Camille Pissarro: The Underdog of Impressionism

Impressionism is a movement synonymous with names like Monet, Manet, and Cezanne for their daring approaches to this new and evolving generation. Camille Pissarro rarely comes up as one of the first names you think of, but his contribution to this era was essential nonetheless and quickly became a pivotal figure in the world of art.

Jalais Hill, Pontoise This may be one of my personal favourite paintings by Pissarro! The flatness of the colours remind me of gouache, which I currently have a love-hate relationship with, and the overall tone is calming and comfortable. Though I am a big fan of the city, this painting makes me want to visit the outskirts of Europe and bathe in the warmth of the afternoon sun.

Early Life

Jacob-Abraham-Camille Pissarro was a Danish-French impressionist born in Charlotte Amalie, St. Thomas. He would continue to live in his hometown until travelling to Paris for boarding school, where he spent his free time drawing and observing the life around him.

The Hermitage at Pontoise Pissarro slowly developed a focus on landscape paintings, which he often puts his signature on by adding at least one person in the midst of the buildings and nature.

Growing up, and even when he made a name for himself in the art world, Pissarro was considered an outsider, usually for reasons relating to his family and ethnic background. Perhaps this unfortunate aspect of his life led him to empathize with new and upcoming artists, as he was kind, respectful, and welcomed many with open arms. He committed to becoming a full-time artist at 21, but when returning home after fleeing from the Franco-Prussian War, he discovered that his house, along with many of his early works, were destroyed.

Hoarfrost Pissarro befriended Monet, Renoir, and other contemporaries, who eventually organized a society that would host exhibitions outside of the Paris salon. They would later on be appropriately named the Impressionists. This was one of Pissarro’s paintings shown in the first Impressionist Exhibit.

Boulevarde Montmartre

During his later life, Pissarro suffered from an eye condition that restricted him from working outdoors for long periods. His creative solution was to start painting outdoor scenes through the windows of hotels, which occupied the majority of his time in Paris and London. He went on to create a series of 14 paintings of the same view of Boulevarde Montmartre from the window of the Grand Hôtel de Russie during different times of the day. Collections like these remind me of other artists who have done the same, like Hokusai and his 36 Mount Fuji prints, and make me wonder about the reason behind artists’ fascination with series paintings.

Boulevard Montmartre: Afternoon, Sunshine There is a large variety of times of day and weather conditions in his many paintings of Boulevard Montmartre. In this specific painting, his rapid and loose brushwork accurately captures the bustling of the city streets during the peak hours of the day.
Boulevard Montmartre, Spring Pissarro was quite proud of this series of paintings: “I am delighted to be able to paint these Paris streets that people have come to call ugly, but which are so silvery, so luminous and vital.”

Pissarro was not only a notable leader in the development of the Impressionistic style, but he also became an important character for future generations that came after him and was an influence on Neo-Impressionism. It is truly a little disappointing to see Pissarro as such an underrated figure of his time, but his dignified life, stunning works, and remarkable impacts on the world of art will never be forgotten.

Sources

https://www.youtube.com/watch?v=XoEX16Stct0
https://www.youtube.com/watch?v=TIE7FME6F8M
https://www.youtube.com/watch?v=CW8Bwt2ZJwo
https://www.youtube.com/watch?v=ES5_kkOxKvM&list=PLnqgKdfiHvurTl2sC-8KECu53gYjLHBYs&index=13
https://en.wikipedia.org/wiki/Camille_Pissarro
https://www.camille-pissarro.org/biography.html
https://impressionistarts.com/first-impressionist-exhibition

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