Categories
141

Survey 1

Indus Valley Civilization
3300 BCE – 1300 BCE

The Indus Valley Civilization, also known as the Harrapan Civilization, is thought to possibly have brought the origin of Hinduism and is believed to be one of the most peaceful civilizations to have existed. It extended from what we know today as northeast Afghanistan to Pakistan, and northwest India.

Architecture/Urban Planning

World’s First Major Urban Centres

Mohenjo-daro and Harrapa were the two largest cities of the Indus Valley. Not only that, they are now thought to be two of the world’s first major urban centres. Both cities showed incredible signs of advanced architecture and urban planning.

The street planning of these cities was elaborate. It was gridded and orientated to the points of the compass. Towns were sophisticatedly divided into wards according to their function (shops, workshops, residences). All buildings were built with uniformly-sized baked bricks through both these major cities which is an obvious indication that their civilization was widely organized. They found public wells at street intersections and they found private wells inside the courtyards of two-storey residences. Most importantly, they had an urban sanitation system which consisted of covered sewers and a drainage system leading water out of the city. All these elements of urban planning suggest that the Indus Valley civilization had an efficient city governments who priority placed on hygiene. Mohenjo-daro also features an impressive public bath and social gathering site known as the Great Bath.

Surrounding the cities were massive perimeter walls constructed of mud brick and sometimes additionally faced with fired brick or stone. These perimeter walls were most likely built to protect against floods, but they also could have helped deterred military conflicts. Surprisingly, there are no other obvious signs of fortification within these large cities, which was very uncommon for the times. There is also no evidence that these walls have been damaged by warfare in any way over its lifetime.

Drains of the Mohenjo-daro archaeological site – https://ezproxy.capilanou.ca/login?url=https://search.credoreference.com/content/entry/bridgemandeag/drains_of_the_mohenjo_daro_archaeological_site_unesco_world_heritage_list_1980_pakistan_indus_civilization_3rd_millennium_bc/1?institutionId=6884
The Great Bath at Mohenjo-Daro – https://en.wikipedia.org/wiki/Great_Bath,_Mohenjo-daro#/media/File:Mohenjo-daro.jpg

Science and Tools

Consistency is key
The Indus civilization are believed to be among the first to develop a set of standardized weights and measures. Archaeologists have discovered a highly standardized system of stone weights was used throughout the entire area of the Indus civilization that is thought to have been based off of the weights of grains, such as wheat, barley, and edible seeds. These weights were used with matched scale
pans, which were made of copper or bronze and occasionally of terracotta and were used broadly. Indus weights, along with seals and sealings, have been found in the Arabian Gulf to as far away as Mesopotamia, and Central Asia which goes to show just how effective and widespread its use was.

A set of weights – https://www.harappa.com/content/harappa-weights#:~:text=A%20statistical%20analysis%20of%20commonly,amongst%20the%20commonly%20found%20weights.

References

Robinson, Andrew. “Forgotten Utopia.” New Scientist, vol. 231, no. 3091, Sept. 2016, pp. 30–33. EBSCOhost, doi:10.1016/S0262-4079(16)31702-X.

Upshur, Jiu-Hwa Lo. “Mohenjo-Daro.” World History: A Comprehensive Reference Set, edited by Facts on File, Facts On File, 1st edition, 2016. Credo Reference, https://ezproxy.capilanou.ca/login?url=https://search.credoreference.com/content/entry/fofworld/mohenjo_daro/0?institutionId=6884. Accessed 29 Sep. 2020.

Kenoyer, Jonathan Mark. “Indus Civilization.” Encyclopedia of Archaeology, edited by Deborah M. Pearsall, Elsevier Science & Technology, 1st edition, 2008. Credo Reference, https://ezproxy.capilanou.ca/login?url=https://search.credoreference.com/content/entry/estarch/indus_civilization/0?institutionId=6884. Accessed 29 Sep. 2020.

Categories
121

Visual Research II: Gestalt Priniciples

Agency: Pentagram

Gestalt Principle: Proximity
The shapes of the icon come together to form an abstract pound sign of sorts because they are placed close to each other.

Categories
121

Designers: Katie Morgan & Natalie Turner

Gestalt Principle: Figure/Ground
This logo cleverly depicts a fountain pen nib as well as a spoon.

Categories
141

Yearbook Spread

Rationale

My spread aims to capture my preferred aesthetic-rustic yet organized. I incorporated collage-y elements of ink and watercolour—two of my favourite mediums. I kept the colour palette simple with just black, white, and green—something I often do in my work to not overcomplicate a project. You’ll hardly ever find edges that are perfectly straight in my handmade work. I go more by my brain’s intuitive ruler (if that’s a thing). Though the layout is, for the most part, organized, I love when “mistakes” show through in the rough edges, crooked lines, and subtle colour variations. This all parallels who I am as a person—put-together on the surface, but if you look a bit closer, quite wonky. I decorated with a bit of my collection of dried and press foliage which kept in line with the green and it adds a personal touch. I tend to look to nature for inspiration and I think it adds dimensionality to the entire piece.

Grade

I would give myself a 7 on this project. I think I captured who I am stylistically and I enjoyed how I did my name and the location timeline. I could’ve planned out the write-ups a bit more. Copywriting about yourself is much harder than expected. It’s hard to convey your essence in short answers. I also could have been more thoughtful and creative with a theme. It ended up being quite simple and just a project that ticked off the surface-level boxes.

Categories
121

Visual Research I: Design Elements

SCALE – Editorial illustration by Sarah Gonzales

I really enjoyed how Sarah used scale to emphasize the relationship between the human figures and the devices. The illustration uses that device well to portray an abstract concept.

LINE – Poster by Simon C. Page

This poster uses the element of line to create the orbit rings around a planet. The angle and scale of the rings add drama to the poster while all other elements on the page are kept relatively small.

SPACE – Posters and identity by Zorani Sanabria, Guillaume Beaulieu, and Alexis Gagné from Mambo Mambo CreativeStudio

This jazz festival’s brand identity effectively uses space and colour to depict musical instruments in their simplest form. The textured gradients adds character within the forms when they’re placed against the solid coloured backgrounds.