 12, 1854, in the village of Waterville, some 20 miles southwest of Utica, in upstate New York, created a phenomenal product, which then led him through the winding path of different sorts of difficulties, which helped him gain the precious knowledge and experience, by that pushing him to create all the same phenomenal company, which then became the leading of its time and even as for today.

George Eastaman in his early years.

This man was the youngest child (he had two sisters) in the family of Maria Kilbourn and George Washington Eastaman. When he was five years old, his father, who devoted his energy to establishing Eastman Commercial College, moved the family to Rochester, but, unfortunately, it is never going smooth in the life as it was initially planned, and so boy’s father died. The college, where the man was working failed and the family became financially “wrecked”.

Because of the horrible situation, the boy ended school when he was fourteen years old and right after forced to find employment. And so right here starts his “real” journey. But again, it never starts smooth, and so his first job was just as a messenger boy with an insurance firm, where he was paid $3 a week. Nevertheless, after a year working there, he quit and became an office boy where he got paid a little bit better, $5 per week, because of his own initiative to take charge of policy filing and even writing policies. But, of course, it was not enough money, especially for a family he had, so he studied accounting at night because he believed that by studying he will improve a lot, and so, he will get a better paying job he urgently needed. But, it did not come quickly, and only after five years, he was hired as a junior clerk at the Rochester Savings Bank, where he got a chance to have a salary of $15 per week.

The interesting side of his life starts when he was planning his trip to Santo Domingo at twenty-four with his co-worker. Back then, he decided to take his camera with him, which back in the days was pretty heavy and at the same time uncomfortable, or, as he stated himself it “was a pack-horse load”, so you can imagine.

The trip was canceled, but, it did not mean that it was the end of a “photo side” in his life, because to be able take pictures on his vacation he payed $5 to actually learn how to take them, so it was basically his “push of a fate”, because eventhough he eventually did not had a journey, he instead became absorbed by the photography and everything that is connected to it.

Some day, he read in the article that amatuer photographers were making gelatin emulsions for plates (part of the camera) and because of that, they remain sensitive after they were dry and could be exposed at leisure. And right there, George Eastaman was inspired to try it on his own, by finding the right formula of it in all the same Brithish magazine he read.

He was working in the bank at the day, and right when the night appeared, he was experimenting at home in his mother’s kitchen. It continued for over three years, and then he created what he needed. “By 1880, he had not only invented a dry plate formula, but had patented a machine for preparing large numbers of the plates. He quickly recognized the possibilities of making dry plates for sale to other photographers”, Kodak company.

Infamous plates created by George Eastaman.

Sources:

https://www.kodak.com/en/company/page/george-eastman-history

“About Me” Paragraph.

Even though it is almost the end of the first semester, I am still want to properly introduce myself here. Well, there is no “secret” now that my name is Sofiia, so here I am. Now I am studying in the Capilano University IDEA program and I am enjoying the learning process to a great extend and also I am excited to go further in my studies and improve my skills and knowledge day by day.

I am an international student from Ukraine and for the past four years, I have lived in Canada. To be precise, I lived for over three years in Toronto, Ontario, and one year in Vancouver, British Columbia, and I like both experiences in these drastically different places.

As a creative person I like art in all its forms, and so I am passionate about music, that is why I have the experience studying in music school for piano major for over five years. Also, I will point out that adore taking photos and creating videos, the process of it gives me a wave of inspiration and joy.

Besides all the personal information above, I want to add that I am in love with animation and its process, especially the final results. Nevertheless, I am passionate about creating product design, UI/UX design, and web design. The illustration is in that list of my favorites too, so I hope that one day I will have a chance to work on some large project where I will put my major contribution by creating some kind of majestic drawings, etc. But, I am still on the path of learning and improving, so I am working hard to become a true professional one day, as for now, I am in Bachelor of Design in Visual Communication (or just a graphic design for an easier understanding) program where I am truly excited to learn all of the art pathways listed higher in the paragraph.

On the final note, I will state that the main inspiration in my life’s journey till now is my family because they give me inspiration, motivation, strength, and examples of true happiness and joy.

Reflection of the Historical Artifact.

For this project, I decided to make a USSR School Pioneer Dress for the student of 1940. And I am satisfied with the final results, so I think I will mark myself 9 out of 10. Also, it took me approximately 4 hours to make.

