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survey 6: horta brings the outdoors to the indoors

Ah, France and Belgium–where Art Nouveau all began. It was a time where natural colour palettes and organic shapes were dominant trends in both architecture and design. Victor Horta was a Belgium architect who consistently exemplified a beautiful portrayal of nature both architecturally and in his interior decorative design work.

An Interior Design Expert

Chair for the Hôtel Aubecq, Brussels (1899)
Hotel Aubecq, Brussels is where this beautiful chair is located. I love the natural texture and harmonious flow of lines, creating a war and inviting feel.

It is not a surprise that Horta applied his skills in interior design. He designed this chair for the Hotel Aubecq in Brussels. I love how the thick, curvy lines of the armrest leads the viewers’ eyes to the back of the chair. This focal point resembles a flower in my opinion, and acts as the cherry on top. It is also lovely to see how the chair sits elegantly on the floor, as if it is “tip-toeing”. This gives it a light and elegant feel to it.

Architecture Galore

Horta’s goal was often to create an open and airy atmosphere, which I imagine worked well for the hotels he designed for. He often had some kind of focal point and, in the case of his architectural work for hotels, they were the extravagant staircases. These staircases often had an emphasis on structural design and frequently had an abundance of dainty lines resembling nature.

Hôtel Tassel, Brussels (1893)
The Tassel House, Brussels features a beautiful staircase that virtually screams gardens and vines. I personally love how the stairs resemble ripples of water and convey a dynamic sense of rhythm as it flows down. The vine-like railings give it a light feel too.

Victor Horta was a huge influence and basically made Art Nouveau a national style. His accomplishments include designing for numerous department stores, where he often used glass panels on the facade (the exterior design). This created a sense of transparency, where people walking outside could peer inside the stores. It is interesting to note this because if you take a walk in downtown Vancouver, nearly all the stores have this kind of transparency with glass facades. This shows the impact his work has on architecture today. It is also interesting to think about why he chose to do this. Was it for aesthetic reasons? Or perhaps because he was using this tool as a means of communication. I imagine the openness of his department store designs strengthened the honest relationships with shoppers and sellers. Horta not only incorporated lovely nature designs and palettes, but designed for clients based on their needs.

L'Innovation Department Store, Brussels (1901-03)
Department store design, Brussels. Victor Horta’s designs were intricate, highly detailed and had a luxurious feeling to it.

All image sources: https://www.theartstory.org/artist/horta-victor/artworks/

Informational sources: https://theculturetrip.com/europe/belgium/articles/victor-horta-belgiums-greatest-art-nouveau-architect/

https://www.theartstory.org/artist/horta-victor/artworks/

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