“Painting by nature is a luminous language.”

This quote by Robert Deluanay serves as an excellent precursor to his relationship to his art form. Hearing this way in which he speaks about his art–the mere idea of a “luminous language”–can thrill a viewer without having had a look at his creations. Even further, Deluanay does not dissapoint any expectations upon first viewings.

Robert Delaunay

Self Portrait, Oil on Canvas. This painting is an excellent example of his cube-like strokes and use of blank canvas space.

Deluanay started out his career influenced by “Neo-Impressionism,” a subsection of art that includes pointillism and division-ism.  His defining characteristics of his style is his unique “mosaic” type interpretations, often leaving areas of canvas blank while using squares to depict his subjects. Later in his career the mosaic style grew into a complex relationship between abstract ideas and geometric interpretations. Later in his career, Deluanay was accredited with pioneering his own versions of color theory. 

Rhythm, 1912 - Robert Delaunay

Rhythm, 1912 – Robert Delaunay, displaying his work with color theory and geometric relationships.

He was born in 1885 in a well off family but ended up being turned over to his aunt and uncle. He was raised near Bourges for the rest of his life. As many modern artists were, he was heavily inspired by Cezanne and Vasily Kandinsky.

Eiffel Tower, 1909 - 1914 - Robert Delaunay

Eiffel Tower, 1909 – 1914 – Robert Delaunay

His works that were the most recognized were his series that were commonly displayed in galleries and salons across France. He was familiar with Galerie Barbazanges, of Paris, and the Salon d’Automne. One can infer from his prolific showings that he was well recieved within the art world, regardless if the public was able to fully appreciate the intensity behind his work. He was supported by many important figures in the art community, those who built him up through personal relationships and through business opportunities.  Without a doubt he was supported and respected by his contemporaries, and with good reason.

The City of Paris, 1912 - Robert Delaunay

The City of Paris, 1912

Man with a Tulip (also known as Portrait of Jean Metzinger), 1906 - Robert Delaunay

Man With a Tulip, 1906 A beautiful example of Delaunay’s Neo-Impressionist work, using his signature long square-like strokes and color combinations.