To be more specific about the topic, “The Vladimir Lenin All-Union Pioneer Organization abbreviated as the Young Pioneers was a mass youth organization of the Soviet Union for children and adolescents aged age 9–15 that existed between 1922 and 1991. Similar to the Scouting organizations of the Western Bloc, Pioneers learned skills of social cooperation and attended publicly funded summer camps”, Wikipedia.

The Pioneer School Dress.

For this work, my main inspiration was my mother, who had a chance to wear such a dress in her young years too, so I can confidentially state that she curated me in this process.

Also, I want to show you a couple of examples of how it “originally” looked like.

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Sources:

https://en.wikipedia.org/wiki/Vladimir_Lenin_All-Union_Pioneer_Organization

https://www.britannica.com/topic/Pioneers

https://zen.yandex.ru/media/id/5c441dd910247700ac99e9d0/skolko-seichas-stoit-znachok-starshego-pionera-5c7fd0eb20f38c00b367afdb

Ilya Yefimovich Repin

There is the saying in Ukraine and Russia, “Kartina Repina Priplyli”, and it is used when you appeared in a stalemate situation which is totally embarrassing and confusing.

And I assume you will partly understand why people out there have this saying if you will take a look at the works of this talented, unique, and mesmerizing artist whose name is Ilya Yefimovich Repin.

Self-portrait.

He was born in 1844 in Chuguev (Kharkiv province, Ukraine). The artist’s father was a “ticket soldier” and his mother, Tatyana Stepanovna, came from a well-educated family. Repin discovered a passion for painting at an early age so that in 1855 he was sent to a school of typographers, but in 1857 the school got closed, and Repin went as a student to an icon-painting workshop. He quickly became the best and at the age of 16, he began to work independently, enrolling in an artel, which was engaged in the construction and restoration of churches. In 1863, Repin decided to go to St. Petersburg and enter the Academy of Arts. He did not enter immediately, but after going through a course in an evening art school, he finally made it. After that, from 1863 he became a student of the Academy (until 1871). For 8 years of studying, he managed to receive several awards, including a large gold medal of the Academy.

Barge Haulers on the Volga.

The artist set himself a goal of creating a monumental canvas dedicated to the life of the people and not only revealing the severity of its share but also praising its spiritual strength. The painting above was revolutionary because of its disgusting reality which was widely normalized and maybe that is why it is one of the most popular paintings in Russia, to specify, it is reflected in the people’s own lives. “It depicts 11 men who are physically dragging a barge on the banks of the Volga River. They are at the point of collapse from exhaustion, oppressed by heavy-duty, hot weather, [and almost on the verge of death because of hunger and thirst]”, Wikipedia. It depicts dirty, tired, poor, and helpless people who a desperately looking into the viewer for something as if they are pleading for help. “[This work as if subtly hints at the] condemnation of profit from inhumane labor. Although they are presented as stoical and accepting, the men are defeated; only one stands out: in the center of both the row and canvas, a brightly colored youth fights against his leather binds and takes on a heroic pose. Repin conceived the painting during his travels through Russia as a young man and depicts actual characters he encountered”, Wikipedia.

Ivan the Terrible and His Son Ivan.

This painting, with the old, mad man and his dead son made a huge wave of criticism and indignation in tsar’s Russia, not only because of its “absurd” penetration of the ruler but also because of its true darkness and not entering the framework of Christianity. It was believed that this painting was possessed by the devil because of its true craziness indeed. In the painting, you could see the dead body and true insanity, and it is all because the father killed his own son, and probably Repin caught that right moment when the ruler understands what he is done, by that entering the actual hell of repentance and pain. Also, we can see how dark the actual tones are in this painting, only the area of the two people is alighted, and maybe here is the moment when someone in the Repin’s imagination is opening the door, seeing the horrific. The dead son, if you will take a closer look, have a teardrop on his cheek, and I think that this adds a more obscure atmosphere to the painting, which a lot of people, in reality, wanted to destroy, because they believed that the ruler was a better person and also because of its accurate and deep penetration of the moment which sometimes happened in Russian Empire…

This is, indeed, is a very interesting and profound artist, who covered his works into savory symbolism, straightforward realism and whom I would like to write more about, because I for sure know that there is a lot more to share.

Sources:

https://en.wikipedia.org/wiki/Ilya_Repin

https://www.britannica.com/biography/Ilya-Yefimovich-Repin

https://en.wikipedia.org/wiki/Barge_Haulers_on_the_Volga

https://en.wikipedia.org/wiki/Ivan_the_Terrible_and_His_Son_Ivan

You will get the impression.

