Visual Research II

Proximity

Sergi Delgado- The Eye

I feel this piece is a great example of the principle of proximity as the whole image is just made out of teardrop shapes of varying sizes but if looked at from a distance or when squinting looks like an eye. The grouping of the teardrop elements creates a whole new image just by making the illusion that pasrt are darker than others

Yearbook Spread

It took me quite a while to settle on an idea for my yearbook spread and my train of thought was all over the place but eventually it clicked! I was reading my book on RayGun magazine and realized that it was perfect for the project and if done well would perfectly capture who I am. I started researching Chris Ashworth, David Cardson and swiss grit as a whole and what guidelines I waould need to follow (turns out not very many) then I set to work designing a layout. I started by planning rough layouts and spreads on paper and figured out what photos I would need to take or use then once I had a plan I hopped on photoshop to comp together a more meticulously planned work. I spent quite a long time messing with where to place text and my pictures but once I got into the flow work went smoothly. I knew that the lettering on my hand drawn piece would be a bit tricky as Letraset is no longer sold so I went for a hand lettered approach using paint pens and Im pretty happy with the result. I think I would give myself a 9/10 as i fell i replicated the style i was going for to the best of my abilities and ended up with an end product that is recognisable as a Swiss grit inspired work.

Visual Research 1

Size

Concepcion Studios- The Shining, 2018

I chose this piece as my example for size as the small barely noticeable characters make the maze that takes up most of the image feel vast and desolate. 

Texture

David Carson- Ray Gun issue 50. 1997

I feel this piece is a great example of texture as  you look at it and can imagine exactly how it feels if you were to touch it. The charcoal and pastel in the blackground gives a very gritty feel that adds to the scratchy letraset and faces to make a piece where no part is left untextured.

Line

Peter Saville- Unknown Pleasures.1979

I chose this image for my example of the line element as its one of the most recognizable album covers of all time and its made using only  a bunch of lines.