“It is lively, brisk, light – captivating. What a rapid grasp of the object and what an amusing facture. It is summary, agreed, but how spot on the marks are!”, once said about the impression, Sunrise artwork by Claude Monet, Jules Castagnary, a French liberal politician, journalist and progressive, influential art critic, who embraced the new term “Impressionist” in his positive and perceptive review of the first Impressionist show, in Le Siècle, 29 April 1874.

And I agree with his statement because it is short but accurate, precise and it knowingly reflects the whole art movement of the great and daring Impressionism.

Impression, Sunrise by Claude Monet.

In the late nineteenth century, life was getting faster and busier, that is why art at that time was changing accordingly. Paris, the city in France where Impressionism was born, was getting a new facial drastically and enormously too, where after the wholesale renovation, which started in 1890, it became cleaner, safer, lighter. This light we could observe in the works of artists of that time, where they saw the inspiration and opportunity in the rapid changes and where they were not afraid to reflect it in their fresh, renewed, and original paintings.

Woman with a Parasol by Claude Monet.

Artists such as Pierre-Auguste Renoir, Edgar Degas, Berthe Morisot (yeah, women artists started to shine at this art period) and others, noticed capturing atmospheric effects and life moments that would change with the passing minutes, that is why you could almost feel the touch of the improvisation in their art. Claude Monet, for example, worked with several canvases at ones, returning to each in the different times of the day because of the light of the sun, by that the artist decided to work with the different paintings in the different time span because apparently, he wanted to capture what he saw right at that time when the desired condition was there for him.

Also, during the 1870s and 1880s new technologies, inventions and possibilities started to appear, including brighter pigments, which made the colors on the painting more vivid and interesting. To note, shadows in the artworks under the brushes of artists of that time became colorful, not just black, grey, or brown anymore. Studies on color by the chemist Michel Eugène Chevreul in 1839 brought to the world the color theory which was revolutionary to the world of art and Impressionism as well, providing the knowledge of the complementary colors.

Paris Street; Rainy Day by Gustave Caillebotte.

The influence of the arrival of photography made its mark too, not only giving the new experience of the view to the artist, but also the space for the experimentation, as that the world back then had an opportunity to see still and real images of the photos, but not the colorful ones yet, so that is why it was the impulse for the artist to begin creating something new and with the totally different techniques; colorful, something what only they uniquely saw.

Art critic Frederick Wedmore was saying that the Impressionism artists were creating paintings “not just as they are, but just as they appear to be”, and this is the revelation and unique zest of the Impressionism movement, where the optical delights and open ideas became prominent and hugely important, and to be honest, even today they give us inspiration and the feel of expression, because, well, Impressionism is the attained origin of it.

Sources:

https://en.wikipedia.org/wiki/Impressionism

https://en.wikipedia.org/wiki/Jules-Antoine_Castagnary

https://en.wikipedia.org/wiki/Michel_Eugène_Chevreul

https://en.wikipedia.org/wiki/Frederick_Wedmore

https://www.space.com/27007-astronomy-sleuths-monet-painting.html

https://www.nga.gov/collection/art-object-page.61379.html

https://medium.com/museio/the-story-behind-a-rainy-day-b5290e98af02

Johannes Vermeer

What do you think art is? You might think that this is, for example, an expensive and very rare diamond or an architectural monument somewhere in Italy, or maybe France… Thinking this way, you will not be wrong, but this particular way of thinking directs you into something unattainable, sublime, and even too delusive.

If I will state to you that art might be, same as those precious diamonds, a fresh, morning air, or a freshly cut grass, it may be a sunset or a feeling that you belong, sometimes a first love or a cup of coffee (or tea) with a lovely book besides. It is totally different from diamonds, isn’t it? But, somehow you feel better while thinking about it. You may feel the opposite since you may not like coffee or your first love ended up as heartbreak, but, in some strange way, it evokes feeling inside. Different cognition and this is where the art begins.

The Art is in the architectural monuments in Spain, similar to the hug of your parents because both of these make you feel, it is where the art is born.

The Milkmaid.

The painting above is made by the highly admired artist, Johannes Vermeer, who depicts a regular woman, a maid most likely, who pours milk from a jug. She is simple, she is quiet and calm, same as everything around her, but, somehow, the great Vermeer decided to paint her, as if he saw something special in the way she is doing her work, something artistically unusual about her that made him feel.

“Johannes Vermeer, Johannes also rendered Jan, (baptized October 31, 1632, Delft, Netherlands—buried December 16, 1675, Delft), was a Dutch artist who created paintings that are among the most beloved and revered images in the history of art. Although only about 36 of his paintings survive, these rare works are among the greatest treasures in the world’s finest museums. Vermeer began his career in the early 1650s by painting large-scale biblical and mythological scenes, [cityscapes and allegorical scenes], but most of his later paintings—the ones for which he is most famous—depict scenes of daily life in interior settings. These works are remarkable for their purity of light and form, qualities that convey a serene, timeless sense of dignity”, Britannica.

The Girl with a Pearl Earring.

To note my comments about this artist, well, it is pure adoration. He reflected a broad range of emotions and details which he specifically and uniquely saw, then transmitted all of them into the canvas. The ordinary girl which you see above points her gaze at the viewer, she is calm, same as the Milkmade, she is quiet, but has some specific details which evoke different feelings when you are looking at her. There is something special in the way she is forever looking at the observer, and in the way as if she wants something to say… It all looks kind of hazy and at the same time very defined. She penetrates stillness and silence, at the same time colors and joy.

The Little Street.

One of the many of his artworks, this one shows us the life of regular people. It is simple too, but because of its simplicity and exceptional imprinting of regular life, it is special. It shows us that looking after the home, cleaning the yard, or darning the cloth may be art because this painting is an art indeed. It shows that to be simple is enough to exist, by that to feel.

The works we saw are all about the routine, about modest, humble, and maybe this is what catches our sight because we can rely on it and totally and deeply understand it. And it is not bad at all, of course, it is just very real and open, and the way Johannes Vermeer created this atmosphere is a true masterliness and ingenuity of an unremarkable artist who is living till now in his works which reflect the eternal.

Sources:

https://artsandculture.google.com/asset/the-milkmaid/9AHrwZ3Av6Zhjg?hl=en-GB

https://artsandculture.google.com/asset/girl-with-a-pearl-earring-johannes-vermeer/3QFHLJgXCmQm2Q?hl=en-GB

https://artsandculture.google.com/asset/the-little-street-johannes-vermeer/YAGJRuPz8yVuRQ?hl=en-GB

https://en.wikipedia.org/wiki/Johannes_Vermeer

https://www.britannica.com/biography/Johannes-Vermeer

Reflection of a Typography Zine.

This project was entertaining and engaging because it was combining so much in so small, such as eight pages of visual information in just a tiny 8.5 x 11 paper. Moreover, it was helpful for me because I learned more about the specific typeface I choose, which was Futura. I learned on a deeper level about its history, development, and use in our modern days. Also, besides a better understanding of the specific typeface, I learned how to make a small book with just a small piece of paper.

To give me a mark, I think I will put eight of the ten because I always think that I could make it better.

The actual process of making took me approximately four hours, it is including the research and making parts. The whole design I did in simple, black and white colors to reflect the stylistic idea behind the chosen typeface. Again, the visual part of the work is minimalistic and it combines forms, lines, dots with the Futura font, excluding colors and another visual weight that was believed by its creator to be unnecessary. In simple words (maybe not so), it was “utopia by design”.

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Also, I want to include the amazing source where I mostly took all the information and inspiration for this project: https://99designs.ca/blog/design-history-movements/know-your-typeface-futuras-amazing-past/

Thank you and I hope that you will like it!

It looks like a mystery. Like the sanctuary of the dead…

The conversation is about Gothic Architecture of course. It is full of eeriness and some sort of sharp, rude look which makes you feel some sort of astonishment and genuine adoration. It looks mysterious, and this is what attracts you.

“Gothic architecture is an architectural style in Europe that lasted from the mid-12th century to the 16th century, particularly a style of masonry building characterized by cavernous spaces with the expanse of walls broken up by overlaid tracery”, Britannica.

Duomo di Milano, Italy.

“Britain, Germany, and Spain produced variations of this style, while Italian Gothic stood apart in its use of brick and marble rather than stone”, Britannica. As you can see in the example above of Milan’s Cathedral, which is located in Italy, the use of white marble translates its special, “out of this world” atmosphere.

Inside of the Duomo di Milano.

“The style represented giant steps away from the previous, relatively basic building systems that had prevailed. The Gothic grew out of the Romanesque architectural style when both prosperity and relative peace allowed for several centuries of cultural development and great building schemes. From roughly 1000 to 1400, several significant cathedrals and churches were built, particularly in Britain and France, offering architects and masons a chance to work out ever more complex and daring designs”, Khan Academy.

Seven Sisters, Russia.

“It originated in the Île-de-France region of northern France as the development of Norman architecture. The defining design element of Gothic architecture is the pointed or ogival arch. The use of the pointed arch, in turn, led to the development of the pointed rib vault and flying buttresses, combined with elaborate tracery and stained glass windows”, Wikipedia.

“With the development of Renaissance architecture in Italy during the mid 15th century, the Gothic style was supplanted by the new style, but in some regions, notably England and Belgium, Gothic continued to flourish and develop into the 16th century. A series of Gothic revivals began in mid-18th century England, spread through 19th-century Europe, and continued, largely for churches and university buildings, into the 20th century”, Wikipedia.

It was notable in, for example, Russia too. The concept of “Gothic taste” arose in the Russian Empire in the middle of the 18th century and meant all artistic phenomena that opposed themselves to classicism.

There are a lot of details and points which would lead you to long discussions about this art movement, and it conveys the vastness and fullness of this style to a greater extent.

And I think that you, same as me, feel the aftertaste of the administration.

Sources:

https://www.britannica.com/art/Gothic-architecture

https://www.khanacademy.org/humanities/medieval-world/gothic-art/beginners-guide-gothic-art/a/gothic-architecture-an-introduction

https://en.wikipedia.org/wiki/Gothic_architecture

https://unsplash.com/photos/0xe2FGo7Vc0

https://unsplash.com/photos/dlwHTsUInPI

https://unsplash.com/photos/yaiExn-cikk

Reflection of a mood board.

https://sofiiak.invisionapp.com/boards/UW8033079GBM2PR

In general, I think that I did a nice job of explaining and comparing the three chosen topics with the given groups of all the 10 surveys my professor provided me with. I enjoyed the process of researching the main information about the artworks and the artists I have chosen and it took me approximately four hours long (including this reflection).

Which mark I would give myself? I think it will be a solid eight because I feel that I could have done better with providing and filtering the information I put in this work.

What did I learn from this exercise? I think I did one more step to develop my personal qualities such as research, patience, and creativity. Also, the information which shed some light on the overall knowledge about the artist I researched was that Kazimir Malevich and Alexander Liberman were both from Kyiv, Ukraine…

To conclude, the work I did made me dive into the simple forms, looks, and approaches while keeping it intense and full of thinking.

A screengrab of the part of my mood board.

Hieronymus Bosch

This man was a great artist of the High Renaissance & Mannerism movement of 1450-1516 in the Netherlands.

“He is one of the most notable representatives of the Early Netherlandish painting school”, Wikipedia. Well, I will not even try to argue with this statement. Because when I had a first look at the paintings he created, right away I knew that I look at the works of a talented, unique person. The way he chose the colours, tones, shades, his imagination is truly incredible. How do I know that? I think it is all about the atmosphere of the works he did because when you look at them, you feel what the artist felt back then, starting from the anger and rich colours, and ending with his personal conflicts and abstract, imaginary worlds.

Hieronymus Bosch was born in Brabant, and was named as Jheronimus van Aken. He lived all his life in the city he was born in. His grandfather was an artist too, and his father was an artistic adviser, and known people even think that Bosh gained knowledge of his artistic skills through his two relatives.

Out there you could find not that broad amount of information about his life, thoughts, personality. But I think that the artworks penetrate to us all those qualities which did not survive to our days in dairies or another sort of notes, where we could find a little bit more about him. And yes, let’s be honest, his masterpiece looks eerie.

“Bosch produced at least sixteen triptychs, of which eight are fully intact, and another five in fragments, [which were] mostly on oak panels using oil as a medium”, Wikipedia. All those works are interesting, different and they alternate from Flemish style to the Impasto.

Sources:

https://en.wikipedia.org/wiki/Hieronymus_Bosch

https://fineartamerica.com/featured/death-and-the-miser-1490-hieronymus-bosch.html

https://fineartamerica.com/featured/2-the-garden-of-earthly-delights-right-panel-hieronymus-bosch.html

https://fineartamerica.com/featured/the-visions-of-tondal-1479-hieronymus-bosch.html

https://fineartamerica.com/featured/the-garden-of-earthly-delights-center-panel-hieronymus-bosch.html

https://fineartamerica.com/featured/christ-in-limbo-1575-hieronymus-bosch.html